Ave Gratia Plena, Piedimonte Matese
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Ave Gratia Plena, Piedimonte Matese
The church of Ave Gratia Plena is a baroque-style Roman Catholic church dedicated to the Virgin of the Annunciation located along via Angelo Scorciarini Coppola in Piedimonte Matese, in the Province of Caserta, in the region of Campania, Italy. The words "''Ave gratia plena"'' translate into "''Hail full of grace"'', the words uttered first by the Archangel Gabriel in the Annunciation. The church is also known as ''della Annunziata''. History and description The present site has housed a church since the 9th century. This building was reconstructed starting in the mid-1500s, but only reached reconsecration on 8 December 1640, under the Bishop of Alife, Pietro Paolo De Medici. The facade and bell-tower were built in 1694. Most of the interior decoration dates from the 18th-century to present. The facade has a marble portal with columns. The interior has three naves, decorated with baroque stucco by Domenico Antonio Vaccaro. Along the walls are six lateral altars. On the arch lead ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and "plaster" to a coating for interiors; as described below, however, the materials themselves often have little to no differences. Other European languages, notably Italian, do not have the same distinction; ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is cement, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. Until ...
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Earthquake
An earthquake (also known as a quake, tremor or temblor) is the shaking of the surface of the Earth resulting from a sudden release of energy in the Earth's lithosphere that creates seismic waves. Earthquakes can range in intensity, from those that are so weak that they cannot be felt, to those violent enough to propel objects and people into the air, damage critical infrastructure, and wreak destruction across entire cities. The seismic activity of an area is the frequency, type, and size of earthquakes experienced over a particular time period. The seismicity at a particular location in the Earth is the average rate of seismic energy release per unit volume. The word ''tremor'' is also used for Episodic tremor and slip, non-earthquake seismic rumbling. At the Earth's surface, earthquakes manifest themselves by shaking and displacing or disrupting the ground. When the epicenter of a large earthquake is located offshore, the seabed may be displaced sufficiently to cause ...
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Nicola Maria Rossi
Nicola Maria Rossi, also known as Nicolò Maria (Naples, 1690 – Naples, 23 April 1758) was an Italian painter of the late-Baroque. Biography At the age of 15 years, he had begun studying a classic education, but after a fireworks injury damaged on eye, he became a pupil of Francesco Solimena in 1706. Nicola later likely tutored Corrado Giaquinto while in that studio. Rossi painted an altarpiece of the ''Immaculate Conception with Saints and Bishops'' for the church of the Cappuccinelle sopra Ponte Corbo. Rossi was called to Vienna, to paint a Hall for the Marquis of Refrano, a counselor for the Holy Roman Emperor Charles VI. He depicted ''Heroic virtue crowned by Glory, Fame, and other Virtues''. In Vienna, he also painted portraits of the chancellor, the Count of Zinzendorff, and others in the court. Her returned to Naples, where he worked for the Viceroy Aloys Thomas Raimund Graf Harrach. He painted allegoric and mythologic panels, as well as large canvases depicting the vice ...
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Canvas
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame. Modern canvas is usually made of cotton or linen, or sometimes polyvinyl chloride (PVC), although historically it was made from hemp. It differs from other heavy cotton fabrics, such as denim, in being plain weave rather than twill weave. Canvas comes in two basic types: plain and duck. The threads in duck canvas are more tightly woven. The term ''duck'' comes from the Dutch word for cloth, ''doek''. In the United States, canvas is classified in two ways: by weight (ounces per square yard) and by a graded number system. The numbers run in reverse of the weight so a number 10 canvas is lighter than number ...
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Aniello Giordano
Aniello may refer to: ;Given name *Aniello Ascione (1680–1708), Italian painter of still lifes *Aniello Califano (1870–1919), Italian poet and writer * Aniello Campagna (1607–1648), Roman Catholic prelate, Bishop of Nusco * Lee Aniello Castaldo (1915–1990), American jazz trumpeter and bandleader * Aniello Cutolo (born 1983), Italian footballer *Aniello Dellacroce (1914–1985), American mobster and underboss of the Gambino crime family *Aniello Desiderio (born 1971), Italian virtuoso classical guitarist and teacher *Aniello Falcone (1600–1656), Italian Baroque painter *Agnolo Aniello Fiore (15th century), Italian sculptor architect * Angelo Aniello Fiore (died 1500), Italian architect and sculptor * Aniello Formisano (born 1954), Italian politician and lawyer * Aniello Panariello (born 1988), Italian footballer *Aniello Portio, Italian engraver who worked at Naples from 1690 to 1700 *Aniello Sabbatino (born 2000), Italian rower *Aniello Salzano (born 1991), Italian footbal ...
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Carving
Carving is the act of using tools to shape something from a material by scraping away portions of that material. The technique can be applied to any material that is solid enough to hold a form even when pieces have been removed from it, and yet soft enough for portions to be scraped away with available tools. Carving, as a means for making stone or wooden sculpture, is distinct from methods using soft and malleable materials like clay, fruit, and melted glass, which may be shaped into the desired forms while soft and then harden into that form. Carving tends to require much more work than methods using malleable materials.Daniel Marcus Mendelowitz, ''Children Are Artists: An Introduction to Children's Art for Teachers and Parents'' (1953), p. 136. Kinds of carving include: * Bone carving * Chip carving * Fruit carving * Gourd carving or gourd art * Ice carving or ice sculpture * Ivory carving * Stone carving ** Petroglyph * Vegetable carving ** Thaeng yuak (Banana stalk ca ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Gaetano Bocchetti
Gaetano Bocchetti (10 August 1888 – 1990) was an Italian painter. He was born in Naples and studied at the Academy of Fine Arts of Naples. He participated in a number of exhibitions, including the 1920 Venice Biennale The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of ..., the 1921 Quadriennale of Rome, and from 1923 at the national Biennale of Naples. He exhibited at a Florentine exhibition by Sembenelli, in 1926 at the Quadriennale of Turin, and gained the premio Cremona in 1935–36, the premio Michetti in 1965, and the premio Posillipo in 1965. He frescoed the interior of the Basilica of Giuseppe da Copertino, Osimo.Webs ...
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Ceiling
A ceiling is an overhead interior surface that covers the upper limits of a room. It is not generally considered a structural element, but a finished surface concealing the underside of the roof structure or the floor of a story above. Ceilings can be decorated to taste, and there are many fine examples of frescoes and artwork on ceilings especially in religious buildings. A ceiling can also be the upper limit of a tunnel. The most common type of ceiling is the dropped ceiling, which is suspended from structural elements above. Panels of drywall are fastened either directly to the ceiling joists or to a few layers of moisture-proof plywood which are then attached to the joists. Pipework or ducts can be run in the gap above the ceiling, and insulation and fireproofing material can be placed here. Alternatively, ceilings may be spray painted instead, leaving the pipework and ducts exposed but painted, and using spray foam. A subset of the dropped ceiling is the suspended ceiling ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Arch
An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it. Arches may be synonymous with vaults, but a vault may be distinguished as a continuous arch forming a roof. Arches appeared as early as the 2nd millennium BC in Mesopotamian brick architecture, and their systematic use started with the ancient Romans, who were the first to apply the technique to a wide range of structures. Basic concepts An arch is a pure compression form. It can span a large area by resolving forces into compressive stresses, and thereby eliminating tensile stresses. This is sometimes denominated "arch action". As the forces in the arch are transferred to its base, the arch pushes outward at its base, denominated "thrust". As the rise, i. e. height, of the arch decreases the outward thrust increases. In order to preserve arch action and prevent collapse ...
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