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Bhartṛhari
Bhartṛhari (Devanagari: ; also romanised as Bhartrihari; fl. c. 5th century CE) was a Hindu linguistic philosopher to whom are normally ascribed two influential Sanskrit texts: * the ''Vākyapadīya'', on Sanskrit grammar and linguistic philosophy, a foundational text in the Indian grammatical tradition, explaining numerous theories on the word and on the sentence, including theories which came to be known under the name of Sphoṭa; in this work Bhartrhari also discussed logical problems such as the liar paradox and a paradox of unnameability or unsignfiability which has become known as Bhartrhari's paradox, and * the ''Śatakatraya'', a work of Sanskrit poetry, comprising three collections of about 100 stanzas each; it may or may not be by the same author who composed the two mentioned grammatical works. In the medieval tradition of Indian scholarship, it was assumed that both texts were written by the same person. Modern philologists were sceptical of this claim, owing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sphoṭa
( sa, स्फोट, ; "bursting, opening", "spurt") is an important concept in the Indian grammatical tradition of Vyakarana, relating to the problem of speech production, how the mind orders linguistic units into coherent discourse and meaning (linguistic), meaning. The theory of ' is associated with Bhartṛhari ( 5th century "Bhartrihari was long believed to have lived in the seventh century CE, but according to the testimony of the Chinese pilgrim Yijing [...] he was known to the Buddhist philosopher Dignaga, and this has pushed his date back to the fifth century CE."), an early figure in Indic linguistic theory, mentioned in the 670s by Chinese traveller Yijing (monk), Yijing. Bhartṛhari is the author of the ''Vākyapadīya'' ("[treatise] on pada (foot), words and vākya, sentences"). The work is divided into three books, the ''Brahma-kāṇḍa'', (or ''Āgama-samuccaya'' "aggregation of traditions"), the ''Vākya-kāṇḍa'', and the ''Pada-kāṇḍa'' (or ''Prakīr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śatakatraya
The ''Śatakatraya'' ( sa, शतकत्रय, lit=The Three Satakas), (also known as , ) refers to three Indian collections of Sanskrit poetry, containing a hundred verses each. The three '' śataka's are known as the , , and , and are attributed to Bhartṛhari. The three ''Śataka''s Indian scholar K. M. Joglekar in his translation work 'Bhartrihari: Niti and Vairagya Shatakas' says that, "The Shatakas were composed when Bhartrihari had renounced the world. It is not easy to say in what order they were written, from the subject matter of each of them, it is likely that Shringarashatak was written first, then followed the Niti and lastly the Vairagyashataka". The ''Nītiśataka'' deals with ''nīti'', roughly meaning ethics and morality. ''Śṛṅgāraśataka'' deals with love and women. ''Vairāgyaśataka'' contains verses on renunciation. The Sanskrit scholar Barbara Stoler Miller translated these sections as ''Among Fools and Kings'', ''Passionate Encounters'' and ''Refuge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vyākaraṇa
''Vyākaraṇa'' (, ) refers to one of the six ancient Vedangas, ancillary science connected with the Vedas, which are scriptures in Hinduism.James Lochtefeld (2002), "Vyakarana" in ''The Illustrated Encyclopedia of Hinduism'', Vol. 2: N-Z, Rosen Publishing, , page 769 ''Vyākaraṇa'' is the study of grammar and linguistic analysis in Sanskrit language. Pāṇini and Yāska are the two celebrated ancient scholars of Vyākaraṇa; both are dated to several centuries prior to the start of the common era, with Pāṇini likely from the fifth century BCE. Pāṇini's ''Aṣṭādhyāyī'' is the most important surviving text of the Vyākaraṇa traditions. This text, as its very title suggests, consists of eight chapters, each divided into four padas, cumulatively containing 4000 sutras. The text is preceded by abbreviation rules grouping the phonemes of Sanskrit. Pāṇini quotes ten ancient authorities whose texts have not survived, but they are believed to have been Vyākaraṇa sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Poetry
Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm). Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ujjain
Ujjain (, Hindustani language, Hindustani pronunciation: Help:IPA/Hindi and Urdu, [ʊd͡ːʒɛːn]) is a city in Ujjain district of the States and territories of India, Indian state of Madhya Pradesh. It is the fifth-largest city in Madhya Pradesh by population and is the public administration, administrative centre of Ujjain district and Ujjain division. It is one of the Hindu pilgrimage centres of Sapta Puri famous for the ''Kumbh Mela'' held there every 12 years. The famous temple of Mahakaleshwar Jyotirlinga is located in the center of the city. An ancient city situated on the eastern bank of the Shipra River, Ujjain was the most prominent city on the Malwa plateau of central India for much of its history. It emerged as the political centre of central India around 600 BCE. It was the capital of the ancient Avanti (India), Avanti kingdom, one of the sixteen Mahajanapadas. During the 18th century, the city briefly became the capital of Scindia state of the Maratha Empire, when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa ( sa, रस) literally means "nectar, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by ''bhavas'': the state of mind. The ''rasa'' theory has a dedicated section (Chapter 6) in the |
Bharthari (other)
Bharthari ( IAST: Bhartṛhari) may refer to: * Bhartṛhari, a Sanskrit grammarian and poet (c. 5th century CE) * Bharthari (king) Bharatthari, also known as Jogi Sant" Bharthari, in many parts of India, is the hero of many folk stories in North India. He was the ruler of Ujjain, before renouncing the world and abdicating in the favor of his younger brother Vikramaditya. ..., a folk hero of India * Bharthari (film), a 1944 Hindi-language Indian film * Bharthari, Jaunpur, a village in Uttar Pradesh, India {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patanjali
Patanjali ( sa, पतञ्जलि, Patañjali), also called Gonardiya or Gonikaputra, was a Hindu author, mystic and philosopher. Very little is known about him, and while no one knows exactly when he lived; from analysis of his works it is estimated that it was between the 2nd and 4th centuries CE. He is believed to be an author and compiler of a number of Sanskrit works. The greatest of these are the ''Yoga Sutras'', a classical yoga text. There is speculation as to whether the sage Patañjali is the author of all the works attributed to him, as there are a number of known historical authors of the same name. A great deal of scholarship has been devoted over the last century as to the issue of the historicity or identity of this author or these authors. lists ten separate authors by the name of "Patañjali." Amongst the more important authors called Patañjali are: * The author of the ''Mahābhāṣya'', an ancient treatise on Sanskrit grammar and linguistics, based on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amaru Shataka
The ''Amaruśataka'' or ''Amarukaśataka'' (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7thIntroduction in The ''Amaruśataka'' was alsas part of the volum''Love Lyrics''in the Clay Sanskrit Library or 8th century. The ''Amaruśataka'' ranks as one of the finest lyrical poetry in the annals of Sanskrit literature, ranking with Kalidasa and 's '. The ninth-century literary critic Anandavardhana declared in his ''Dhvanyaloka'' that "a single stanza of the poet Amaru ... may provide the taste of love equal to what's found in whole volumes." Its verses have been used by poets and critics as examples and standards to judge other poems by. Andrew Schelling describes it as "love poetry original and vivid as that produced anywhere on the planet".Introduction i''Erotic Love Poems from India'' A Translation of the ''Amarushataka'' translated by Andrew Schelling, Shambala Library, 2004. Its subject i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aithihyamala
Aithihyamala or Ithihyamala ( ml, ഐതിഹ്യമാല) (''Garland of Legends'') is a collection of century-old stories from Kerala that cover a vast spectrum of life, famous persons and events. It is a collection of legends numbering over a hundred, about magicians and ''yakshis'', feudal rulers and conceited poets, ''kalari'' or ''Kalaripayattu'' experts, practitioners of Ayurveda and courtiers; elephants and their mahouts, tantric experts. Kottarathil Sankunni (23 March 1855 – 22 July 1937), a Sanskrit-Malayalam scholar who was born in Kottayam in present-day Kerala, started documenting these stories in 1909. They were published in the Malayalam literary magazine, the '' Bhashaposhini'', and were collected in eight volumes and published in the early 20th century. It includes popular tales such as about the twelve children of Vararuchi and Parayi (a woman of ''Paraiyar'' caste), ''Kayamkulam Kochunni'', ''Kadamattathu Kathanar'' among many others. The story of 12 chil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Grammar
The grammar of the Sanskrit language has a complex verbal system, rich nominal declension, and extensive use of compound nouns. It was studied and codified by Sanskrit grammarians from the later Vedic period (roughly 8th century BCE), culminating in the Pāṇinian grammar of the 4th century BCE. Grammatical tradition Origins Sanskrit grammatical tradition (''vyākaraṇa'', one of the six Vedanga disciplines) began in late Vedic India and culminated in the ''Aṣṭādhyāyī'' of Pāṇini. The oldest attested form of the Proto-Indo-Aryan language as it had evolved in the Indian subcontinent after its introduction with the arrival of the Indo-Aryans is called Vedic. By 1000 BCE, the end of the early Vedic period, a large body of Vedic hymns had been consolidated into the Ṛg·Veda, which formed the canonical basis of the Vedic religion, and was transmitted from generation to generation entirely orally. In the course of the following centuries, as the popular speech evolved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
