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Francesco Botticini
Francesco Botticini (real name Francesco di Giovanni, 1446 – 16 January 1498) was an Italian painter of the Early Renaissance. He was born in Florence, where he remained active until his death in 1498. Although there are only few documented works by Botticini, a considerable corpus has been confidently attributed to him on the basis of style including a number of altarpieces, dozens of small-scale religious panels and a few portraits. Life Early work Botticini was born in Florence in 1446. His father was Giovanni di Domenico di Piero, a ''naibaio'', or painter of playing cards, from whom he probably received his initial artistic training. By 22 July 1459 was a salaried assistant in the workshop of Neri di Bicci. Botticini left Neri's workshop in 24 July 1460. He eventually came into contact with Andrea del Verrocchio, in whose workshop he would have met Leonardo da Vinci, Lorenzo di Credi, Domenico Ghirlandaio, and Pietro Perugino. Though Botticini's presence in Verrocchio' ...
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Early Renaissance
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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THE MADONNA AND CHILD WITH THE INFANT SAINT JOHN THE BAPTIST IN A LANDSCAPE
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Raffaello Botticini
Raffaello Botticini (1474–after 1520) was an Italian Renaissance painter active in Florence and its environs. Raffaello was trained by his father, the more famous Francesco Botticini, whose workshop he inherited. ''The Tabernacle of the Sacrament'' for the collegiate church of Sant'Andrea in Empoli, commissioned from Francesco in 1484 and delivered in 1491, was completed by Raffaello in 1504. This work is now in the church's adjoining museum. Raffaello painted other pictures for various churches in Empoli, including two panels of ''Saint Jerome'' and ''Saint Sebastian'' dated 1500 (now also at the collegiate museum) and an altarpiece of the ''Pietà'' (1508) for the chapel of the Compagnia della Veste Nera, destroyed in 1944. These panels show the strong influence of Raffaello's father as well as of Domenico Ghirlandaio and his pupils, Bastiano Mainardi and Francesco Granacci. Other works by Raffaello Botticini include about a dozen paintings of the Virgin and Child. So ...
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Empoli
Empoli () is a town and ''comune'' in the Metropolitan City of Florence, Tuscany, Italy, about southwest of Florence, to the south of the Arno in a plain formed by the river. The plain has been usable for agriculture since Roman times. The commune's territory becomes hilly as it departs from the river. Empoli is on the main railway line from Florence to Pisa, and is the point of divergence of a line to Siena. Empoli has an enduring tradition as an agricultural centre. It has given its name to a local variety of artichoke. History Archaeological finds have revealed that Empoli was already settled in the early Roman Empire times, and continued to exist until the 4th century AD. The river acted as a communication way for the trade of agricultural products, together with the local amphorae. In the Tabula Peutingeriana of the 4th century Empoli is called ''in portu'' ("in the port") as a river port on the Roman road ''Via Quinctia'', which led from Fiesole and Florence to Pisa. Emp ...
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Heresy
Heresy is any belief or theory that is strongly at variance with established beliefs or customs, in particular the accepted beliefs of a church or religious organization. The term is usually used in reference to violations of important religious Religion is usually defined as a social- cultural system of designated behaviors and practices, morals, beliefs, worldviews, texts, sanctified places, prophecies, ethics, or organizations, that generally relates humanity to supernatur ... teachings, but is also used of views strongly opposed to any generally accepted ideas. A heretic is a proponent of heresy. The term is used particularly in reference to Heresy in Christianity, Christianity, Heresy in Judaism, Judaism, and Bid‘ah, Islam. In certain historical Christian, Muslim, and Jewish cultures, among others, espousing ideas deemed heretical has been (and in some cases still is) met with censure ranging from excommunication to the death penalty. Heresy is distinct ...
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Lucretius
Titus Lucretius Carus ( , ;  â€“ ) was a Roman poet and philosopher. His only known work is the philosophical poem ''De rerum natura'', a didactic work about the tenets and philosophy of Epicureanism, and which usually is translated into English as ''On the Nature of Things''—and somewhat less often as ''On the Nature of the Universe''. Lucretius has been credited with originating the concept of the three-age system that was formalised in 1836 by C. J. Thomsen. Very little is known about Lucretius's life; the only certainty is that he was either a friend or client of Gaius Memmius, to whom the poem was addressed and dedicated. ''De rerum natura'' was a considerable influence on the Augustan poets, particularly Virgil (in his ''Aeneid'' and ''Georgics'', and to a lesser extent on the ''Eclogues'') and Horace. The work was almost lost during the Middle Ages, but was rediscovered in 1417 in a monastery in Germany by Poggio Bracciolini and it played an important role both ...
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Assumption Of The Virgin
The Assumption of Mary is one of the four Catholic_Mariology#Dogmatic_teachings, Marian dogmas of the Catholic Church. Pope Pius XII defined it in 1950 in his apostolic constitution ''Munificentissimus Deus'' as follows: We proclaim and define it to be a dogma revealed by God that the immaculate Mother of God, Mary ever virgin, when the course of her earthly life was finished, was taken up body and soul into the glory of heaven. The declaration was built upon the 1854 dogma of the Immaculate Conception of Mary, which declared that Mary was conceived free from original sin, and both have their foundation in the concept of Mary as the Mother of God. It leaves open the question of whether Mary died or whether she was raised to Eternal life (Christianity), eternal life without bodily death. The equivalent belief (but not held as dogma) in the Eastern Orthodox Church is the Dormition of the Mother of God or the "Falling Asleep of the Mother of God". The word 'assumption' der ...
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Francesco Botticini - The Assumption Of The Virgin
Francesco, the Italian language, Italian (and original) version of the personal name "Francis (given name), Francis", is the List of most popular given names, most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662†...
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The Last Judgment (Memling)
''The Last Judgment'' is a triptych attributed to Flemish painter Hans Memling and painted between 1467 and 1471. It is now in the National Museum in Gdańsk in Poland. It was commissioned by Angelo Tani,When thtriptych is closed Tani and his wife are shown kneeling in prayer. an agent of the Medici at Bruges, but was captured at sea by Paul Beneke, a privateer from Danzig. A lengthy lawsuit against the Hanseatic League demanded its return to Italy. It was placed in the Basilica of the Assumption but in the 20th century it was moved to its present location. The triptych depicts the Last Judgment during the second coming of Jesus Christ, the central panel showing Jesus sitting in judgment on the world, while St Michael the Archangel is weighing souls and driving the damned towards Hell (the sinner in St. Michael's right-hand scale pan is a donor portrait of Tommaso Portinari); the left hand panel showing the saved being guided into heaven by St Peter ) (Simeon, Simon) , b ...
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Hans Memling
Hans Memling (also spelled Memlinc; c. 1430 – 11 August 1494) was a painter active in Flanders, who worked in the tradition of Early Netherlandish painting. He was born in the Middle Rhine region and probably spent his childhood in Mainz. He moved to the Netherlands and spent time in the Brussels workshop of Rogier van der Weyden. He was subsequently made a citizen of Bruges in 1465, where he became one of the leading artists, running a large workshop, which painted religious works that often incorporated donor portraits of his wealthy patrons. Memling's patrons included burghers (bankers, merchants, and politicians), clergymen, and aristocrats. Memling's portraits built upon the styles that he learned in his youth. He became very successful, and in 1480 was listed among the wealthiest citizens in a city tax list. He married Anna de Valkenaere sometime between 1470 and 1480, and they had three children. Memling's art was rediscovered in the 19th century, attaining wide pop ...
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Badia Fiesolana
The Badia Fiesolana was an medieval and renaissance period Roman Catholic monastery located in the town of Fiesole (in the quarter of San Domenico), northeast of Florence, Italy. Since 1976 the building is the main seat of the European University Institute. The original Camaldolese monks building was completed in 1028 and was subsequently transferred to Benedictines from Montecassino and the Canons Regular of St. Augustine. History The monastery was built between 1025-1028 on the location of a former chapel dedicated to Saint Peter and Saint Romulus. Originally, it bore the name of Saint Bartholomew. The present appearance dates from between 1456 and 1467. Current use The former convent is now the seat of the European University Institute The European University Institute (EUI) is an international postgraduate and post-doctoral teaching and research institute and an independent body of the European Union with juridical personality, established by the member state ...
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