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Babio
{{italic title ''Babio'' in Latin is a 12th-century elegiac comedy consisting of 484 lines of elegiac distichs, probably composed in England. It imitates Roman comedy and is indebted to Ovid, Plautus and Terence. It is preserved in five manuscripts, four of them in England and one in Berlin (''Babio''). Editions *Edmond Faral (1948) *M. M. Brennan, Charleston (1969). See also * Medieval theatre * Medieval Latin comedy Elegiac comedy was a genre of medieval Latin literature—or drama—which survives as a collection of about twenty texts written in the 12th and 13th centuries in the liberal arts schools of west central France (roughly the Loire Valley). Though c ... External linksThe Influence of Plautus and Latin Elegiac Comedy on Chaucer's Fabliauxby Kathleen A. Bishop 12th-century literature Comedy plays ...
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Edmond Faral
Edmond Faral (18 March 1882 – 8 February 1958) was an Algerian-born French medievalist. He became in 1924 Professor of Latin literature at the Collège de France. He wrote his dissertation on the jongleurs, and E. R. Curtius states that he was the first to recognize an influence of the medieval Latin poetics and rhetoric on Old French poetry.European Literature and the Latin Middle Ages, p. 384 of the 1953 English translation. He was appointed to the Académie des Inscriptions et Belles-Lettres The Académie des Inscriptions et Belles-Lettres () is a French learned society devoted to history, founded in February 1663 as one of the five academies of the Institut de France. The academy's scope was the study of ancient inscriptions ( epig ... in 1936. Works *''Les Jongleurs en France au Moyen-Âge'' (1910) *''Mimes français du XIIIe siècle'' (1910) *''Courtois d'Arras : jeu du XIIIe siècle'' (1911) *''Recherches sur les Sources Latines des Contes et Romans Courtois du Moyen ...
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Elegiac Comedy
Elegiac comedy was a genre of medieval Latin Latin literature, literature—or Medieval theatre, drama—which survives as a collection of about twenty texts written in the 12th and 13th centuries in the liberal arts schools of west central France (roughly the Loire Valley). Though commonly identified in manuscripts as ''comoedia'', modern scholars often reject their status as comedy. Unlike Classical antiquity, Classical comedy, they were written in elegiac couplets. Denying their true comedic nature, Edmond Faral called them Latin ''fabliaux'', after the later Old French ''fabliaux'', and Ian Thomson (antiquary), Ian Thomson labelled them Latin comic tales. Other scholars have invented terms like verse tales, rhymed monologues, epic comedies, and Horatian comedies to describe them.Roy (1974), 258 n. 2 The Latin "comedies", the dramatic nature of which varies greatly, may have been the direct ancestors of the ''fabliaux'' but more likely merely share similarities. Other interpretatio ...
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Medieval Theatre
Medieval theatre encompasses theatrical performance in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as ''Everyman''. One of the first surviving secular plays in English is ''The Interlude of the Student and the Girl'' (c. 1300). Due to a lack of surviving records and texts, low literacy in the general population, and the opposition of the clergy, there are few surviving sources from the Early and High Medieval periods. However, by ...
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Medieval Latin Comedy
Elegiac comedy was a genre of medieval Latin literature—or drama—which survives as a collection of about twenty texts written in the 12th and 13th centuries in the liberal arts schools of west central France (roughly the Loire Valley). Though commonly identified in manuscripts as ''comoedia'', modern scholars often reject their status as comedy. Unlike Classical comedy, they were written in elegiac couplets. Denying their true comedic nature, Edmond Faral called them Latin ''fabliaux'', after the later Old French ''fabliaux'', and Ian Thomson labelled them Latin comic tales. Other scholars have invented terms like verse tales, rhymed monologues, epic comedies, and Horatian comedies to describe them.Roy (1974), 258 n. 2 The Latin "comedies", the dramatic nature of which varies greatly, may have been the direct ancestors of the ''fabliaux'' but more likely merely share similarities. Other interpretations have concluded that they are primitive romances, student juvenilia, didacti ...
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England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and Engli ...
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Roman Comedy
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to as a period of time in which theatrical practice and performance took place in Rome has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times. 'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the diff ...
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Ovid
Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus banished him to Tomis, a Dacian province on the Black Sea, where he remained a decade until his death. Overview A contemporary of the older poets Virgil and Horace, Ovid was the first major Roman poet to begin his career during Augustus's reign. Collectively, they are considered the three canonical poets of Latin literature. The Imperial scholar Quintilian described Ovid as the last of the Latin love elegists.Quint. ''Inst.'' 10.1.93 He enjoyed enormous popularity during his lifetime, but the emperor Augus ...
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Plautus
Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the names "Maccius" (a ...
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Terence
Publius Terentius Afer (; – ), better known in English as Terence (), was a Roman African playwright during the Roman Republic. His comedies were performed for the first time around 166–160 BC. Terentius Lucanus, a Roman senator, brought Terence to Rome as a slave, educated him and later on, impressed by his abilities, freed him. It is thought that Terence abruptly died, around the age of 25, likely in Greece or on his way back to Rome, due to shipwreck or disease. DEAD LINK He was supposedly on his way to explore and find inspiration for his comedies. His plays were heavily used to learn to speak and write in Latin during the Middle Ages and Renaissance Period, and in some instances were imitated by William Shakespeare. One famous quotation by Terence reads: "''Homo sum, humani nihil a me alienum puto''", or "I am human, and I think nothing human is alien to me." This appeared in his play ''Heauton Timorumenos''. Biography Terence's date of birth is disputed; Aelius ...
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12th-century Literature
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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