|
Bach-Busoni Edition
The Bach-Busoni Editions are a series of publications by the Italian pianist-composer Ferruccio Busoni (1866–1924) containing primarily piano transcriptions of keyboard music by Johann Sebastian Bach. They also include performance suggestions, practice exercises, musical analysis, an essay on the art of transcribing Bach's organ music for piano, an analysis of the fugue from Beethoven's 'Hammerklavier' sonata, and other related material. The later editions also include free adaptations and original compositions by Busoni which are based on the music of Bach. Busoni issued his Bach editions over a nearly 30-year span in two collections: the 25-volume Busoni Ausgabe (''Joh. Seb. Bach Klavierwerke'') and the Bach-Busoni Collected Edition (''Bach-Busoni Gesammelte Ausgabe''), which was first issued in 6 volumes in 1916, and subsequently in 7 volumes in 1920. A small collection of selected excerpts with transcriptions of organ and violin music was also published separately in 1916 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fantasia (music)
A fantasia (; also English language, English: ''fantasy'', ''fancy'', ''fantazy'', ''phantasy'', german: Fantasie, ''Phantasie'', french: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form. History The term was first applied to music during the 16th century, at first to refer to the imaginative musical "idea" rather than to a particular compositional genre. Its earliest use as a title was in German keyboard manuscripts from before 1520, and by 1536 is found in printed tablatures from Spain, Italy, Germany, and France. From the outset, the fantasia had the sense of "the play of imaginative invention", particularly in lute or vihuela composers such as Francesco Canova da Milano and Luis de Milán. Its form and style consequently ranges from the freely improvisatory to the strictly contrapuntal, and also encompasses more or less standard sectional forms. One of the most impo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow
Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million residents within the city limits, over 17 million residents in the urban area, and over 21.5 million residents in the metropolitan area. The city covers an area of , while the urban area covers , and the metropolitan area covers over . Moscow is among the world's largest cities; being the most populous city entirely in Europe, the largest urban and metropolitan area in Europe, and the largest city by land area on the European continent. First documented in 1147, Moscow grew to become a prosperous and powerful city that served as the capital of the Grand Duchy that bears its name. When the Grand Duchy of Moscow evolved into the Tsardom of Russia, Moscow remained the political and economic center for most of the Tsardom's history. When th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inventions And Sinfonias
The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 ''inventions'', which are two-part contrapuntal pieces, and 15 ''sinfonias'', which are three-part contrapuntal pieces. They were originally written as "''Praeambula''" and "''Fantasiae''" in the Klavierbüchlein für Wilhelm Friedemann Bach, a ''Clavier-booklet'' for his eldest son, and later rewritten as musical exercises for his students. Bach titled the collection: Forthright instruction, wherewith lovers of the clavier, especially those desirous of learning, are shown in a clear way not only 1) to learn to play two voices clearly, but also after further progress 2) to deal correctly and well with three obbligato parts, moreover at the same time to obtain not only good ideas, but also to carry them out well, but most of all to achieve a ''cantabile'' style of playing, and thereby to acqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Wegelius
Martin Wegelius (10 November 1846 – 22 March 1906) was a Finnish composer and musicologist, primarily remembered as the founder, in 1882, of the Helsinki Music Institute, now known as the Sibelius Academy. Wegelius studied in Leipzig, Vienna and Munich. He had intended to pursue a career as a composer, and wrote handful of orchestral works and a significant number of chamber and vocal works. He was a particular admirer of Wagner but wrote predominantly in the Romantic style. After founding the Institute he had little time for composing, and appears to have concentrated exclusively on teaching. Graduate of Wegelius' Institute include Jean Sibelius and Agnes Tschetschulin. He is often compared with his contemporary and rival Robert Kajanus Robert Kajanus (2 December 1856 – 6 July 1933) was a Finnish conductor, composer, and teacher. In 1882, he founded the Helsinki Orchestral Society, Finland's first professional orchestra. As a conductor, he was also a notable cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sibelius Academy
The Sibelius Academy ( fi, Taideyliopiston Sibelius-Akatemia, sv, Sibelius-Akademin vid Konstuniversitetet) is part of the University of the Arts Helsinki and a university-level music school which operates in Helsinki and Kuopio, Finland. It also has an adult education centre in Järvenpää and a training centre in Seinäjoki. The Academy is the only music university in Finland. It is among the biggest European music universities with roughly 1,400 enrolled students. The Sibelius Academy is the organizer of thInternational Maj Lind Piano Competitionand one of the organizers of the International Jean Sibelius Violin Competition held every five years in Helsinki. History The academy was founded in 1882 by Martin Wegelius as ' ("Helsinki Music Institute") and renamed ' in 1939 to honour its own former student and Finland's most celebrated composer Jean Sibelius. In 2013, the academy merged with two formerly independent universities, Helsinki Theatre Academy and Academy of Fine A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Joseph Dent
Edward Joseph Dent (16 July 1876 – 22 August 1957), generally known as Edward J. Dent, was an English musicologist, teacher, translator and critic. A leading figure of musicology and music criticism, Dent was Professor of Music at the University of Cambridge between 1926 and 1941. Life Dent was born in Ribston, Yorkshire, the son of the landowner and politician John Dent. He was educated at Bilston Grange, and Eton where he was a music student of Charles Harford Lloyd. He matriculated at King's College, Cambridge in 1895, graduating B.A. in 1898 in the Classical Tripos, Mus.B. 1899 having studied under Charles Wood and Charles Villiers Stanford, and M.A. 1902. He was elected a Fellow of his college in March 1902 having distinguished himself in music both as researcher and a composer. Dent was Professor of Music at Cambridge University from 1926 to 1941, where his students included Arthur Bliss, Arnold Cooke and Cecil Armstrong Gibbs. He was President of the I.S.C.M. fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Adaptations By Ferruccio Busoni
The composer Ferruccio Busoni produced a large number of adaptations, transcriptions, and editions of works by other composers. He also wrote a number of cadenzas for compositions by other composers. This article presents a complete catalog of these works. For a complete list of original compositions see Catalog of original compositions by Ferruccio Busoni. For a more selective list of recorded works, see ''Ferruccio Busoni discography (as composer)''. Cadenzas and transcriptions The letters BV B (Busoni-Verzeichnis Bearbeitung usoni Catalog Adaptation followed by a number are used for the identification of Busoni's cadenzas and transcriptions.Busoni catalog in Roberge (1991), pp. 8–63. The BV B numbers are based on the first comprehensive catalog of Busoni's works prepared by Kindermann. The letters KiV B are also sometimes used. Although Kindermann himself did not specify any letter(s) to be used for referring to his catalog, he has agreed to the use of the abbreviati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskirche
, native_name_lang = , image = Leipzig Thomaskirche.jpg , imagelink = , imagealt = , caption = , pushpin map = , pushpin label position = , pushpin map alt = , pushpin mapsize = , relief = , map caption = , latd = , latm = , lats = , latNS = , longd = , longm = , longs = , longEW = , iso region = , osgraw = , osgridref = , location = , country = Germany , denomination = Lutheran , previous denomination = Catholic , churchmanship = , membership = , attendance = , website = , former name = , bull date = , founded date = , founder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egon Petri
Egon Petri (23 March 188127 May 1962) was a Dutch pianist. Life and career Petri's family was Dutch. He was born a Dutch citizen but in Hanover, Germany, and grew up in Dresden, where he attended the Kreuzschule. His father, a professional violinist, taught him to play the violin. While still a teenager, Petri played with the Dresden Court Orchestra and with his father's string quartet. He studied composition and theory with Hermann Kretzschmar and Felix Draeseke at the Dresden Conservatory. From an early age Petri had also taken piano lessons and eventually, with strong encouragement from Ignacy Jan Paderewski and Ferruccio Busoni, he concentrated on piano. He studied with Busoni, who greatly influenced him, and Petri considered himself more a disciple than a student of his. Following his example, Petri focused on the works of Johann Sebastian Bach and Franz Liszt, who, along with Busoni himself, were at the centre of his repertoire. During World War I, Petri moved wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Peoples
The Italic peoples were an ethnolinguistic group identified by their use of Italic languages, a branch of the Indo-European language family. The Italic peoples are descended from the Indo-European speaking peoples who inhabited Italy from at least the second millennium BC onwards. Latins achieved a dominant position among these tribes, establishing ancient Roman civilization. During this development, other Italic tribes adopted Latin language and culture in a process known as Romanization. This process was eventually extended to certain parts of Europe. The ethnic groups which emerged as a result are known as Romance peoples. Classification The Italics were an ethnolinguistic group who are identified by their use of the Italic languages, which form one of the branches of Indo-European languages. Outside of the specialised linguistic literature, the term is also used to describe the ancient peoples of Italy as defined in Roman times, including pre-Roman peoples like the Etruscan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Martin Wegelius")
