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Bramante
Donato Bramante ( , , ; 1444 – 11 April 1514), born as Donato di Pascuccio d'Antonio and also known as Bramante Lazzari, was an Italian architect and painter. He introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter's Basilica formed the basis of design executed by Michelangelo. His Tempietto ( San Pietro in Montorio) marked the beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary over the spot where Peter was martyred. Life Urbino Bramante was born under the name Donato d'Augnolo, Donato di Pascuccio d'Antonio, or Donato Pascuccio d'Antonio in Fermignano near Urbino. Here, in 1467, Luciano Laurana was adding to the Palazzo Ducale an arcaded courtyard and other Renaissance features to Federico da Montefeltro's ducal palace. Bramante's architecture has eclipsed his painting skills: he knew the painters Melozzo da Forlì and Piero della Francesca well, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Pietro In Montorio
San Pietro in Montorio (Saint Peter on the Golden Mountain) is a church in Rome, Italy, which includes in its courtyard the ''Tempietto'', a small commemorative '' martyrium'' (tomb) built by Donato Bramante. History The Church of San Pietro in Montorio was built on the site of an earlier 9th-century church dedicated to Saint Peter on Rome's Janiculum hill. It serves as a shrine, marking the supposed site of St. Peter's crucifixion. In the 15th century, the ruins were given to the Amadist friars, a reform branch of the Franciscans, founded by the Blessed Amadeus of Portugal, who served as confessor to Pope Sixtus IV from 1472. Commissioned by Ferdinand and Isabella of Spain. It is a titular church, whose current title holder, since 1 March 2008, is Cardinal James Francis Stafford. Interior The church is decorated with artworks by prominent 16th- and 17th-century masters. The first chapel on the right contains Sebastiano del Piombo's ''Flagellation'' and ''Transfigurati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Presso San Satiro
Santa Maria presso San Satiro ( Saint Mary near Saint Satyrus) is a church in Milan. The Italian Renaissance structure (1476-1482) houses the early medieval shrine to Satyrus, brother of Saint Ambrose. The church is known for its false apse, an early example of ''trompe-l'œil'', attributed to Donato Bramante. History The church lies on the site of a primitive worship place erected by the archbishop Anspertus in 879, dedicated to Saint Satyrus, confessor and brother of Saints Ambrose and Marcellina. The current church was instead built from 1472 to 1482 under commission from Duchess Bona di Savoia and Duke Gian Galeazzo Sforza. According to some sources, the designer was Donato Bramante, who had recently moved from the Marche. However, recent documents prove that Bramante had a minor role, with most of the work being attributable to Giovanni Antonio Amadeo, who designed the façade. It is certain that Bramante is responsible for the sacristy perspective. According to sour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or the Fearsome Pope, he chose his papal name not in honour of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States increased its power and centralization, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter's Basilica. The same year he organized the famous Swiss Guards for his personal protection and commanded a successful campa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High Renaissance
In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians state that the High Renaissance started around 1495 or 1500 and ended in 1520 with the death of Raphael, although some say the High Renaissance ended about 1525, or in 1527 with the Sack of Rome by the army of Charles V, Holy Roman Emperor, or about 1530 (see next section for specific art historians' positions). The best-known exponents of painting, sculpture and architecture of the High Renaissance include Leonardo da Vinci, Michelangelo, Raphael, and Bramante. In recent years, the use of the term has been frequently criticized by some academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works. Origin of term The term ''High Renaissance'' was first used by Jacob Bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Sforza
Ludovico Maria Sforza (; 27 July 1452 – 27 May 1508), also known as Ludovico il Moro (; "the Moor"). "Arbiter of Italy", according to the expression used by Guicciardini,Opere inedite di Francesco Guicciardini etc, Storia fiorentina, dai tempi di Cosimo de' Medici a quelli del gonfaloniere Soderini, 3, 1859, p. 217 was an nobleman who ruled as Duke of Milan from 1494 to 1499. Endowed with rare intellect and very ambitious, he managed, although fourth son, to acquire dominion over Milan, first subtracting the reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a rotunda wall, a drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian, Hellenistic, Roman, and Chinese architecture in the ancient world, as well as among a number of indigenous building traditions throughout t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assembl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melozzo Da Forlì
Melozzo da Forlì (c. 1438 – 8 November 1494) was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening. He was the most important member of the Forlì painting school. Biography Melozzo was supposedly from a wealthy family named Ambrosi from Forlì. Nothing is known about his early years. It is only a hypothesisThe theory is credited to Luigi Lanzi. See that he was formed by the Forlivese school of art, then dominated by Ansuino da Forlì; both were influenced by Andrea Mantegna. It has been said, also without confirmation, that he became a journeyman and color-grinder to master painters. His presence was first mentioned in his birthplace in 1460 and again in 1464. Around this period, and together with Antoniazzo Romano, he painted frescoes in the Bessarione chapel in the Basilica dei Santi Apostoli in Rome. Melozzo then moved to Urbino, probably between 1465 and 1474. There he met Piero della Francesca, who p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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