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Arnold Von Bruck
Arnold von Bruck (also Arnold de Pruck, Arnoldus de Bruck, Arnoldus Brugensis, indicating his origin) (c. 1500 – 6 February 1554) was a Franco-Flemish composer of Renaissance music, active in several Habsburg courts. He was one of the most famous and influential composers in German-speaking areas during the first half of the 16th century, the period of the Protestant Reformation; however, he seems to have remained a Roman Catholic.Wessely/Kreyszig, Grove online Life He was born in Bruges, and received at least part of his musical training as a choirboy in the chapel of Charles V, where he probably studied with Marbrianus de Orto. Pierre de La Rue was also a member of that chapel, which was one then of the most distinguished musical organizations in Europe. Bruck likely left around 1519, and his whereabouts are unknown until 1527, when he became a priest in the Pas-de-Calais, in the Thérouanne diocese. That same year he became court ''Kapellmeister'' for Archduke Ferdinan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balthasar Resinarius
Balthasar Resinarius (born Balthasar Harzer; c. 1483 – 12 April 1544) was a German composer, and a Lutheran bishop, one of the first Lutherans in Bohemia. Life and career It is regarded as proven the Resinarius, listed by the music publisher Georg Rhau, is identical with the composer Balthasar Harzer, also listed by Rhau. Harzer was born in Tetschen, Bohemia. He received his musical education as a choir boy in the court chapel of King Maximilian I in Munich. He was also a pupil of Heinrich Isaac there. In 1515, he was enrolled as ''Baldassar Harczer'' to study at the University of Leipzig. From 1523, he worked on the initiative of as a Catholic priest in his home town. He got into a fierce dispute with a Lutheran preacher, in the course of which he turned to the Bohemian king for help while the other party sought help from Martin Luther himself. It is not known whether this early and intense confrontation with the new faith led him to convert to Lutheranism. From 1534, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Rhau
Georg Rhau (Rhaw) (1488 – 6 August 1548) was a German publisher and composer. He was one of the most significant music printers in Germany in the first half of the 16th century, during the early period of the Protestant Reformation. He was principally active in Wittenberg, Saxony, the town where Martin Luther is said to have nailed the Ninety-five Theses to the door of the Castle Church, initiating the Reformation. Rhau's support as a printer was critical to Luther's success.Mattfield, Grove online Life Born in the Thuringian town of Eisfeld, then part of Ernestine Saxony, Rhau from 1513 onwards studied philosophy at the newly established University of Wittenberg. From 1518 he continued his studies at the University of Leipzig where he also worked as a tutor. He was the cantor of Leipzig Thomanerchor from 1518 to 1520. During Luther's Leipzig Debate, he performed his mass ''Missa de Sancto Spiritu'' for twelve voices on 27 June 1519. In 1520 Rhau had to leave Leipzig, due t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Deum
The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Milanese Rite in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service (of blessing or thanks) based upon the hymn. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) and Saint Nicetas of Remesiana (died 414) were proposed as possible authors. In the 20th century, the association with Nicetas has been deprecated, so that the hymn, while almost certainly dating to the 4th century, is considered as being of uncertain authorship. Authorship of Nicetas o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Gombert
Nicolas Gombert (c. 1495 – c. 1560)Atlas, p. 396 was a Franco-Flemish composer of the Renaissance. He was one of the most famous and influential composers between Josquin des Prez and Palestrina, and best represents the fully developed, complex polyphonic style of this period in music history. Life Details of his early life are sketchy, but he was probably born around 1495 in southern Flanders, probably between Lille and Saint-Omer, possibly in the town of La Gorgue. German writer and music theorist Hermann Finck wrote that Gombert studied with Josquin; this would have been during the renowned composer's retirement in Condé-sur-l'Escaut, sometime between 1515 and 1521.Nugent/Jas, Grove online Gombert was employed by the emperor Charles V as a singer in his court chapel in 1526 and possibly as a composer as well. Most likely he was taken on while Charles was passing through Flanders, for the emperor traveled often, bringing his retinue with him, and picking up new members a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siege Of Vienna (1529)
The siege of Vienna, in 1529, was the first attempt by the Ottoman Empire to capture the capital city of Vienna, Austria, Holy Roman Empire. Suleiman the Magnificent, sultan of the Ottomans, attacked the city with over 100,000 men, while the defenders, led by Niklas Graf Salm, numbered no more than 21,000. Nevertheless, Vienna was able to survive the siege, which ultimately lasted just over two weeks, from 27 September to 15 October, 1529. The siege came in the aftermath of the 1526 Battle of Mohács, which had resulted in the death of Louis II, King of Hungary, and the descent of the kingdom into civil war. Following Louis' death, rival factions within Hungary selected two successors: Archduke Ferdinand I of Austria, supported by the House of Habsburg, and John Zápolya. Zápolya would eventually seek aid from, and become a vassal of the Ottoman Empire, after Ferdinand began to take control of western Hungary, including the city of Buda. The Ottoman attack on Vienna was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quodlibet
A quodlibet (; Latin for "whatever you wish" from '' quod'', "what" and '' libet'', "pleases") is a musical composition that combines several different melodies—usually popular tunes—in counterpoint, and often in a light-hearted, humorous manner. There are three main types of quodlibet: * A ''catalogue quodlibet'' consists of a free setting of catalogue poetry (usually humorous lists of loosely related items). * In a ''successive quodlibet'', one voice has short musical quotations and textual quotations while the other voices provide homophonic accompaniment. * In a ''simultaneous quodlibet'', two or more pre-existing melodies are combined. The simultaneous quodlibet may be considered a historical antecedent to the modern-day musical mashup. History Renaissance The quodlibet originated in 15th-century Europe, during a time when the practice of combining folk tunes was popular. Composer first used the term in a specifically musical context in 1544. Francisco de Pe� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnificat
The Magnificat (Latin for " y soulmagnifies he Lord) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated into the liturgical services of the Catholic Church, the Eastern Orthodox churches, and the Anglican Communion. Its name comes from the incipit of the Latin version of the text. The text of the canticle is taken from the Gospel of Luke () where it is spoken by Mary upon the occasion of her Visitation to her cousin Elizabeth. In the narrative, after Mary greets Elizabeth, who is pregnant with John the Baptist, the latter moves within Elizabeth's womb. Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. The Magnificat is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn. Within the whole of Christianity, the canticle is most frequent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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