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Balthasar Resinarius
Balthasar Resinarius (born Balthasar Harzer; c. 1483 – 12 April 1544) was a German composer, and a Lutheran bishop, one of the first Lutherans in Bohemia. Life and career It is regarded as proven the Resinarius, listed by the music publisher Georg Rhau, is identical with the composer Balthasar Harzer, also listed by Rhau. Harzer was born in Tetschen, Bohemia. He received his musical education as a choir boy in the court chapel of King Maximilian I in Munich. He was also a pupil of Heinrich Isaac there. In 1515, he was enrolled as ''Baldassar Harczer'' to study at the University of Leipzig. From 1523, he worked on the initiative of as a Catholic priest in his home town. He got into a fierce dispute with a Lutheran preacher, in the course of which he turned to the Bohemian king for help while the other party sought help from Martin Luther himself. It is not known whether this early and intense confrontation with the new faith led him to convert to Lutheranism. From 1534, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Děčín
Děčín (; german: Tetschen, 1942–1945: ''Tetschen–Bodenbach'') is a city in the Ústí nad Labem Region of the Czech Republic. It has about 47,000 inhabitants. It is the 7th largest municipality in the country by area. Administrative parts Děčín is made up of 35 city parts and villages: *Děčín I-Děčín *Děčín II-Nové Město *Děčín III-Staré Město *Děčín IV-Podmokly *Děčín V-Rozbělesy *Děčín VI-Letná *Děčín VII-Chrochvice *Děčín VIII-Dolní Oldřichov *Děčín IX-Bynov *Děčín X-Bělá *Děčín XI-Horní Žleb *Děčín XII-Vilsnice *Děčín XIII-Loubí *Děčín XIV-Dolní Žleb *Děčín XV-Prostřední Žleb *Děčín XVI-Přípeř *Děčín XVII-Jalůvčí *Děčín XVIII-Maxičky *Děčín XIX-Čechy *Děčín XX-Nová Ves *Děčín XXI-Horní Oldřichov *Děčín XXII-Václavov *Děčín XXIII-Popovice *Děčín XXIV-Krásný Studenec *Děčín XXV-Chmelnice *Děčín XXVI-Bechlejovice *Děčín XXVII-Březiny *Děčín XXVIII-Folkn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadences
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kassel
Kassel (; in Germany, spelled Cassel until 1926) is a city on the Fulda River in northern Hesse, Germany. It is the administrative seat of the Regierungsbezirk Kassel and the district of the same name and had 201,048 inhabitants in December 2020. The former capital of the state of Hesse-Kassel has many palaces and parks, including the Bergpark Wilhelmshöhe, which is a UNESCO World Heritage Site. Kassel is also known for the '' documenta'' exhibitions of contemporary art. Kassel has a public university with 25,000 students (2018) and a multicultural population (39% of the citizens in 2017 had a migration background). History Kassel was first mentioned in 913 AD, as the place where two deeds were signed by King Conrad I. The place was called ''Chasella'' or ''Chassalla'' and was a fortification at a bridge crossing the Fulda river. There are several yet unproven assumptions of the name's origin. It could be derived from the ancient ''Castellum Cattorum'', a castle of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Musik In Geschichte Und Gegenwart
''Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (MGG)'' is one of the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects. It has appeared in two self-contained printed editions and a continuously updated and expanding digital edition, titled ''MGG Online''. Created by Karl Vötterle, the founder of Bärenreiter-Verlag, and Friedrich Blume, professor of musicology at Kiel University, the first edition was published by Bärenreiter-Verlag in Kassel from 1949 through 1986, comprising a total of 17 volumes (''MGG1''; numbered in columns) and reprinted in paperback in 1989. As early as 1989, its new editor Ludwig Finscher began planning a second, revised edition with 29 volumes, which were published from 1994 through 2008 in cooperation with the publisher J.B. Metzler (''MGG2''; with a topical part in 9 volumes and a persons part in 17 volumes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introit
The Introit (from Latin: ''introitus'', "entrance") is part of the opening of the liturgical celebration of the Eucharist for many Christian denominations. In its most complete version, it consists of an antiphon, psalm verse and ''Gloria Patri'', which are spoken or sung at the beginning of the celebration. It is part of the Proper of the liturgy: that is, the part that changes over the liturgical year. In the Roman Rite of the Catholic Church it is known as the ''antiphona ad introitum'' (Entrance antiphon), as in the text for each day's Mass, or as the ''cantus ad introitum'' (Entrance chant) as in the General Instruction of the Roman Missal, 47 and the First Roman Ordo (sixth to seventh century).Fortescue, A. (1910)"Introit" ''The Catholic Encyclopedia''. Retrieved 2 May 2009 In pre-1970 editions of the Roman Missal, the word ''Introitus'' was used, distinguished from the normal meaning of the word (entrance) by being capitalized. In Ambrosian chant and Beneventan chant, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wittenberg
Wittenberg ( , ; Low Saxon language, Low Saxon: ''Wittenbarg''; meaning ''White Mountain''; officially Lutherstadt Wittenberg (''Luther City Wittenberg'')), is the fourth largest town in Saxony-Anhalt, Germany. Wittenberg is situated on the River Elbe, north of Leipzig and south-west of Berlin, and has a population of 46,008 (2018). Wittenberg is famous for its close connection with Martin Luther and the Protestant Reformation, for which it received the honourific ''Lutherstadt''. Several of Wittenberg's buildings are associated with the events, including a preserved part of the Augustinians, Augustinian monastery in which Luther lived, first as a monk and later as owner with his wife Katharina von Bora and family, considered to be the world's premier museum dedicated to Luther. Wittenberg was also the seat of the Elector of Saxony, a dignity held by the dukes of Duchy of Saxe-Wittenberg, Saxe-Wittenberg, making it one of the most powerful cities in the Holy Roman Empire. To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine De Longueval
Antoine de Longueval ( fl. 1498–1525) was a French singer and composer of the Renaissance. A contemporary of Josquin des Prez, he was singing master of the French royal chapel under King Francis I, and was important in the history of the polyphonic setting of the Passion. Life Little is known about his early life, not even his approximate birthdate, but he was probably from the village of Longueval in the Somme region of Picardy (scene of much heavy fighting during the Somme battles in 1916). By 1498, court records indicate that he was employed by Anne of Brittany, and between 1502 and 1504 he was a singer at the Savoy court, where his high pay indicates the respect he was accorded as a musician. From there he went to Ferrara, where he was a singer between December 1503 and September 1504; therefore he was there at the same time as Josquin des Prez. It is presumed that he wrote his most famous composition, the passion setting ''Passio Domini nostri'' for Holy Week of 1504, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Obrecht
Jacob Obrecht (also Hobrecht; 1457/8 – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses">Rob C. Wegman. "Obrecht, Jacob." In Grove Music Online. Oxford Music Online, (accessed 24 September 2020). – late July 1505) was a Flemish composer of masses, motets and songs. He was the most famous composer of mass (music), masses in Europe of the late 15th century and was only eclipsed after his death by Josquin des Prez. Life What little is known of Obrecht's origins and early childhood comes mostly from his motet ''Mille quingentis''. He was the only son of Ghent city trumpeter Willem Obrecht and Lij ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Galliculus
Johannes Galliculus (Alectorius, Hähnel, Hennel; c. 1490 in Dresden – c. 1550 in Leipzig) was a German music theorist and composer. He was active ca. 1520 in Leipzig. He was the cantor of the Thomanerchor from 1520 to 1525. Works Editions: Johannes Galliculus: Gesamtausgabe der Werke, ed. A.A. Moorefield, Gesamtausgaben, viii (Brooklyn, NY, 1975–) *Passio Domino nostri Jesu Christi, 4vv, 1538 *Mass ''Christ ist erstanden'' 4vv, 1539 *Aliud officium Paschale, 4vv, 1539 *Proprium mass for Christmas, 4vv, 1545 *Magnificat quarti toni, 4vv, *Magnificat quinti toni, 4vv *Magnificat septimi toni, 4vv *Motets, 4vv: **Apparuit benignitas, 4vv **Ave vivens, hostie **Cavete a scribis **Christus resurgens **Duo homines ascenderunt **Immunem semper **In cathedra Moysi **In natali **Non ex operibus **Venite post me *Psalm. Quare fremuerunt gentes, 4vv Doubtful works *Enlive psallant; *Joseph, lieber Joseph, mein Theorical works *Isagoge de compositione cantus Sources * Vic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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