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Cabal Of Naples
The Cabal of Naples was a notorious triumvirate of painters in the city of Naples that operated during the early Baroque period from the late 1610s to the early 1640s. It was led by the Spaniard Jusepe de Ribera, who had established himself in Naples after fleeing creditors in Rome in 1616, and also consisted of the Neapolitan Battistello Caracciolo and Greek Belisario Corenzio. Its primary goal was to prevent competition from artists from other parts of Italy, particularly the masters. Its activities often targeted the followers of Annibale Carracci, but also any artist not native to Naples. It involved the triumvirate in leading the painters of the city to harass, expel, or poison any non-native painter, and only ended with the death of Caracciolo in 1641. Art commissions in Naples According to the art historian Bernardo de Dominici, no major Commission (art), commission for art in Naples could be executed without the consent of the three painters. Artists who did so would be p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometeo (José De Ribera)
''Prometeo'' (''Prometheus'') is an "opera" by Luigi Nono (composer), Luigi Nono, written between 1981 and 1984 and revised in 1985. Here the word "opera" carries the generic Italian meaning of "works", as in work of art, and not its usual meaning. Indeed, Nono scornfully labels ''Prometeo'' a "tragedia dell'ascolto", a tragedy of listening. Objectively it can be considered a sequence of nine cantatas, the longest lasting 23 minutes. The Italian libretto, by Massimo Cacciari, selects from texts by such varied authors as Aeschylus, Walter Benjamin and Rainer Maria Rilke and presents the different versions of the mythology, myth of Prometheus without telling any version literally. Vocal and orchestral forces ''Prometeo'' in its final form (1985) is scored for: * 5 vocal soloists (2 sopranos, 2 altos, 1 tenor) * 2 speakers (one male, one female) * choir (12 singers) * 4 orchestral groups, each consisting of: western concert flute, flute/Piccolo flute, piccolo, soprano clarinet, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Cesari
Giuseppe Cesari (14 February 1568 – 3 July 1640) was an Italian Mannerist painter, also named Il Giuseppino and called ''Cavaliere d'Arpino'', because he was created ''Cavaliere di Cristo'' by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome. Biography Cesari's father, Muzio Cesari, had been a native of Arpino, but Giuseppe himself was born in Rome. Here, he was apprenticed to Niccolò Pomarancio. Cesari is stigmatized by Luigi Lanzi, as not less the corrupter of taste in painting than Marino was in poetry. (Lanzi disdained the style of post-Michelangelo Mannerism as a time of decline.) Cesari's first major work, done in his twenties, was the painting of the right counterfacade of San Lorenzo in Damaso, completed from 1588 to 1589. On 28 June 1589, he received the commission for the murals of the choir vault in the Certosa di San M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque! From St Peter's To St Paul's
''Baroque! From St Peter's to St Paul's'' is a three-part BBC Four documentary series on the painting, sculpture and architecture of the Baroque period. It was written and presented by Waldemar Januszczak Waldemar Januszczak (born 12 January 1954) is an English art critic and television documentary producer and presenter. Formerly the art critic of ''The Guardian'', he took the same role at ''The Sunday Times'' in 1992, and has twice won the Cr ... and first broadcast in March 2009. It is named after its start in the square of Saint Peter's Basilica and its end at St Paul's Cathedral. In March 2010 'Baroque!' won a Royal Television Society Award for best arts programme. Episodes #”The Birth of the Baroque". Italy – Baroque's origins in Rome and Spanish Naples, including Borromini's architectural work such as San Carlo alle Quattro Fontane, Bernini's fountains, churches like Sant'Andrea al Quirinale and sculptures such as ''Ecstasy of St Theresa, The Ecstasy of St There ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Passeri
Giovanni Battista Passeri (c. 1610 – 22 April 1679) was an Italian painter of the Baroque period. He was a pupil of the painter Domenichino, as the latter worked at Frascati. He painted genre and still life paintings. Life Born in Rome, Passeri is also known for his volume of artists' biographies, or ''Lives of the painters sculptors, and architects who practiced in Rome, and died between 1641 and 1673'', published in 1773. Passeri became director or president of the Accademia di San Luca in Rome, which once had his portrait of Domenichino, now in Florence. He was also the author of ''Il silenzio, discorso sopra la pittura'' (Rome, 1670) and ''La fantasia, discorso accademico'' (Rome, 1673). These publications are based on Passeri's lectures on art theory, which he delivered between 1662/3 and 1675 at the Accademia di S Luca. Another lecture remained unpublished.Dieter Graf. "Passeri." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 Feb. 2016. He d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aldobrandini Family
The House of Aldobrandini is an Italian noble family originally from Florence, where in the Middle Ages they held the most important municipal offices. Now the Aldobrandini are resident in Rome, with close ties to the Vatican. History Their Roman fortunes were made when Ippolito Aldobrandini became pope under the name Pope Clement VIII. He arranged the marriage that linked the Aldobrandini with the Roman family of Pamphili. They were also linked to marriage alliances with the Farnese (Ranuccio I, duke of Parma, had married Margherita Aldobrandini) and Borghese (since Olimpia Aldobrandini married Paolo Borghese). The family also lends its name to the Palazzo Aldobrandini on the Quirinal Hill. The Aldobrandini family, having reached the height of its powers when Ippolito Aldobrandini became Pope Clement VIII (1592–1605), began the building of the villa. In 1600 Clement VIII acquired the Orti Vitelli on the Quirinal hill and in 1601 donated the property to his Cardinal-nephe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villa Aldobrandini
The Villa Aldobrandini is a villa in Frascati, Italy. It is still owned and lived in by the Aldobrandini family, and known as Belvedere for its location overlooking the valley toward the city of Rome. It is the only grand Papal garden not owned by the state. Construction Vatican prelate Alessandro Rufini built the original villa in 1550. Pope Clement VIII gave his nephew Cardinal Pietro Aldobrandini the villa in 1598 as a reward for the negotiations he undertook with France that resulted in the peace treaty of 1595 and for his role in annexing Ferrara to the Papal States. Clement's gift also ensured the property remained in the family as Popes are not allowed to own property. Conversion Aldobrandini commissioned the Roman architect Giacomo della Porta to convert the villa into suitable accommodation in which a Cardinal could live and also entertain a Pope. Works started in 1598. While the core of the villa was completed by the time of Giacomo della Porta's death in 1603, work c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frascati
Frascati () is a city and ''comune'' in the Metropolitan City of Rome Capital in the Lazio region of central Italy. It is located south-east of Rome, on the Alban Hills close to the ancient city of Tusculum. Frascati is closely associated with science, being the location of several international scientific laboratories. Frascati produces the white wine Frascati (wine), with the same name. It is also a historical and artistic centre. History The most important archeological finding in the area, dating back to Ancient Rome, Ancient Roman times, during the late Republican Age, is a patrician Roman villa probably belonging to Lucullus. In the first century AD its owner was Gaius Sallustius Crispus Passienus, who married Agrippina the Younger, mother of Nero. His properties were later confiscated by the Flavian imperial dynasty (69–96 AD). Consul Flavius Clemens lived in the villa with his wife Domitilla during the rule of Domitian. According to the ''Liber Pontificalis'', in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Viceroys Of Naples
This is a list of viceroys of the Kingdom of Naples. Following the conquest of Naples by Louis XII of France in 1501, Naples was subject to the rule of the foreign rulers, the Kings of France, Aragon and Spain and the Habsburg Archdukes of Austria respectively. Commonly staying far from Naples, these rulers governed the Kingdom through a series of viceroys. Sources * Giovan Pietro Bellori: ''The Lives of the Modern Painters, Sculptors and Architects'' {{Campania Viceroys of Naples, * Naples-related lists, Viceroys Lists of political office-holders in Italy, Viceroys of Naples 16th-century Neapolitan people 17th-century Neapolitan people 18th-century Neapolitan people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Carlo Ai Catinari
San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari ("Saints Blaise and Charles at the Bowl-Makers") is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenula and Via dei Falegnami, a few blocks south of the church of Sant'Andrea della Valle. The attribute ''ai Catinari'' refers to the presence, at the time of its construction, of the many makers of wooden basins (Italian ''catini'') who worked in the area. The church was commissioned by the Order of the Barnabites and funded by the Milanese community in Rome to honour their fellow Milanese St. Charles Borromeo (Italian: ''San Carlo''). It is one of at least three Roman churches dedicated to him, including San Carlo al Corso and San Carlo alle Quattro Fontane (San Carlino). History The Barnabites in Milan had had close ties to Cardinal Borromeo. He had helped draft the order's constitutions, and they had assisted in ministering during the pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenichino
Domenico Zampieri (, ; October 21, 1581 – April 6, 1641), known by the diminutive Domenichino (, ) after his shortness, was an Italian Baroque painter of the Bolognese School of painters. Life Domenichino was born in Bologna, son of a shoemaker, and there initially studied under Denis Calvaert. After quarreling with Calvaert, he left to work in the Accademia degli Incamminati of the Carracci where, because of his small stature, he was nicknamed Domenichino, meaning "little Domenico" in Italian. He left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from Annibale Carracci's supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues Albani and Guido Reni, and worked alongside Lanfranco, who later would become a chief rival. In addition to assisting Annibale with completion of his frescoes in the Galleria Farnese, including ''A Virgin with a Unicorn'' (c. 1604–05), he painted three of his own frescoes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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