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Assumption Of The Virgin (Botticini)
The ''Assumption of the Virgin'', 1475–1476, is a large (228.6 x 377.2 cm) painting in tempera on wood panel by Francesco Botticini. It portrays Mary's assumption and was commissioned as the altarpiece for a church in Florence and is now in the National Gallery, London. The disciples gather around Mary's lily-filled tomb with looks of amazement. There are donor portraits of Matteo Palmieri, who commissioned the work, kneeling on the left, and his wife on the right. In Heaven above, surrounded by the nine choirs of angels, Jesus raises his hand in blessing to his kneeling mother. Among the lesser angels around Jesus and Mary are saints. Together with Palmieri's poem ''La città di vita'', this mixing of saints with angels raised questions about the orthodoxy of the donor Palmieri, and possibly that of the painter Botticini himself. See also *Assumption of the Virgin Mary in art The Assumption of the Virgin Mary does not appear in the New Testament, but appears i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow Jews on ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Assumption Of The Virgin
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting Jesus
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Paintings
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Italian'' (1915 film), a silent film by Reginald Barker * ''The Italian'' (2005 film), a Russian f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marian Art In The Catholic Church
Mary has been one of the major subjects of Western Art for centuries. There is an enormous quantity of Marian art in the Catholic Church, covering both devotional subjects such as the Virgin and Child and a range of narrative subjects from the ''Life of the Virgin'', often arranged in cycles. Most medieval painters, and from the Reformation to about 1800 most from Catholic countries, have produced works, including old masters such as Michelangelo and Botticelli. Marian art forms part of the fabric of Catholic Marian culture through their emotional impact on the veneration of the Blessed Virgin. Images such as Our Lady of Guadalupe and the many artistic renditions of it as statues are not simply works of art but are a central element of the daily lives of the Mexican people. Both Hidalgo and Zapata flew Guadalupan flags and depictions of the Virgin of Guadalupe continue to remain a key unifying element in the Mexican nation.''The Virgin of Guadalupe'' by Maxwell E. Johnson 2003 p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assumption Of The Virgin Mary In Art
The Assumption of the Virgin Mary does not appear in the New Testament, but appears in apocryphal literature of the 3rd and 4th centuries, and by 1000 was widely believed in the Western Church, though not made formal Catholic dogma until 1950. It first became a popular subject in Western Christian art in the 12th century, along with other narrative scenes from the Life of the Virgin, and the Coronation of the Virgin. These "Marian" subjects were especially promoted by the Cistercian Order and Saint Bernard of Clairvaux (d. 1153). Literary accounts with more detail, such as the presence of the Apostles, appeared in late medieval works such as the ''Golden Legend'', and were followed by artists. By the end of the Middle Ages, large and crowded altarpieces gave the artist the opportunity to show his virtuosity in composition, colouring and figure poses. After the Reformation, it was used to assert the Catholic position, rejected by Protestants. Normally accompanied or carri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saints
In religious belief, a saint is a person who is recognized as having an exceptional degree of holiness Sacred describes something that is dedicated or set apart for the service or worship of a deity; is considered worthy of spiritual respect or devotion; or inspires awe or reverence among believers. The property is often ascribed to objects (a ..., likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denomination. In Catholic Church, Catholic, Eastern Orthodox Church, Eastern Orthodox, Anglican Communion, Anglican, Oriental Orthodox, and Lutheranism, Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Angelic Hierarchy
In Christianity, angels are the agents of God. Various works of Christian theology have devised hierarchies of angelic beings. The most influential Christian angelic hierarchy was put forward around the turn of the 6th century AD by Pseudo-Dionysius the Areopagite in his work ''De Coelesti Hierarchia'' (''On the Celestial Hierarchy''). He claimed to be an important figure who was converted by Paul the Apostle, who authored most of the New Testament, and his work enjoyed greater influence than it would have if he had used his actual name, until Erasmus publicised doubts about the age of the work in the early 16th century. Angels are organized into several orders, or "Angelic Choirs". As referred to in the theological doctrine of the communion of saints, in paradise there is a common and unique vision of the truth and contemplation of the face of God, without any kind of difference between angels or human souls. The ''Summa theologiae'' of Thomas Aquinas states that there exis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Botticini
Francesco Botticini (real name Francesco di Giovanni, 1446 – 16 January 1498) was an Italian painter of the Early Renaissance. He was born in Florence, where he remained active until his death in 1498. Although there are only few documented works by Botticini, a considerable corpus has been confidently attributed to him on the basis of style including a number of altarpieces, dozens of small-scale religious panels and a few portraits. Life Early work Botticini was born in Florence in 1446. His father was Giovanni di Domenico di Piero, a ''naibaio'', or painter of playing cards, from whom he probably received his initial artistic training. By 22 July 1459 was a salaried assistant in the workshop of Neri di Bicci. Botticini left Neri's workshop in 24 July 1460. He eventually came into contact with Andrea del Verrocchio, in whose workshop he would have met Leonardo da Vinci, Lorenzo di Credi, Domenico Ghirlandaio, and Pietro Perugino. Though Botticini's presence in Verrocchio' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Palmieri
Matteo di Marco Palmieri (1406–1475) was a Florentine humanist and historian who is best known for his work ''Della vita civile'' ("On Civic Life"; printed 1528) which advocated civic humanism, and his influence in refining the Tuscan vernacular to the same level as Latin.Giuseppe Flavo, Paul Grendler (ed.). "Palmieri, Matteo" in ''Encyclopedia of the Renaissance'', 1999, volume 3, pp. 376-377. He was sent as Florentine ambassador to the court of Alfonso of Naples. Vespasiano da Bisticci included him among the illustrious men of his generation whose careers deserved an article in his ''Vite di uomini illustri del secolo XV'' ''vita''. Biography Palmieri was born to a middle-class family who held prominent positions in the city. He was educated in Florence and ran a profitable apothecary shop; like his father he pursued a career in civil service, becoming a well known and respected public official between 1432 and 1475 holding many posts and titles. At the end of his life, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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