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Bhartṛhari (
Devanagari Devanagari ( ; , , Sanskrit pronunciation: ), also called Nagari (),Kathleen Kuiper (2010), The Culture of India, New York: The Rosen Publishing Group, , page 83 is a left-to-right abugida (a type of segmental Writing systems#Segmental syste ...
: ; also romanised as Bhartrihari; fl. c. 5th century CE) was a
Hindu Hindus (; ) are people who religiously adhere to Hinduism.Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for ...
linguistic Linguistics is the scientific study of human language. It is called a scientific study because it entails a comprehensive, systematic, objective, and precise analysis of all aspects of language, particularly its nature and structure. Linguis ...
philosopher to whom are normally ascribed two influential
Sanskrit Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late ...
texts: * the ''Vākyapadīya'', on
Sanskrit grammar The grammar of the Sanskrit language has a complex verbal system, rich nominal declension, and extensive use of compound nouns. It was studied and codified by Sanskrit grammarians from the later Vedic period (roughly 8th century BCE), culminating ...
and linguistic philosophy, a foundational text in the Indian grammatical tradition, explaining numerous theories on the word and on the sentence, including theories which came to be known under the name of
Sphoṭa ( sa, स्फोट, ; "bursting, opening", "spurt") is an important concept in the Indian grammatical tradition of Vyakarana, relating to the problem of speech production, how the mind orders linguistic units into coherent discourse and meani ...
; in this work Bhartrhari also discussed logical problems such as the
liar paradox In philosophy and logic, the classical liar paradox or liar's paradox or antinomy of the liar is the statement of a liar that they are lying: for instance, declaring that "I am lying". If the liar is indeed lying, then the liar is telling the truth ...
and a paradox of unnameability or unsignfiability which has become known as Bhartrhari's paradox, and * the ''
Śatakatraya The ''Śatakatraya'' ( sa, शतकत्रय, lit=The Three Satakas), (also known as , ) refers to three Indian collections of Sanskrit poetry, containing a hundred verses each. The three '' śataka's are known as the , , and , and are attribu ...
'', a work of
Sanskrit poetry Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as s ...
, comprising three collections of about 100 stanzas each; it may or may not be by the same author who composed the two mentioned grammatical works. In the medieval tradition of Indian scholarship, it was assumed that both texts were written by the same person. Modern philologists were sceptical of this claim, owing to an argument that dated the grammar to a date subsequent to the poetry. Since the 1990s, however, scholars have agreed that both works may indeed have been contemporary, in which case it is plausible that there was only one Bhartrihari who wrote both texts. Both the grammar and the poetic works had an enormous influence in their respective fields. The grammar in particular, takes a
holistic Holism () is the idea that various systems (e.g. physical, biological, social) should be viewed as wholes, not merely as a collection of parts. The term "holism" was coined by Jan Smuts in his 1926 book ''Holism and Evolution''."holism, n." OED Onl ...
view of language, countering the
compositionality In semantics, mathematical logic and related disciplines, the principle of compositionality is the principle that the meaning of a complex expression is determined by the meanings of its constituent expressions and the rules used to combine them. ...
position of the Mimamsakas and others. According to
Aithihyamala Aithihyamala or Ithihyamala ( ml, ഐതിഹ്യമാല) (''Garland of Legends'') is a collection of century-old stories from Kerala that cover a vast spectrum of life, famous persons and events. It is a collection of legends numbering over ...
, he is also credited with some other texts like Harikītika and
Amaru Shataka The ''Amaruśataka'' or ''Amarukaśataka'' (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7thIntroduction in The ''Amaruśataka'' was alsas part of the volum ...
. The poetry constitute short verses, collected into three centuries of about a hundred poems each. Each century deals with a different rasa or aesthetic mood; on the whole his poetic work has been very highly regarded both within the tradition and by modern scholarship. The name Bhartrihari is also sometimes associated with Bhartrihari traya Shataka, the legendary king of
Ujjain Ujjain (, Hindustani language, Hindustani pronunciation: Help:IPA/Hindi and Urdu, d͡ːʒɛːn is a city in Ujjain district of the States and territories of India, Indian state of Madhya Pradesh. It is the fifth-largest city in Madhya Prad ...
i in the 1st century.


Date and identity

The account of the Chinese traveller Yi-Jing indicates that Bhartrihari's grammar was known by 670 CE, and that he may have been Buddhist, which the poet was not. Based on this, scholarly opinion had formerly attributed the grammar to a separate author of the same name from the 7th century CE. However, other evidence indicates a much earlier date: A period of 450–500 "definitely not later than 425–450", or, following Erich Frauwallner, 450–510 or perhaps 400 CE or even earlier. Yi-Jing's other claim, that Bhartrihari was a Buddhist, does not seem to hold; his philosophical position is widely held to be an offshoot of the Vyakarana or grammarian school, closely allied to the
realism Realism, Realistic, or Realists may refer to: In the arts *Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts Arts movements related to realism include: *Classical Realism *Literary realism, a move ...
of the Naiyayikas and distinctly opposed to Buddhist positions like Dignaga, who are closer to
phenomenalism In metaphysics, phenomenalism is the view that physical objects cannot justifiably be said to exist in themselves, but only as perceptual phenomena or sensory stimuli (e.g. redness, hardness, softness, sweetness, etc.) situated in time and in sp ...
. It is also opposed to other Mimamsakas like Kumarila Bhatta. However, some of his ideas subsequently influenced some Buddhist schools, which may have led Yi-Jing to surmise that he may have been Buddhist. Thus, on the whole it seems likely that the traditional Sanskritist view, that the poet of the ''Śatakatraya'' is the same as the grammarian Bhartṛhari, may be accepted. The leading Sanskrit scholar Ingalls (1968) submitted that "I see no reason why he should not have written poems as well as grammar and metaphysics", like
Dharmakirti Dharmakīrti (fl. c. 6th or 7th century; Tibetan: ཆོས་ཀྱི་གྲགས་པ་; Wylie: ''chos kyi grags pa''), was an influential Indian Buddhist philosopher who worked at Nālandā.Tom Tillemans (2011)Dharmakirti Stanford ...
,
Shankaracharya Shankaracharya ( sa, शङ्कराचार्य, , "Adi Shankara, Shankara-''acharya''") is a religious title used by the heads of amnaya monasteries called mathas in the Advaita Vedanta tradition of Hinduism. The title derives from Adi ...
, and many others.
Yi Jing The ''I Ching'' or ''Yi Jing'' (, ), usually translated ''Book of Changes'' or ''Classic of Changes'', is an ancient Chinese divination text that is among the oldest of the Chinese classics. Originally a divination manual in the Western Zho ...
himself appeared to think they were the same person, as he wrote that (the grammarian) Bhartṛhari, author of the Vakyapadiya, was renowned for his vacillation between Buddhist monkhood and a life of pleasure, and for having written verses on the subject.Miller, Foreword and Introduction


Vākyapadīya

Bhartrihari's views on language build on that of earlier grammarians such as
Patanjali Patanjali ( sa, पतञ्जलि, Patañjali), also called Gonardiya or Gonikaputra, was a Hindu author, mystic and philosopher. Very little is known about him, and while no one knows exactly when he lived; from analysis of his works it i ...
, but were quite radical. A key element of his conception of language is the notion of ''
sphoṭa ( sa, स्फोट, ; "bursting, opening", "spurt") is an important concept in the Indian grammatical tradition of Vyakarana, relating to the problem of speech production, how the mind orders linguistic units into coherent discourse and meani ...
'' – a term that may be based on an ancient grammarian, ''Sphoṭāyana'', referred by
Pāṇini , era = ;;6th–5th century BCE , region = Indian philosophy , main_interests = Grammar, linguistics , notable_works = ' (Sanskrit#Classical Sanskrit, Classical Sanskrit) , influenced= , notable_ideas=Descript ...
, now lost. In his
Mahabhashya ''Mahabhashya'' ( sa, महाभाष्य, IAST: '','' , "great commentary"), attributed to Patañjali, is a commentary on selected rules of Sanskrit grammar from Pāṇini's treatise, the ''Aṣṭādhyāyī'', as well as Kātyāyana's '' ...
, Patanjali (2nd century BCE) uses the term ''sphoṭa'' to denote the sound of language, the universal, while the actual sound (''dhvani'') may be long or short, or vary in other ways. This distinction may be thought to be similar to that of the present notion of
phoneme In phonology and linguistics, a phoneme () is a unit of sound that can distinguish one word from another in a particular language. For example, in most dialects of English, with the notable exception of the West Midlands and the north-west o ...
. Bhatrihari however, applies the term sphota to each element of the utterance, ''varṇa'' the letter or syllable, ''pada'' the word, and ''vākya'' the sentence. To create the linguistic invariant, he argues that these must be treated as separate wholes (''varṇasphoṭa'', ''padasphoṭa'' and ''vākyasphoṭa'' respectively). For example, the same speech sound or ''varṇa'' may have different properties in different word contexts (e.g. assimilation), so that the sound cannot be discerned until the whole word is heard. Further, Bhartrihari argues for a sentence-holistic view of meaning, saying that the meaning of an utterance is known only after the entire sentence (''vākyasphoṭa'') has been received, and it is not composed from the individual atomic elements or linguistic units which may change their interpretation based on later elements in the utterance. Further, words are understood only in the context of the sentence whose meaning as a whole is known. His argument for this was based on
language acquisition Language acquisition is the process by which humans acquire the capacity to perceive and comprehend language (in other words, gain the ability to be aware of language and to understand it), as well as to produce and use words and sentences to ...
, e.g. consider a child observing the exchange below: :elder adult (''uttama-vṛddha'' "full-grown"): says "bring the horse" :younger adult (''madhyama-vṛddha'' "half-grown"): reacts by bringing the horse The child observing this may now learn that the unit "horse" refers to the animal. Unless the child knew the sentence meaning ''a priori'', it would be difficult for him to infer the meaning of novel words. Thus, we grasp the sentence meaning as a whole, and reach words as parts of the sentence, and word meanings as parts of the sentence meaning through "analysis, synthesis and abstraction" (''apoddhāra''). The sphoṭa theory was influential, but it was opposed by many others. Later Mimamsakas like Kumarila Bhatta (c. 650 CE) strongly rejected the vākyasphoṭa view, and argued for the denotative power of each word, arguing for the composition of meanings (''abhihitānvaya''). The Prabhakara school (c. 670) among Mimamsakas however took a less atomistic position, arguing that word meanings exist, but are determined by context (''anvitābhidhāna''). In a section of the chapter on Relation Bhartrhari discusses the liar paradox and identifies a hidden parameter which turns an unproblematic situation in daily life into a stubborn paradox. In addition, Bhartrhari discusses here a paradox that has been called " Bhartrhari's paradox" by Hans and Radhika Herzberger.Herzberger, Hans and Radhika Herzberger (1981). "Bhartrhari's Paradox" Journal of Indian Philosophy 9: 1-17 (slightly revised version of "Bhartrhari's Paradox" in Studies in Indian Philosophy. A memorial volume in honour of pandit Sukhlalji Sanghvi. (L.D. Series 84.) Gen. ed. Dalsukh Malvania et al. Ahmedabad, 1981). This paradox arises from the statement "this is unnameable" or "this is unsignifiable". The ''Mahābhāṣya-dīpikā'' (also ''Mahābhāṣya-ṭīkā'') is an early subcommentary on Patanjali's Vyākaraṇa-Mahābhāṣya, also attributed to Bhartṛhari.


Śatakatraya

Bhartrihari's poetry is
aphoristic An aphorism (from Greek ἀφορισμός: ''aphorismos'', denoting 'delimitation', 'distinction', and 'definition') is a concise, terse, laconic, or memorable expression of a general truth or principle. Aphorisms are often handed down by tra ...
, and comments on the social mores of the time. The collected work is known as ''Śatakatraya'' "the three ''śatakas'' or 'hundreds' ('centuries')", consisting of three thematic compilations on '' shringara'', ''
vairagya Vairāgya (वैराग्य) is a Sanskrit term used in Hindu as well as Eastern philosophy that roughly translates as dispassion, detachment, or renunciation, in particular renunciation from the pains and pleasures in the temporary materi ...
'' and ''niti'' (loosely: love, dispassion and moral conduct) of hundred verses each. Unfortunately, the extant manuscript versions of these shatakas vary widely in the verses included. D.D. Kosambi has identified a kernel of two hundred that are common to all the versions. Here is a sample that comments on social mores: And here is one dealing with the theme of love: : The clear bright flame of a man's discernment dies : When a girl clouds it with her lamp-black eyes. hartrihari #77, tr. John Brough; poem 167


Bhartrhari's paradox

Bhartrhari's paradox is the title of a 1981 paper by Hans and
Radhika Herzberger Radhika Herzberger (née Jayakar; born 1938) is an Indian writer, educationist and scholar in Sanskrit literature, Sanskrit and Indology. She lives in Rishi Valley School, in the Chittoor district of Andhra Pradesh, and serves as the Director ...
which drew attention to the discussion of
self-referential Self-reference occurs in natural or formal languages when a sentence, idea or formula refers to itself. The reference may be expressed either directly—through some intermediate sentence or formula—or by means of some encoding. In philosop ...
paradox A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true premises, leads to a seemingly self-contradictory or a logically u ...
es in the work '' Vākyapadīya'' attributed to Bhartṛhari. In the chapter dealing with logical and linguistic relations, the ''Sambandha-samuddeśa'', Bhartrhari discusses several statements of a paradoxical nature, including ''sarvam mithyā bravīmi'' "everything I am saying is false" which belongs to the
liar paradox In philosophy and logic, the classical liar paradox or liar's paradox or antinomy of the liar is the statement of a liar that they are lying: for instance, declaring that "I am lying". If the liar is indeed lying, then the liar is telling the truth ...
family, as well as the paradox arising from the statement that something is unnameable or unsignifiable (in Sanskrit: ''avācya''): this becomes nameable or signifiable precisely by calling it unnameable or unsignifiable. When applied to integers, the latter is known today as
Berry paradox The Berry paradox is a self-referential paradox arising from an expression like "The smallest positive integer not definable in under sixty letters" (a phrase with fifty-seven letters). Bertrand Russell, the first to discuss the paradox in print, ...
. Bhartrhari's interest lies not in strengthening this and other paradoxes by abstracting them from pragmatic context, but rather in exploring how a stubborn paradox may arise from unproblematic situations in daily communication. An unproblematic situation of communication is turned into a paradox — we have either
contradiction In traditional logic, a contradiction occurs when a proposition conflicts either with itself or established fact. It is often used as a tool to detect disingenuous beliefs and bias. Illustrating a general tendency in applied logic, Aristotle's ...
(''virodha'') or
infinite regress An infinite regress is an infinite series of entities governed by a recursive principle that determines how each entity in the series depends on or is produced by its predecessor. In the epistemic regress, for example, a belief is justified beca ...
(''anavasthā'') — when abstraction is made from the signification and its extension in time, by accepting a simultaneous, opposite function (''apara vyāpāra'') undoing the previous one.Jan E.M. Houben
"Paradoxe et perspectivisme dans la philosophie de langage de Bhartrhari: langage, pensée et réalité"
''Bulletin d'Études Indiennes'' 19 (2001):173-199.
For Bhartrhari it is important to analyse and solve the unsignifiability paradox because he holds that what cannot be signified may nevertheless be indicated (''vyapadiśyate'') and it may be understood (''pratīyate'') to exist.


See also

Regarding Bhartrhari's paradox, see: * B. K. Matilal, 1990, ''The Word and the World: India's Contribution to the Study of Language''. Delhi: Oxford University Press. p. 129-130. *Hemanta Kumar Ganguli, "Theory of Logical Construction and Solution of some Logical Paradoxes" , appendix to ''Philosophy of Logical Construction: An Examination of Logical Atomism and Logical Positivism in the light of the Philosophies of Bhartrhari, Dharmakirti and Prajnakaragupta'', Calcutta, 1963. *Jan E.M. Houben, ''The Sambandha-samuddeśa (chapter on relation) and Bhartrhari's philosophy of language'', Gonda Indological Series, 2. Groningen: Egbert Forsten, 1995, pp. 213–219.


Notes


External links


Bhartrihari (c. 450—510 C.E.) in the Internet Encyclopedia of Philosophy


*
"Tracking the Hermit's Soul: A Jungian Reading Of Bhartrihari's Satakatraya" by Mathew V. Spano




{{DEFAULTSORT:Bhartrhari Sanskrit grammarians Sanskrit poets Indian male poets Ancient Sanskrit grammarians 5th-century Indian poets Indian Sanskrit scholars