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Brunelleschi Crucifix
The Brunelleschi Crucifix is a polychrome painted wooden sculpture by the Italian artist Filippo Brunelleschi, made from pearwood around 1410-1415, and displayed since 1572 in the Gondi Chapel at the church of Santa Maria Novella in Florence. This idealised depiction of the crucifixion of Jesus measures around . It is the only surviving wooden sculpture by Brunelleschi: the only other known example, a wooden sculpture of Mary Magdalene at the church of Santo Spirito, was destroyed in a fire in 1471. In his 2002 book, ''Masaccio e le origini del Rinascimento'', the art historian Luciano Bellosi described Brunelleschi's crucifix as "probably the first Renaissance work in the history of art" ("''probabilmente, la prima opera rinascimentale della storia dell'arte''"), representing a definitive turn away from the stylised postures of Gothic sculpture and a return to the naturalism of classical sculpture. According to Giorgio Vasari, the sculpture was Brunelleschi's response to a sim ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Sculptures In Florence
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Crucifixes
A crucifix (from Latin ''cruci fixus'' meaning "(one) fixed to a cross") is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the ''corpus'' (Latin for "body"). The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Roman Rite of the Roman Catholic Church, but is also used in the Eastern Orthodox Church, most Oriental Orthodox Churches (except the Armenian & Syriac Church), and the Eastern Catholic Churches, as well as by the Lutheran, Moravian and Anglican Churches. The symbol is less common in churches of other Protestant denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to use a cross without the figure of Jesus (the ''corpus''). The crucifix emphasizes Jesus' sacrifice—his death by crucifixion, which Christians believe ...
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1415 Sculptures
Year 1415 ( MCDXV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. Events January–December * April 30 – Frederick I becomes Elector of Brandenburg. * June 5 – The Council of Constance condemns the writings of John Wycliffe and asks Jan Hus to recant in public his heresy; after his denial, he is tried for heresy, excommunicated, then sentenced to be burned at the stake. * July 4 – Pope Gregory XII officially opens the Council of Constance, and then abdicates. He is the last pope to resign, until Pope Benedict XVI in 2013. * July 6 – Jan Hus is burned at the stake in Konstanz. * July 31 – Henry V of England is informed of the Southampton Plot against him; he has the leaders arrested and executed, before invading France. * August 21 – Conquest of Ceuta: Portugal conquers the city of Ceuta from the Moors, initiating the Portuguese Empire, and European expansion and colonialis ...
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Dominican Friars
The Order of Preachers ( la, Ordo Praedicatorum) abbreviated OP, also known as the Dominicans, is a Catholic mendicant order of Pontifical Right for men founded in Toulouse, France, by the Spanish priest, saint and mystic Dominic of Caleruega. It was approved by Pope Honorius III via the papal bull '' Religiosam vitam'' on 22 December 1216. Members of the order, who are referred to as ''Dominicans'', generally carry the letters ''OP'' after their names, standing for ''Ordinis Praedicatorum'', meaning ''of the Order of Preachers''. Membership in the order includes friars, nuns, active sisters, and lay or secular Dominicans (formerly known as tertiaries). More recently there has been a growing number of associates of the religious sisters who are unrelated to the tertiaries. Founded to preach the Gospel and to oppose heresy, the teaching activity of the order and its scholastic organisation placed the Preachers in the forefront of the intellectual life of the Middle Ag ...
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Crucifix (Michelangelo)
Two different crucifixes, or strictly, wooden ''corpus'' figures for crucifixes, are attributed to the High Renaissance master Michelangelo, although neither is universally accepted as his. Both are relatively small figures which would have been produced in Michelangelo's youth. Santo Spirito figure One is a polychrome wood sculpture possibly finished in 1492 which had been lost from view by scholars until it re-emerged in 1962; in 2001 new investigations appeared to confirm the attribution to Michelangelo. It was perhaps made for the high altar of the Church of Santo Spirito di Firenze in Florence, Italy. The work is especially notable for the fact that this Christ is naked. History Michelangelo Buonarroti was a guest of the convent of Santa Maria del Santo Spirito (Florence) when he was seventeen years old, after the death of his protector Lorenzo de' Medici. Here he could make anatomical studies of the corpses coming from the convent's hospital; in exchange, he is said to ...
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Vitruvius
Vitruvius (; c. 80–70 BC – after c. 15 BC) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work entitled ''De architectura''. He originated the idea that all buildings should have three attributes: , , and ("strength", "utility", and "beauty"). These principles were later widely adopted in Roman architecture. His discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing of the ''Vitruvian Man'' by Leonardo da Vinci. Little is known about Vitruvius' life, but by his own descriptionDe Arch. Book 1, preface. section 2. he served as an artilleryman, the third class of arms in the Roman military offices. He probably served as a senior officer of artillery in charge of ''doctores ballistarum'' (artillery experts) and ''libratores'' who actually operated the machines. As an army engineer he specialized in the construction of ''ballista'' and '' scorpio'' artillery war machines for sieges. ...
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Figure Drawing
A figure drawing is a drawing of the human form in any of its various shapes and postures using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches. A life drawing is a drawing of the human figure, traditionally nude, from observation of a live model. Creating life drawings, or life studies, in a life class, has been a large element in the traditional training of artists in the Western world since the Renaissance. A figure drawing may be a composed work of art or a figure study done in preparation for a more finished work such as a painting. Figure drawing is arguably the most difficult subject an artist commonly encounters, and entire courses are dedicated to the subject. The human figure is one of the most enduring themes in the visual arts, and the human figure can be the basis of portraiture, illustration, scul ...
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Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, (196 ...
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Santa Croce Crucifix (sculpture)
The Santa Croce Crucifix is a c.1406-1408 polychrome wood sculpture by Donatello, then a young artist just back from Rome. It is in the Cappella Bardi di Vernio just off the left transept of Santa Croce in Florence, Italy. History According to the ''Book of Antonio Billi'' (a manuscript in the Biblioteca Nazionale Centrale di Firenze), quoted and added to in Vasari's ''Lives of the Artists'', the work was originally in the church's cappella Barbigia. There it was criticised by Donatello's friend Filippo Brunelleschi (who had gone with him to Rome) as showing a "contadino" (farmer) on a cross, that is for its exaggerated realism. This spurred Brunelleschi to produce for Santa Maria Novella in c.1410-1415 his own crucifix - Donatello's first sight of that work made him drop the eggs he was carrying. Anonimo Magliabechiano also attributes the work to Donatello, as does Vasari in a letter to Matteo Benvenuti dated 29 December 1571 recording its move to its present chapel. A few ar ...
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Santa Croce, Florence
The (Italian for 'Basilica of the Holy Cross') is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories (). Building The basilica is the largest Franciscan church in the world. Its most notable features are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself. The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's ...
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