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Bernart De Tot-lo-mon
Bernart de Tot-lo-mon was a troubadour and ''jongleur'', probably active at the court of Count Henry II of Rodez (1274–1304). His nickname means "of all-the-world"; according to Alfred Jeanroy, he was probably from Bruniquel in the Quercy. Three pieces by Bernart have survived. "''Be m'agrada.l temps de pascor''" is a cross between a '' canso d'amors'' and a ''sirventes''. Its final stanza is a moral condemnation of worldly decadence, but the tone of the whole is unfailingly courtly. The text of this piece is poorly preserved, and the penultimate stanza is almost entirely lost. "''Lo plazers qu'als plazens plai''" is a '' plazer'' (or, according to István Frank, a ''sirventes''). It is dedicated to Count Bernard VI of Comminges (r. 1241–1295) and Count Bernard III of Astarac (r. 1249–1291). "''Mals fregz s'es els rics crois mes''" is another ''sirventes'' with courtly characteristics. Its metre is borrowed from "''Be volgra midons saubes''" by Arnaut Plagues Arnaut Plagues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jongleur
A minstrel was an entertainer, initially in medieval Europe. It originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments. Description Minstrels performed songs which told stories of distant places or of existing or imaginary historical events. Although minstrels created their own tales, often they would memorize and embellish the works of others. Frequently they were retained by royalty and high society. As the courts became more sophisticated, minstrels were eventually replaced at court by the troubadours, and many became wandering minstrels, performing in the streets; a decline in their popularity began in the late 15th century. Minstrels fed into later traditions of travelling entertainers, which continued to be moderately strong into the early 20th century, and which has some continuity in the form of today's bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry II Of Rodez
Henry II (Occitan: ''Enric II de Rodés'') (c. 1236–1304), of the House of Millau, was the Count of Rodez and Viscount of Carlat from 1274 until his death. He was the son of Hugh IV of Rodez and Isabeau de Roquefeuil. Henry II was a troubadour and patron of troubadours. He composed six poems that survive: four ''tensos'' and two ''partimens'' (alternatively five ''torneyamens''). His short ''vida'' records an exchange of couplets between ''lo coms de Rodes'' (the count of Rhodes) and Uc de Saint Circ. The count claims to have got Uc back on his feet through his generous patronage. Among the other troubadours who were supported at Henry's court were Guiraut Riquier, Folquet de Lunel, Cerverí de Girona, Bertran Carbonel, Raimon de Castelnou and Bernart de Tot-lo-mon. Marriages and children Henry II married three times. His first wife, married in 1256, was Marquise, daughter of Barral des Baux. They had one daughter named Isabeau who inherited the viscounty of Carlat and marrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Jeanroy
Alfred Jeanroy (5 July 1859 – 13 March 1953) was a French linguist. Jeanroy was a leading scholar studying troubadour poetry, publishing over 600 works. He established an influential view of the second generation of troubadours divided into two camps: “idealists” (e.g. Jaufre Rudel, Ebles de Ventadorn) and “realists” (e.g. Marcabru Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are e ...).Amelia E. Van Vleck, ''The Lyric Texts'', p. 28, in ''A Handbook of the Troubadours'' (1995), F. R. P. Akehurst and Judith M. Davis editors. Selected works * 1893: ''Mystères provençaux du quinzième siècle'', publié avec une introduction et un glossaire par A. Jeanroy et H. Teulié, Toulouse, Privat. * 1913: ''Les chansons de Guillaume IX, duc d’Aquitaine: (1071–1127)'', Paris, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruniquel
Bruniquel (; Languedocien: ''Borniquèl'') is a commune in the Tarn-et-Garonne department in the Occitanie region in southern France. Geography The tiny fortified village of 561 inhabitants is at an altitude of by the river Aveyron. The river Vère flows northward through the commune, then flows into the Aveyron, which forms most of the commune's northern border. Sights The village is a picturesque mixture of old pink stone and red tile with a dramatic belfry, medieval gateways and defensive walls. Two feudal medieval castles dominate the village and the valley, one of which is the Château de Bruniquel. The 'old' castle was built in the 12th century on the ruins of an earlier fortress said to have been founded by Queen Brunehaut in the 6th century and remained occupied until the 20th century. It was the home of William of Tudela who wrote the first part of ''La Chanson de la Croisade Albigeoise'', an account of the Albigensian Crusade against the Cathars. The castle is n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quercy
Quercy (; oc, Carcin , locally ) is a former province of France located in the country's southwest, bounded on the north by Limousin, on the west by Périgord and Agenais, on the south by Gascony and Languedoc, and on the east by Rouergue and Auvergne. Description Quercy comprised the present-day department of Lot, the northern half of the department of Tarn-et-Garonne, and a few communities in the departments of Dordogne, Corrèze, and Aveyron. The traditional capital of Quercy is Cahors, now prefecture (capital) of Lot. The largest town of Quercy is Montauban, prefecture of Tarn-et-Garonne. However, Montauban lies at the traditional border between Quercy and Languedoc, in an area very different from the rest of Quercy, and it is closer historically and culturally to Toulouse and the rest of Languedoc, therefore it should be considered a special case, not totally part of Quercy. Also distinct from the rest of the region is the Quercy Blanc lying between Cahors and the southern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso D'amors
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Love
Courtly love ( oc, fin'amor ; french: amour courtois ) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience. In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice. Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard VI Of Comminges
Bernard (''Bernhard'') is a French and West Germanic masculine given name. It is also a surname. The name is attested from at least the 9th century. West Germanic ''Bernhard'' is composed from the two elements ''bern'' "bear" and ''hard'' "brave, hardy". Its native Old English reflex was ''Beornheard'', which was replaced by the French form ''Bernard'' that was brought to England after the Norman Conquest. The name ''Bernhard'' was notably popular among Old Frisian speakers. Its wider use was popularized due to Saint Bernhard of Clairvaux (canonized in 1174). Bernard is the second most common surname in France. Geographical distribution As of 2014, 42.2% of all known bearers of the surname ''Bernard'' were residents of France (frequency 1:392), 12.5% of the United States (1:7,203), 7.0% of Haiti (1:382), 6.6% of Tanzania (1:1,961), 4.8% of Canada (1:1,896), 3.6% of Nigeria (1:12,221), 2.7% of Burundi (1:894), 1.9% of Belgium (1:1,500), 1.6% of Rwanda (1:1,745), 1.2% of Germany (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard III Of Astarac
Bernard (''Bernhard'') is a French and West Germanic masculine given name. It is also a surname. The name is attested from at least the 9th century. West Germanic ''Bernhard'' is composed from the two elements ''bern'' "bear" and ''hard'' "brave, hardy". Its native Old English reflex was ''Beornheard'', which was replaced by the French form ''Bernard'' that was brought to England after the Norman Conquest. The name ''Bernhard'' was notably popular among Old Frisian speakers. Its wider use was popularized due to Saint Bernhard of Clairvaux (canonized in 1174). Bernard is the second most common surname in France. Geographical distribution As of 2014, 42.2% of all known bearers of the surname ''Bernard'' were residents of France (frequency 1:392), 12.5% of the United States (1:7,203), 7.0% of Haiti (1:382), 6.6% of Tanzania (1:1,961), 4.8% of Canada (1:1,896), 3.6% of Nigeria (1:12,221), 2.7% of Burundi (1:894), 1.9% of Belgium (1:1,500), 1.6% of Rwanda (1:1,745), 1.2% of Germany (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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