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Biduino
Biduino or Biduinus (active c. 1173 – 1194) was an Italian sculptor and architect from the Romanesque period, active around Pisa and Lucca. His name is attributed to having been born in Bidogno in Val, near Lugano.I maestri comacìni: storia artistica di mille duecento anni (600-1800)
by Giuseppe Merzario, page 197.


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Biduino (attr
Biduino or Biduinus (active c. 1173 – 1194) was an Italian sculptor and architect from the Romanesque period, active around Pisa and Lucca. His name is attributed to having been born in Bidogno in Val, near Lugano.I maestri comacìni: storia artistica di mille duecento anni (600-1800)
by Giuseppe Merzario, page 197.


Works

Works attributed to this artist are found in: *

Santi Ippolito E Cassiano, San Casciano
Santi Ippolito e Cassiano (''Pieve dei Santi Ippolito e Cassiano'') is located in San Casciano, a village in the municipality of Cascina, Tuscany, Italy. It is recorded in a document dated April 12, 970, being part of the Archives of the Roman Catholic Archdiocese of Pisa The Archdiocese of Pisa ( la, Archidioecesis Pisana) is a metropolitan see of the Catholic Church in Pisa, Italy.
and probably also in another document dating back to June, in the year 857.''Dizionario geografico, fisico, storico della Toscana - Emanuele Repetti, 1833'' ''Italian''''Antiquitates Italicae Medii Aevi, Tomo III, Ludovico Antonio Muratori'' ''Italian''


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San Paolo All'Orto
San Paolo all'Orto is a Romanesque-style, former Roman Catholic church in Pisa, region of Tuscany, Italy. History Documented from 1086, it was a priory from the 12th to the 15th centuries, held by Augustinian nuns. The church is now unconsecrated and used for cultural events. The façade has the typical Pisane stripes of bichrome marble stones, and is articulated in five arcades with lozenges, intarsias and capitals sculpted by Biduino (late 12th century). The bell tower, which was rebuilt several times, dates to the 17th century.Pisa Tourism Office
entry on church. The interior has a nave and two aisles, and had once an destroyed in the 15th century. It houses remains of frescoes and

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Parish Church Of Saint John And Saint Ermolao
Saints John and Ermolao, or Pieve di Santi Giovanni ed Ermolao is a Romanesque-style, Roman Catholic parish church, located in La Pieve, Calci, some 10 km outside Pisa, region of Tuscany, Italy. History A church at the site was present in the 11th-century, but expanded after the relics of the martyred saint Ermolao was transferred into this church in 1111. It was restored and expanded in 1617 using designs by Cosimo Pugliani. Within that time, the apse was also expanded and the transept was completed. Throughout the centuries since, the structure has undergone other changes including: an expansion of the left side of the façade, the opening of an entry on the right side, and the construction of the side altars and the arch over the font. The font was sculpted with classical images by followers of Biduino.Guida d'Italia. It includes the depiction of the river Jordan in human form, and the inclusion of angel statues. Similar classical forms characterize the interior of th ...
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Sant'Alessandro, Lucca
Sant’Alessandro Maggiore is a Romanesque-style, Roman Catholic parish church in Lucca, region of Tuscany, Italy. History First mentioned in a document dated 893, the layout is that of a Romanesque basilica, with little decoration, giving the facade a sober classicism. The present building, however, contains the structures of an older church, whose date of construction is still a matter of controversy, and whose features are surprisingly close to those of Roman architecture: This church is a rare and good preserved example of medieval classicism, an evidence of survival in Italy, during the Dark Ages, of Roman architectural tradition. The small building can be compared only with monuments as the Baptistry in Florence or the Basilica of San Salvatore in Spoleto. Description The building is entirely covered with perfectly polished limestone slabs and arranged in alternately high and low bands, according to an order evoking the monuments of Antiquity, this alternation has ...
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San Salvatore, Lucca
San Salvatore in Mustolio is a Romanesque- style, Roman Catholic church located on Piazza of the same name in central Lucca, region of Tuscany, Italy. History A church at the site was documented since the first decades of the 11th-century, but the present layout derives from a 12th-century reconstruction. The lower 2 meters of the church used stones from the medieval walls of the town. The upper portion of the church was refurbished in the 19th century. The church was affiliated with the Canons of San Frediano in the 18th-century. The church was suppressed under Napoleonic occupation. In 1820, it was property of the Confraternity della Carità. The exterior facade has some 12th-century reliefs in the architraves: one depicting a Eucharistic meal; the second, a miracle of San Nicolao Prete signed by Biduino. Inside the church in 1820 was a main altarpiece depicting the ''Ascension of Christ'' by Paolo Zacchia il Vecchio. A canvas of the ''Assumption of Mary'' by Bonuccio Tré ...
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Romanesque Art
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic Art, Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architecture, Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and Acanthus (ornament), acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these element ...
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Pisa
Pisa ( , or ) is a city and ''comune'' in Tuscany, central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower, the city contains more than twenty other historic churches, several medieval palaces, and bridges across the Arno. Much of the city's architecture was financed from its history as one of the Italian maritime republics. The city is also home to the University of Pisa, which has a history going back to the 12th century, the Scuola Normale Superiore di Pisa, founded by Napoleon in 1810, and its offshoot, the Sant'Anna School of Advanced Studies.Scuola Superiore Sant'Anna di Pisa
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Lucca
Lucca ( , ) is a city and ''comune'' in Tuscany, Central Italy, on the Serchio River, in a fertile plain near the Ligurian Sea. The city has a population of about 89,000, while its province has a population of 383,957. Lucca is known as one of the Italian's "Città d'arte" (Arts town), thanks to its intact Renaissance-era city walls and its very well preserved historic center, where, among other buildings and monuments, are located the Piazza dell'Anfiteatro, which has its origins in the second half of the 1st century A.D. and the Guinigi Tower, a tower that dates from the 1300s. The city is also the birthplace of numerous world-class composers, including Giacomo Puccini, Alfredo Catalani, and Luigi Boccherini. Toponymy By the Romans, Lucca was known as ''Luca''. From more recent and concrete toponymic studies, the name Lucca has references that lead to "sacred wood" (Latin: ''lucus''), "to cut" (Latin: ''lucare'') and "luminous space" (''leuk'', a term used by the firs ...
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12th-century Italian Architects
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ...
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12th-century Italian Sculptors
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is ...
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