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Belisario Corenzio
Belisario Corenzio ( el, Βελισσάριος Κορένσιος 1558–1646) was a Greek-Italian painter, active in Venice and Naples. He is one of few Greek painters that did not belong to the Cretan Renaissance like his contemporaries of the time. He escaped the maniera greca completely. He adopted the Venetian style. Other similar Greek painters were Marco Basaiti, Ioannis Permeniates, Antonio Vassilacchi and El Greco. He was sometimes referred to as Il Greco. His teacher was prominent Venetian painter Tintoretto. In 1590, at age 32 Corenzio settled in Naples. Corenzio was influenced by Cavalier d'Arpino. He continued to flourish in the region. His apprentices included: Luigi Rodriguez, Andrea di Leone, Onofrio De Lione and Massimo Stanzione. Corenzio painted many frescos that survived today. Some of his works are in the Church of San Severino and Certosa di San Martino. His style resembles Caravaggio. An Italian legend in Naples exists involving Corenzio, Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyparissia
Kyparissia ( el, Κυπαρισσία) is a town and a former municipality in northwestern Messenia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality Trifylia, of which it is the seat and a municipal unit. The municipal unit has an area of 101.018 km2. The town proper has around 5,100 inhabitants. Geography The town is situated on the Gulf of Kyparissia, a bay of the Ionian Sea, one of the main breeding grounds of the endangered loggerhead sea turtle. Kyparissia is 38 km north of Pylos, 46 km northwest of Kalamata and 51 km southeast of Pyrgos. The Greek National Road 9 (Pyrgos - Methoni) passes through the town. Kyparissia is the terminus of a now disused railway line from Kalo Nero, on the line from Pyrgos to Kalamata. The town has a port, which is mainly used for cargo purposes. On a hill east of the town centre lies a fortress built during the Frankish period. Subdivisions The municipal unit Kyparissia is subdiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vassilacchi
Antonio Vassilacchi (; el, Αντώνιος Βασιλάκης, Antonios Vasilakis; 1556–1629), also called L'Aliense, was a Greek painter, who was active mostly in Venice and the Veneto. Biography Antonio Vassilacchi was born of Greek descent on the island of Milos, Greece in 1556. He left very young to settle in Venice. In 1572 Vassilacchi became a pupil of Paolo Veronese and began working on the frescoes in the episcopal palace at Treviso, in the church of Sant'Agata in Padua (Padova), and various churches in Venice. His opportunity came with the great conflagration that nearly devoured the Doge's Palace in Venice in December 1577. Aliense, a compatriot and just a little younger than El Greco, was one of the painters commissioned to decorate the restored Palace. Vassilacchi became a member of 'The Brotherhood of Saint Nicolas of the Greek Nation' (Scuola dei Greci), one of the liveliest 'foreign' communities in Venice, in 1600. In its book of members, the secretary insc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of Matthew
The Gospel of Matthew), or simply Matthew. It is most commonly abbreviated as "Matt." is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells how Israel's Messiah, Jesus, comes to his people and forms a community of disciples, of how he taught the people through such events as the Sermon on the Mount and its Beatitudes, and how Israel becomes divided and how Jesus condemns this hostile Israel. This culminates in his departure from the Temple and his execution. At this point many people reject Jesus, and on his resurrection he sends the disciples to the gentiles. Matthew seems to emphasize that the Jewish tradition should not be lost in a church that was increasingly becoming gentile. The gospel reflects the struggles and conflicts between the evangelist's community and the other Jews, particularly with its sharp criticism of the scribes and Pharisees with the position that through their rejection of Christ, the Kingdom of God h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salerno Cathedral
Salerno Cathedral (or duomo) is the main church in the city of Salerno in southern Italy and a major tourist attraction. It is dedicated to Saint Matthew, whose relics are inside the crypt. The Cathedral was built when the city was the capital of the Principality of Salerno. History Begun by Robert Guiscard in 1076 in the episcopate of Alfano I, Archbishop of Salerno, Alfano I, the Duomo was consecrated by Pope Gregory VII in 1084. In 1688, the architect Ferdinando Sanfelice remodelled the interior of the Duomo in the Neapolitan Baroque and Rococo styles. A restoration in the 1930s brought it back to an appearance similar to the original one. The Duomo is a symbol of the Italian Renaissance because inside is the list of papal tombs, tomb of Pope Gregory VII who rejected imperial domination of the church. The Duomo was damaged in World War II when, as part of the Operation Avalanche, the Allies of World War II, Allies landed in Salerno in September 1943. Architectural feature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabal Of Naples
The Cabal of Naples was a notorious triumvirate of painters in the city of Naples that operated during the early Baroque period from the late 1610s to the early 1640s. It was led by the Spaniard Jusepe de Ribera, who had established himself in Naples after fleeing creditors in Rome in 1616, and also consisted of the Neapolitan Battistello Caracciolo and Greek Belisario Corenzio. Its primary goal was to prevent competition from artists from other parts of Italy, particularly the masters. Its activities often targeted the followers of Annibale Carracci, but also any artist not native to Naples. It involved the triumvirate in leading the painters of the city to harass, expel, or poison any non-native painter, and only ended with the death of Caracciolo in 1641. Art commissions in Naples According to the art historian Bernardo de Dominici, no major Commission (art), commission for art in Naples could be executed without the consent of the three painters. Artists who did so would be p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battistello Caracciolo
Giovanni Battista Caracciolo (also called Battistello) (1578–1635) was an Italian artist and important Neapolitan follower of Caravaggio. He was a member of the murderous Cabal of Naples, with Belisario Corenzio and Giambattista Caracciolo, who were rumoured to have poisoned and disappeared their competition for painting contracts. Early life The only substantial early source of biography is that of Bernardo de' Dominici's unreliable publication of 1742. De Dominici's statements are often contradicted by documented facts and others cannot be substantiated independently. Archival documents state Caracciolo was born in Naples and baptised on 7 December 1578, as the son of Cesare Caracciolo and his wife Elena. The family lived in the parish of San Giovanni Maggiore. On 3 August 1598, at the age of twenty, Caracciolo married Beatrice de Mario. They had ten children, of whom eight survived to adulthood. Caravaggesque phase His initial training was said to be with Francesco Imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Certosa Di San Martino
The ("Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that commands the gulf. A Carthusian monastery, it was finished and inaugurated under the rule of Queen Joan I in 1368. It was dedicated to St. Martin of Tours. During the first half of the 16th century it was expanded. Later, in 1623, it was further expanded and became, under the direction of architect Cosimo Fanzago, essentially the structure one sees today. In 1799 anti-clerical French forces of occupation suppressed the monastery and forced the monks to flee. In the ensuing decades the monks made several attempts to reestablish their charter house, with the last effort failing in 1866, when the state definitively confiscated the property. Today, the buildings house the National Museum of San Martino with a display of Spanish and Bourbon era art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massimo Stanzione
Massimo Stanzione (also called Stanzioni; 1585 – 1656) was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco (these usually for ceilings). His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena.Thomas Willette, ''Stanzione (Stanzioni), Massimo, Cavaliere, (b ?Orta di Atella, nr Caserta, ?1585; d ?Naples, ?1656)'' Oxford Art Online, publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onofrio De Lione
Onofrio is an Italian surname derived from Onuphrius. Notable people with the surname include: *Vincent D'Onofrio *Al Onofrio *Beverly Donofrio *Elizabeth D'Onofrio *Francesco Onofrio Manfredini *Marco Onofrio See also *Sant'Onofrio (other) *San Onofre (other) San Onofre or Santo Onofre may refer to: * Onuphrius, known as ''San Onofre'' in Spanish and ''Santo Onofre'' in Portuguese, 4th-century Egyptian hermit honored as a saint in the Roman Catholic Church * San Onofre, Sucre, a municipality in the Sucr ... {{surname Italian-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Di Leone
Andrea di Leone (1610–1685) was an Italian painter of the Baroque period, active in his native city of Naples. He was a pupil of Belisario Corenzio and Salvator Rosa. When Corenzio left Naples, Leone became his successor in his work for the palace of the Viceroy. He painted there several battle scenes, but afterwards imitated Aniello Falcone in this line of work. There are several paintings by him in the cathedral and in San Paolo Maggiore at Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h .... He died at Naples. Gallery File:Andrea de leone, testa d'uomo coronato d'ulivo, forse giove olimpico, 1635 ca.jpg, Olive Crowned Man File:Andrea de lione, san gregorio armeno guarisce re tiridate III, 1650 circa (na) 01.JPG, Saint Gregory File:Jacob Meeting Rachel (Andrea de Lione) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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