Basilica Of Sant'Alessandro
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Basilica Of Sant'Alessandro
The Basilica of Sant'Alessandro is a Catholic church in Fiesole, Italy. Built in the 6th century on the site of an Etruscan temple, it is the oldest church in Fiesole. The neoclassical façade was added in the early 19th century, while the interior remains largely preserved in its original design. History Sant'Alessandro was built on the site of an Etruscan temple, near the top of the highest point in Fiesole. It was likely commissioned by King Theodoric the Great in the 6th century, making it the oldest church in Fiesole. The church was originally named (Saint Peter in Jerusalem), until the year 823, when it was renamed for Saint Alessandro, a former Bishop of Fiesole, who was martyred in the River Reno near Bologna in AD 590. Alessandro's remains were returned to Fiesole, where they were interred behind the altar of the church. Today, the church is only used as an exhibition venue. Architecture Little remains of the church's original exterior, due to extensive reconst ...
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Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ...
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Lombards
The Lombards () or Langobards ( la, Langobardi) were a Germanic people who ruled most of the Italian Peninsula from 568 to 774. The medieval Lombard historian Paul the Deacon wrote in the ''History of the Lombards'' (written between 787 and 796) that the Lombards descended from a small tribe called the Winnili,: "From Proto-Germanic '' winna-'', meaning "to fight, win" who dwelt in southern Scandinavia (''Scadanan'') before migrating to seek new lands. By the time of the Roman-era - historians wrote of the Lombards in the 1st century AD, as being one of the Suebian peoples, in what is now northern Germany, near the Elbe river. They continued to migrate south. By the end of the fifth century, the Lombards had moved into the area roughly coinciding with modern Austria and Slovakia north of the Danube, where they subdued the Heruls and later fought frequent wars with the Gepids. The Lombard king Audoin defeated the Gepid leader Thurisind in 551 or 552, and his successor Alboin ...
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Basilica Churches In Tuscany
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and ...
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Gerino Da Pistoia
Gerino da Pistoia, also Gerino di Antonio Gerini, (1480–1529) was an Italian painter and designer of the Renaissance. Biography Not much is known about Gerino except through his works and a few lines by Giorgio Vasari. Gerino was a pupil of Pietro Perugino and trained in his workshop. He traveled to Rome with Pinturicchio. The Courtauld Gallery was awarded a grant in 2011 to restore and study a surviving work of his ''Virgin and Child between Saint John the Baptist and Saint John the Evangelist'' (1510) which was originally made for the church of Sant'Agostino in Sansepolcro. Some of his works include: * ''Madonna with St. Michael and St. Peter'', in the annex to the oratory of the church of San Alessandro in Milan * ''Madonna'' (1502), painted relief, Museo Civico, Sansepolcro * ''San Jacopo'', Basilica of Our Lady of Humility * ''Madonna and Child with Saints Anthony Abbot and Nicolas of Bari'', church San Giorgio a Porciano, Lamporecchio * ''Miracle of the Loaves and Fish ...
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Panel Painting
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum (used for miniatures in illuminated manuscripts). Wood panels were also used for mounting vellum paintings. History Panel painting is very old; it was a very prestigious medium in Greece and Rome, but only very few examples of ancient panel paintings have survived. A series of 6th century BC painted tablets from Pitsa (Greece) represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works – perhaps up to a half-length portrait size. However, for a generation in the second quarter of the fifth-century BC there was a movement, called the "new painting" and led by Polygnotus, fo ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Renaissance Art
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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Cipollino Marble
Cipollino marble ("onion-stone") was a variety of marble used by the ancient Greeks and Romans, whose Latin term for it was ''marmor carystium'' (meaning "marble from Karystos"). It was quarried in several locations on the south-west coast of the Greek island of Euboea, between the modern-day cities of Styra and Karystos. Some of these ancient quarries survive with a mine-face of over 100 metres. It has a white-green base, with thick wavy green ribs, held onto the path by strata of mica. The colour of its base and grain grows darker the further north the location of the quarry. It is a metamorphic rock, a crystalline marble with crystals between 0.2 and 0.6 mm, with coloured veins of epidote and chlorite. A marble similar in appearance to cipollino marble was mined in the Iberian peninsula at the Anasol mines, and on the Alpi Apuane, in north-west Greece and Serbia. First used in ancient Greece, it was exported to Rome from the 1st century BC onwards; in his '' Natural Histo ...
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Side Aisle
An aisle is, in general, a space for walking with rows of non-walking spaces on both sides. Aisles with seating on both sides can be seen in airplanes, certain types of buildings, such as churches, cathedrals, synagogues, meeting halls, parliaments and legislatures, courtrooms, theatres, and in certain types of passenger vehicles. Their floors may be flat or, as in theatres, stepped upwards from a stage. Aisles can also be seen in shops, warehouses, and factories, where rather than seats, they have shelving to either side. In warehouses and factories, aisles may be defined by storage pallets, and in factories, aisles may separate work areas. In health clubs, exercise equipment is normally arranged in aisles. Aisles are distinguished from corridors, hallways, walkways, footpaths, pavements (''American English'' sidewalks), trails, paths and (enclosed) "open areas" by lying between other open spaces or areas of seating, but enclosed within a structure. Typical physical chara ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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