|
1562 In Art
{{Year nav topic5, 1562, art Events from the year 1562 in art. Events * In Venice, sumptuary laws decree that all gondolas must be painted black to prevent lavish displays of wealth. * Giorgio Vasari, who had begun work on the Uffizi in Florence in 1560, founds the Academy of Design. * Paolo Veronese begins painting ''The Wedding at Cana'' (1562-1563). * The Medici court astronomer Fra Ignazio Danti paints maps at the Palazzo Vecchio. * Tintoretto begins the three paintings of the miracles of St. Mark (1562–66) for the Scuola di San Marco. * Flemish artist Hieronymus Cock and Spanish cartographer Diego Gutiérrez produce the map ''Americae Sive Quartae Orbis Partis Nova Et Exactissima Descriptio''. Paintings * Pieter Brueghel the Elder paints '' The Triumph of Death'' and ''Dull Gret'', both strongly influenced by the style of Hieronymus Bosch. * Frans Floris paints '' The Sacrifice of Jesus Christ, Son of God, Gathering and Protecting Mankind (Allegory of the Trinity)'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Cock
Hieronymus Cock, or Hieronymus Wellens de Cock (1518 – 3 October 1570) was a Flemish painter and etcher as well as a publisher and distributor of prints.Hieronymus Cock at the Cock is regarded as one of the most important print publishers of his time in northern Europe. His publishing house played a key role in the transformation of printmaking from an activity of individual artists and craftsmen into an industry based on division of labour.H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Death Of Actaeon
''The Death of Actaeon'' is a late work by the Italian Renaissance painter Titian, painted in oil on canvas from about 1559 to his death in 1576 and now in the National Gallery in London. It is very probably one of the two paintings the artist stated he had started and hopes to finish (one of which he calls " Actaeon mauled by hounds") in a letter to their commissioner Philip II of Spain during June 1559. However, most of Titian's work on this painting possibly dates to the late 1560s, but with touches from the 1570s. Titian seems never to have resolved it to his satisfaction, and the painting apparently remained in his studio until his death in 1576. There has been considerable debate as to whether it is finished or not, as with other very late Titians, such as the '' Flaying of Marsyas'', which unlike this has a signature, perhaps an indication of completion. It is a sequel of Titian's work '' Diana and Actaeon'' showing the story's tragic conclusion, which approximately fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lattanzio Gambara
Lattanzio Gambara (c. 1530 – 18 March 1574) was an Italian painter, active in Renaissance and Mannerist styles. It is likely that Gambara is the same 16th century painter referred to as ''Lattanzio Cremonese'' or ''Lattanzio da Cremona''. Biography Born in Brescia, Gambara initially apprenticed, aged fifteen, with Giulio Campi in Cremona. By 1549 he was working alongside Girolamo Romanino, who became his father-in-law. Gambara's work also shows the influence of il Pordenone. An altarpiece of S. Maria in Silva dates to 1558. He painted frescoes in the Villa Contarini in Asolo. Another fresco cycle on the ''History of the Apocalypse'' decorated the Loggia of Brescia, until it was destroyed by bombing in 1944. In his maturity the artist returned to Brescia to work with Romanino in a series of generally lost frescoes for Sant'Eufemia and Saint Lorenzo in Brescia. He painted altarpieces, all but one of them now lost, for the abbey of Saint Benedict in Polirone, and also decorated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Floris
Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt (17 April 15191 October 1570) was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits.Frans Floris at the Netherlands Institute for Art History He played an important role in the movement in Northern Renaissance painting referred to as . The Romanists had typically travelled to Italy to study the works of leading Italian Hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ; – 9 August 1516) was a Dutch/Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a hugely individualistic painter with deep insight into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dull Gret
''Dulle Griet'' (anglicized as ''Dull Gret''), also known as ''Mad Meg'', is a figure of Flemish folklore who is the subject of a 1563 oil-on-panel by Flemish renaissance artist Pieter Bruegel the Elder. The painting depicts a virago, Dulle Griet, who leads an army of women to pillage Hell, and is currently held and exhibited at the Museum Mayer van den Bergh in Antwerp. History and description A restoration of the painting in 2018 revealed that it was painted in 1563, shortly after the painter had moved to Brussels. Previously, the signature and the date on the painting had been illegible, and it was assumed that it was painted two years earlier, or, based on its close compositional and stylistic similarity to '' The Fall of the Rebel Angels'' and ''The Triumph of Death'', one year earlier. Like those pictures, ''Dulle Griet'' owes much to Hieronymus Bosch. It is assumed the painting was destined for a series.Cf. Pietro Allegretti. ''Brueghel''. Milan: Skira, 2003. Bruege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Triumph Of Death
''The Triumph of Death'' is an oil panel painting by Pieter Bruegel the Elder painted c. 1562. It has been in the Museo del Prado in Madrid since 1827. Description The painting shows a panorama of an army of skeletons wreaking havoc across a blackened, desolate landscape. Fires burn in the distance, and the sea is littered with shipwrecks. A few leafless trees stud hills otherwise bare of vegetation. Fish lie rotting on the shores of a corpse-choked pond. Art historian James Snyder emphasizes the "scorched, barren earth, devoid of any life as far as the eye can see." In this setting, legions of skeletons advance on the living, who either flee in terror or try in vain to fight back. In the foreground, skeletons haul a wagon full of skulls. In the upper left corner, others ring the bell that signifies the death knell of the world. People are herded into a coffin-shaped trap decorated with crosses, while skeletons on horseback kill people with a scythe. This is one of four hor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Brueghel The Elder
Pieter Bruegel (also Brueghel or Breughel) the Elder (, ; ; – 9 September 1569) was the most significant artist of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre painting); he was a pioneer in making both types of subject the focus in large paintings. He was a formative influence on Dutch Golden Age painting and later painting in general in his innovative choices of subject matter, as one of the first generation of artists to grow up when religious subjects had ceased to be the natural subject matter of painting. He also painted no portraits, the other mainstay of Netherlandish art. After his training and travels to Italy, he returned in 1555 to settle in Antwerp, where he worked mainly as a prolific designer of prints for the leading publisher of the day. Only towards the end of the decade did he switch to make painting his main medium, and all his famous paintings come from the following period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Fresco")
_-_Self-portrait.jpg "Click for more on -> Frans Floris")
_-_WGA03402.jpg "Click for more on -> Dull Gret")
