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Bacchic
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was ...
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Orphic
Orphism (more rarely Orphicism; grc, Ὀρφικά, Orphiká) is the name given to a set of religious beliefs and practices originating in the ancient Greek and Hellenistic world, associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned. This type of journey is called a katabasis and is the basis of a several hero worships and journeys. Orphics revered Dionysus (who once descended into the Underworld and returned) and Persephone (who annually descended into the Underworld for a season and then returned). Orphism has been described as a reform of the earlier Dionysian religion, involving a re-interpretation or re-reading of the myth of Dionysus and a re-ordering of Hesiod's ''Theogony'', based in part on pre-Socratic philosophy. The central focus of Orphism is the suffering and death of the god Dionysus at the hands of the Titans, which forms the basis of Orphism's central myth. According to this myth, the infant Dion ...
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Bacchanalia
The Bacchanalia were unofficial, privately funded popular Roman festivals of Bacchus, based on various ecstatic elements of the Greek Dionysia. They were almost certainly associated with Rome's native cult of Liber, and probably arrived in Rome itself around 200 BC. Like all mystery religions of the ancient world, very little is known of their rites. They seem to have been popular and well-organised throughout the central and southern Italian peninsula. Livy, writing some 200 years after the event, offers a scandalized and extremely colourful account of the Bacchanalia, with frenzied rites, sexually violent initiations of both sexes, all ages and all social classes; he represents the cult as a murderous instrument of conspiracy against the state. Livy claims that seven thousand cult leaders and followers were arrested, and that most were executed. Livy believed the Bacchanalia scandal to be one of several indications of Rome's inexorable moral decay. Modern scholars take a skepti ...
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Thyrsus
A thyrsus /ˈθɜːrsəs/ or thyrsos /ˈθɜːrˌsɒs/ (Ancient Greek: θύρσος) was a wand or staff of giant fennel (''Ferula communis'') covered with ivy vines and leaves, sometimes wound with taeniae and topped with a pine cone, artichoke, or by a bunch of vine-leaves and grapes or ivy-leaves and berries, carried during Hellenic festivals and religious ceremonies. The thyrsus is typically associated with the Greek god Dionysus, and represents a symbol of prosperity, fertility, and hedonism similarly to Dionysus. Religious/Ceremonial use In Greek religion, the staff was carried by the votaries of Dionysus. Euripides wrote that honey dripped from the thyrsos staves that the Bacchic maenads carried. The thyrsus was a sacred instrument at religious rituals and fêtes. The fabulous history of Bacchus relates that he converted the thyrsi carried by himself and his followers into dangerous weapons, by concealing an iron point in the head of leaves. Hence his thyrsus is ...
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Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ...
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Amun
Amun (; also ''Amon'', ''Ammon'', ''Amen''; egy, jmn, reconstructed as (Old Egyptian and early Middle Egyptian) → (later Middle Egyptian) → (Late Egyptian), cop, Ⲁⲙⲟⲩⲛ, Amoun) romanized: ʾmn) was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. With the 11th Dynasty ( 21st century BC), Amun rose to the position of patron deity of Thebes by replacing Montu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I (16th century BC), Amun acquired national importance, expressed in his fusion with the Sun god, Ra, as Amun-Ra (alternatively spelled Amon-Ra or Amun-Re). Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom (with the exception of the " Atenist heresy" under Akhenaten). Amun-Ra in this period (16th to 11th centuries BC) held the position of transcendental, self-created creator dei ...
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Amaltheia
In Greek mythology, Amalthea or Amaltheia (Ancient Greek: Ἀμάλθεια) is the most-frequently mentioned foster-mother of Zeus. Etymology The name ''Amalthea'', in Greek "tender goddess", is clearly an epithet, signifying the presence of an earlier nurturing goddess or maiden-goddess whom the Hellenes, whose myths we know, knew to be located in Crete, where Minoans may have called her a version of "Dikte". Mythology There were different traditions regarding Amalthea. Amalthea is sometimes represented as the goat who suckled the infant-god in a cave in Cretan Mount Aigaion ("Goat Mountain"), sometimes as a goat-tending nymph of uncertain parentage (the daughter of Oceanus, Helios, Haemonius, or—according to Lactantius—Melisseus), who brought him up on the milk of her goat. The possession of multiple and uncertain mythological parents indicates wide worship of a deity in many cultures having varying local traditions. Other names, like Adrasteia, Ide, the nymph of Mount ...
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Aeacus
Aeacus (; also spelled Eacus; Ancient Greek: Αἰακός) was a mythological king of the island of Aegina in the Saronic Gulf. He was a son of Zeus and the nymph Aegina, and the father of the heroes Peleus and Telamon. According to legend, he was famous for his justice, and after he died he became one of the three judges in Hades alongside Minos and Rhadamanthos. In another story, he assisted Poseidon and Apollo in building the walls of Troy. He had sanctuaries in Athens and Aegina, and the Aeginetan festival of the Aeacea (Αἰάκεια) was celebrated in his honour. Family Aeacus was the son of Zeus by Aegina, a daughter of the river-god Asopus, and thus, brother of Damocrateia. In some accounts, his mother was Europa and thus possible brother to Minos, Rhadamanthus and Sarpedon. He was the father of Peleus, Telamon and Phocus and was the grandfather of the Trojan war warriors Achilles and Telemonian Ajax. In some accounts, Aeacus had a daughter called Alcima ...
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Angelos (Greek Mythology)
In Greek mythology, Angelos ( grc, Ἄγγελος) or Angelia (Ἀγγελία) was a daughter of Zeus and Hera who became known as a chthonic deity. Mythology Angelos' story only survives in scholia on Theocritus' ''Idyll'' 2, and is as follows: Angelos was raised by nymphs to whose care her father had entrusted her. One day she stole her mother Hera's anointments and gave them away to Europa. To escape Hera's wrath, she had to hide first in the house of a woman in labor, and next among people who were carrying a dead man. Hera eventually ceased from prosecuting her, and Zeus ordered the Cabeiroi to cleanse Angelos. They performed the purification rite in the waters of the Acherusia Lake in the Underworld. Consequently, she received the world of the dead as her realm of influence, and was assigned an epithet ''katachthonia'' ("she of the underworld"). The story of Angelos is cited by the scholiast in a series of rare myths concerning the birth of Hecate, which makes it ...
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Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracul ...
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Ancient Roman Sculpture
The study of Roman sculpture is complicated by its relation to Sculpture of Ancient Greece, Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Empire, Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry. The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin literature, Latin and some ancient Greek literatu ...
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Artemis
In ancient Greek mythology and religion, Artemis (; grc-gre, Ἄρτεμις) is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. She was heavily identified with Selene, the Moon, and Hecate, another Moon goddess, and was thus regarded as one of the most prominent lunar deities in mythology, alongside the aforementioned two.Smiths.v. Artemis/ref> She would often roam the forests of Greece, attended by her large entourage, mostly made up of nymphs, some mortals, and hunters. The goddess Diana is her Roman equivalent. In Greek tradition, Artemis is the daughter of the sky god and king of gods Zeus and Leto, and the twin sister of Apollo. In most accounts, the twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on land. Only the island of Delos gave refuge to Leto, allowing her to give birth to her children. Usually, Artemis i ...
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Athena
Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weav ...
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