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Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canso (song)
The ''canso'' or ''canson'' or ''canzo'' () was a song style used by the troubadours. It was, by far, the most common genre used, especially by early troubadours, and only in the second half of the 13th century was its dominance challenged by a growing number of poets writing ''coblas esparsas''. The ''canso'' became, in Old French, the ''grand chant'' and, in Italian, the ''canzone''. Structure A ''canso'' usually consists of three parts. The first stanza is the ''exordium'', where the composer explains his purpose. The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the ''exordium''; formally, aside from the ''envoi''(''s''), which are not always present, a ''canso'' is made of stanzas all having the same sequence of verses, in the sense that each verse has the same number of metrical syllables. This makes it possible to use the same melody for every stanza. The sequence can be extremely simple, as in ''Can vei la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcoat
Marcoat was a minor Gascony, Gascon troubadour and jongleur, joglar who flourished in the mid twelfth century. He is often cited in connexion with Eleanor of Aquitaine and is placed in a hypothetical "school" of poetry which includes Bernart de Ventadorn, Marcabru, Cercamon, Jaufre Rudel, Peire Rogier, and Peire de Valeria among others. Of all his works, only two ''sirventes'' survive: and .Chambers, 90. Marcoat was an innovator building off the work of the contemporary Gascon Marcabru,Thiolier-Méjean, 114–123. whose death he recalls in one of his works c. 1150. Nonetheless his works are very simple, the stanzas being composed of three heptasyllables rhyming in the form AAB. It was he who first used the term ''sirventes'' to describe his poems; the word appears in both of his surviving works, twice in one: : : : :. . . : : :''.''Chambers, 91, from the poem ''Mentre m'obri eis huisel''. The meaning of these verses is obscure, as he was an early practitioner of the ''trobar clu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giraut De Bornelh
Giraut de Bornelh (; c. 1138 – 1215), whose first name is also spelled Guiraut and whose toponym is de Borneil or de Borneyll, was a troubadour connected to the castle of the viscount of Limoges. He is credited with the formalisation, if not the invention, of the "light" style, or ''trobar leu''. Biography Giraut was born to a lower-class family in the Limousin, probably in Bourney, near Excideuil in modern-day France. Guiraut might have accompanied Richard I of England and Aimar V of Limoges on the Third Crusade and stayed a while with the "good prince of Antioch", Bohemond III. He certainly made a pilgrimage to the Holy Land, but perhaps before the Crusade. Works About ninety of Giraut's poems and four of his melodies survive; these were held in high esteem in the 13th century: Petrarch called him "master of the troubadours", while Dante, who preferred Arnaut Daniel, mentions that many considered him superior. Notable pieces include: * S'anc jorn aqui joi e solaz', a ''planh' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sestina
A sestina (, from ''sesto'', sixth; Old Occitan: ''cledisat'' ; also known as ''sestine'', ''sextine'', ''sextain'') is a fixed verse, fixed verse form consisting of six stanzas of six lines each, normally followed by a three-line envoi. The words that end each line of the first stanza are used as line endings in each of the following stanzas, rotated in a set pattern. The invention of the form is usually attributed to Arnaut Daniel, a troubadour of 12th-century Provence, and the first sestinas were written in the Occitan language of that region. The form was cultivated by his fellow troubadours, then by other poets across Continental Europe in the subsequent centuries; they contributed to what would become the "standard form" of the sestina. The earliest example of the form in English appeared in 1579, though they were rarely written in Britain until the end of the 19th century. The sestina remains a popular poetic form, and many sestinas continue to be written by contemporary p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard I Of England
Richard I (8 September 1157 – 6 April 1199) was King of England from 1189 until his death in 1199. He also ruled as Duke of Normandy, Aquitaine and Gascony, Lord of Cyprus, and Count of Poitiers, Anjou, Maine, and Nantes, and was overlord of Brittany at various times during the same period. He was the third of five sons of King Henry II of England and Eleanor of Aquitaine and seemed unlikely to become king, but all his brothers except the youngest, John, predeceased their father. Richard is known as Richard Cœur de Lion ( Norman French: ''Le quor de lion'') or Richard the Lionheart because of his reputation as a great military leader and warrior. The troubadour Bertran de Born also called him Richard Oc-e-Non (Occitan for ''Yes and No''), possibly from a reputation for terseness. By the age of 16, Richard had taken command of his own army, putting down rebellions in Poitou against his father. Richard was an important Christian commander during the Third Crusade, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Langues D'oïl
The ''langues d'oïl'' (; ) are a dialect continuum that includes standard French and its closest autochthonous relatives historically spoken in the northern half of France, southern Belgium, and the Channel Islands. These belong to the larger category of Gallo-Romance languages, which also include the historical languages of east-central France and western Switzerland, southern France, portions of northern Italy, and the Val d'Aran in Spain. Linguists divide the Romance languages of France, and especially of Medieval France, into two main geographical subgroups: the ''langues d'oïl'' to the North, and the ''langues d'oc'' in the Southern half of France. Both groups are named after the word for "yes" in them or their recent ancestral languages. The most common modern ''langue d'oïl'' is standard French, in which the ancestral "oïl" has become "oui". Terminology ''Langue d'oïl'' (in the singular), ''Oïl dialects'' and ''Oïl languages'' (in the plural) designate the ancie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalan Language
Catalan (; autonym: , ), known in the Valencian Community and Carche as ''Valencian'' (autonym: ), is a Western Romance language. It is the official language of Andorra, and an official language of three autonomous communities in eastern Spain: Catalonia, the Valencian Community, and the Balearic Islands. It also has semi-official status in the Italian comune of Alghero. It is also spoken in the Pyrénées-Orientales department of France and in two further areas in eastern Spain: the eastern strip of Aragon and the Carche area in the Region of Murcia. The Catalan-speaking territories are often called the or "Catalan Countries". The language evolved from Vulgar Latin in the Middle Ages around the eastern Pyrenees. Nineteenth-century Spain saw a Catalan literary revival, culminating in the early 1900s. Etymology and pronunciation The word ''Catalan'' is derived from the territorial name of Catalonia, itself of disputed etymology. The main theory suggests that (Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peire D'Alvernha
Peire d'Alvernhe or d'Alvernha (''Pèire'' in modern Occitan; b. c. 1130) was an Auvergnat troubadour (active 1149–1170) with twenty-oneGaunt and Kay, 287. or twenty-fourEgan, 72.Aubrey, ''The Music of the Troubadours'', 8. surviving works. He composed in an "esoteric" and "formally complex" style known as the ''trobar clus''. He stands out as the earliest troubadour mentioned by name in Dante's ''Divine Comedy''. Life According to his ''vida'', Peire was a burgher's son from the Diocese of Clermont.Egan, 71. As testified to by his ''vida'', his popularity was great within his lifetime and afterwards. Said to be handsome, charming, wise, and learned, he was "the first good inventor of poetry to go beyond the mountains" (i.e. the Pyrenees) and travel in Spain. He passed his time in Spain at the court of Alfonso VII of Castile Alphons (Latinized ''Alphonsus'', ''Adelphonsus'', or ''Adefonsus'') is a male given name recorded from the 8th century (Alfonso I of Asturias, r. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pons De Mataplana
The pons (from Latin , "bridge") is part of the brainstem that in humans and other bipeds lies inferior to the midbrain, superior to the medulla oblongata and anterior to the cerebellum. The pons is also called the pons Varolii ("bridge of Varolius"), after the Italian anatomist and surgeon Costanzo Varolio (1543–75). This region of the brainstem includes neural pathways and tracts that conduct signals from the brain down to the cerebellum and medulla, and tracts that carry the sensory signals up into the thalamus.Saladin Kenneth S.(2007) Anatomy & physiology the unity of form and function. Dubuque, IA: McGraw-Hill Structure The pons is in the brainstem situated between the midbrain and the medulla oblongata, and in front of the cerebellum. A separating groove between the pons and the medulla is the inferior pontine sulcus. The superior pontine sulcus separates the pons from the midbrain. The pons can be broadly divided into two parts: the basilar part of the pons (ventral p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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