André Le Nôtre
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André Le Nôtre
André Le Nôtre (; 12 March 1613 – 15 September 1700), originally rendered as André Le Nostre, was a French landscape architect and the principal gardener of King Louis XIV of France. He was the landscape architect who designed the gardens of the Palace of Versailles; his work represents the height of the French formal garden style, or ''jardin à la française''. Prior to working on Versailles, Le Nôtre collaborated with Louis Le Vau and Charles Le Brun on the park at Vaux-le-Vicomte. His other works include the design of gardens and parks at Chantilly, Fontainebleau, Saint-Cloud and Saint-Germain. His contribution to planning was also significant: at the Tuileries he extended the westward vista, which later became the avenue of the Champs-Élysées and comprise the ''Axe historique''. Biography Early life André Le Nôtre was born in Paris, into a family of gardeners. Pierre Le Nôtre, who was in charge of the gardens of the Palais des Tuileries in 1572, may have ...
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Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the develop ...
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Château De Saint-Germain-en-Laye
The Château de Saint-Germain-en-Laye () is a former royal palace in the commune of Saint-Germain-en-Laye, in the ''département'' of Yvelines, about 19 km west of Paris, France. Today, it houses the ''musée d'Archéologie nationale'' (National Museum of Archaeology). History 12th–13th centuries The first castle, named the ''Grand Châtelet'', was built on the site by Louis VI in 1124. The castle was expanded by Louis IX in the 1230s. Louis IX's chapelle Saint Louis at the castle belongs to the Rayonnant phase of French Gothic architecture. A 1238 charter of Louis IX instituting a regular religious service at the chapel is the first mention of a chapel having been built at the royal castle. This was a ''Sainte Chapelle'', to house a relic of the Crown of Thorns or the True Cross. Its plan and architecture prefigure the major Sainte-Chapelle which Saint Louis built within the Palais de la Cité at Paris between 1240 and 1248. Both buildings were built by Louis's fa ...
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Atelier
An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored method of training. However, many professional artists c ...
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Architecture
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes ; ; . Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. The practice, which began in the prehistoric era, has been used as a way of expressing culture for civilizations on all seven continents. For this reason, architecture is considered to be a form of art. Texts on architecture have been written since ancient times. The earliest surviving text on architectural theories is the 1st century AD treatise '' De architectura'' by the Roman architect Vitruvius, according to whom a good building embodies , and (durability, utility, and beauty). ...
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Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Mathematics
Mathematics is an area of knowledge that includes the topics of numbers, formulas and related structures, shapes and the spaces in which they are contained, and quantities and their changes. These topics are represented in modern mathematics with the major subdisciplines of number theory, algebra, geometry, and analysis, respectively. There is no general consensus among mathematicians about a common definition for their academic discipline. Most mathematical activity involves the discovery of properties of abstract objects and the use of pure reason to prove them. These objects consist of either abstractions from nature orin modern mathematicsentities that are stipulated to have certain properties, called axioms. A ''proof'' consists of a succession of applications of deductive rules to already established results. These results include previously proved theorems, axioms, andin case of abstraction from naturesome basic properties that are considered true starting points of ...
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Musée Du Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Saint-Roch, Paris
The Church of Saint-Roch (french: Église Saint-Roch) is a 17th-18th-century French Baroque and classical style church in Paris, dedicated to Saint Roch. It is located at 284 rue Saint-Honoré, in the 1st arrondissement. The current church was built between 1653 and 1740. The church is particularly noted for its very exuberant 18th century chapels decorated with elaborate Baroque murals, sculpture, and architectural detail. In 1795, during the later states of the French Revolution, the front of the church was the site of the 13 Vendémiaire, when the young artillery officer Napoleon Bonaparte fired a battery of cannon to break up a force of Royalist soldiers which threatened the new revolutionary government. History Construction In 1521, the merchant Jean Dinocheau had a chapel built on the outskirts of Paris, which was dedicated to Saint Susanna. In 1577, his nephew Etienne Dinocheau had it extended into a larger church. In the early 18th century, with the beginning of t ...
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Louis XIII Of France
Louis XIII (; sometimes called the Just; 27 September 1601 – 14 May 1643) was King of France from 1610 until his death in 1643 and King of Navarre (as Louis II) from 1610 to 1620, when the crown of Navarre was merged with the French crown. Shortly before his ninth birthday, Louis became king of France and Navarre after his father Henry IV was assassinated. His mother, Marie de' Medici, acted as regent during his minority. Mismanagement of the kingdom and ceaseless political intrigues by Marie and her Italian favourites led the young king to take power in 1617 by exiling his mother and executing her followers, including Concino Concini, the most influential Italian at the French court. Louis XIII, taciturn and suspicious, relied heavily on his chief ministers, first Charles d'Albert, duc de Luynes and then Cardinal Richelieu, to govern the Kingdom of France. The King and the Cardinal are remembered for establishing the '' Académie française'', and ending the revolt o ...
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Claude Mollet
Claude Mollet (ca. 1564 – shortly before 1649), ''premier jardinier du Roy'' — first gardener to three French kings, Henri IV, Louis XIII and the young Louis XIV — was a member of the Mollet dynasty of French garden designers in the seventeenth century. His father was Jacques Mollet, gardener at the château d'Anet, where Italian formal gardening was introduced to France and where Claude apprenticed, and his son was André Mollet, who took the French style to Holland, Sweden and England. In the woodcuts in Olivier de Serres' work dedicated to Henri IV, ' (Paris 1600), the plans laid out in royal gardens are by Claude Mollet, who was a friend of the author, who praises Mollet's designs for the herbs and shrubs speaking in letters, devices, cyphers, coats-of-arms, frames, ships and other things, imitated with marvelous industry and patience. As de Serres did, Mollet maintained two tree nurseries, in the outskirts of the Faubourg Saint-Honoré, west of Paris. He clai ...
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Jules Guiffrey
Jules-Joseph Guiffrey (29 November 1840 – 26 November 1918) was a 19th-century French art historian, a member of the Académie des beaux-arts. Career While studying law (he was graduated in 1861Sophie Mouquin, ÂJules Guiffrey », ''Dictionnaire critique des historiens de l'art'', INHA), he was a student at the École nationale des chartes where he obtained his diploma of archivist paleographer in 1863 with a thesis entitled ''Examen du traité qui réunit le Dauphiné à la France et des négociations qui l’ont précédé et suivi (1349)''. In 1866 he was appointed an archivist of the Emperor's archives then at the Archives nationales in the Legislative and Judicial department, where he did much of his career. In 1893, he was appointed administrator of the manufacture nationale des Gobelins Throughout his career, he conducted research in art history - sometimes at the expense of its archival activity. In 1866, he established the "Société de l'histoire de l'art françai ...
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Axe Historique
The ''Axe historique'' (; "historical axis") is a line of monuments, buildings, and thoroughfares that extends from the centre of Paris, France, to the west. It is also known as the ''Voie Triomphale'' (; "triumphal way"). The Axe Historique began with the creation of the Champs-Élysées, designed in the 17th century to create a vista to the west, extending the central axis of the gardens to the royal Palace of the Tuileries. Today the Tuileries Gardens (''Jardins des Tuileries'') remain, preserving their wide central pathway, though the palace was burned down during the Paris Commune, 1871. Between the Tuileries gardens and the Champs Élysées extension a jumble of buildings remained on the site of Place de la Concorde until early in the reign of Louis XV, for whom the square was at first named. Then the garden axis could open through a grand gateway into the new royal square. To the east, the Tuileries Palace faced an open square, the Place du Carrousel. There, by order ...
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