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Asyndeton
Asyndeton (, ; from the el, ἀσύνδετον, "unconnected", sometimes called asyndetism) is a literary scheme in which one or several conjunctions are deliberately omitted from a series of related clauses. Examples include ''veni, vidi, vici'' and its English translation "I came, I saw, I conquered". Its use can have the effect of speeding up the rhythm of a passage and making a single idea more memorable. Asyndeton may be contrasted with syndeton ( syndetic coordination) and polysyndeton, which describe the use of one or multiple coordinating conjunctions, respectively. More generally, in grammar, an asyndetic coordination is a type of coordination in which no coordinating conjunction is present between the conjuncts. ''Quickly, resolutely, he strode into the bank.'' No coordinator is present here, but the conjoins are still coordinated. Examples Omission of conjunction "and" Aristotle wrote in his ''Rhetoric'' that this device was more effective in spoken oratory ...
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Polysyndeton
Polysyndeton (from Ancient Greek πολύ ''poly'', meaning "many", and συνδετόν '' syndeton'', meaning "bound together with".) is the deliberate insertion of conjunctions into a sentence for the purpose of "slow ngup the rhythm of the prose" so as to produce "an impressively solemn note." In grammar, a polysyndetic coordination is a coordination in which all conjuncts are linked by coordinating conjunctions (usually ''and'', ''but'', ''or'', ''nor'' in English). Examples A passage from the Book of Genesis ( 1:24–25) exemplifies the stately effect of polysyndeton: Author Ernest Hemingway employs the conjunction "and" to convey "a flow and continuity of experience" in a passage from his short story " After the Storm": The poet John Keats used conjunctions in a verse from "Endymion": In the King James Bible Polysyndeton is used extensively in the King James Version of the Bible, where ''and'' is used as a literal translation of the Hebrew waw-consecutive and t ...
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Grammatical Conjunction
In grammar, a conjunction (list of glossing abbreviations, abbreviated or ) is a part of speech that connects words, phrases, or clauses that are called the conjuncts of the conjunctions. That definition may overlap with that of other parts of speech and so what constitutes a "conjunction" must be defined for each language. In English, a given word may have several word sense, senses and be either a preposition or a conjunction, depending on the syntax of the sentence. For example, ''after'' is a preposition in "he left after the fight" but is a conjunction in "he left after they fought". In general, a conjunction is an invariable (non-inflection, inflected) grammatical particle that may or may not stand between the items conjoined. The definition of conjunction may also be extended to idiomatic phrases that behave as a unit with the same function, "as well as", "provided that". A simple literary example of a conjunction is "the truth of nature, ''and'' the power of giving inte ...
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Coordination (linguistics)
In linguistics, coordination is a complex syntactic structure that links together two or more elements; these elements are called ''conjuncts'' or ''conjoins''. The presence of coordination is often signaled by the appearance of a coordinator (coordinating conjunction), e.g. ''and'', ''or'', ''but'' (in English). The totality of coordinator(s) and conjuncts forming an instance of coordination is called a coordinate structure. The unique properties of coordinate structures have motivated theoretical syntax to draw a broad distinction between coordination and subordination. It is also one of the many constituency tests in linguistics. Coordination is one of the most studied fields in theoretical syntax, but despite decades of intensive examination, theoretical accounts differ significantly and there is no consensus on the best analysis. Coordinators A ''coordinator'' or a coordinating conjunction, often appears between the conjuncts, usually at least between the penultimate and ult ...
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Veni, Vidi, Vici
''Veni, vidi, vici'' (, ; "I came; I saw; I conquered") is a Latin phrase used to refer to a swift, conclusive victory. The phrase is popularly attributed to Julius Caesar who, according to Appian, used the phrase in a letter to the Roman Senate around 47 BC after he had achieved a quick victory in his short war against Pharnaces II of Pontus at the Battle of Zela (modern-day Zile, Turkey). The phrase is attributed in Plutarch's ''Life of Caesar'' and Suetonius's ''Lives of the Twelve Caesars: Julius''. Plutarch writes that Caesar used it in a report to Amantius, a friend of his in Rome. Suetonius states that Caesar displayed the three words as an inscription during his Pontic triumph. Allusions and references Variations of the sentence ''Veni, vidi, vici'' are often quoted, and also used in music, art, literature, and entertainment. Since the time of Caesar, the phrase has been used in military contexts. John III Sobieski, King Jan III of Poland alluded to it after the ...
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Outer Dark
''Outer Dark'' is the second novel by American writer Cormac McCarthy, published in 1968. The time and setting are nebulous, but can be assumed to be somewhere in Appalachia, sometime around the turn of the twentieth century. The novel tells of a woman named Rinthy who bears her brother's baby. The brother, Culla, leaves the nameless infant in the woods to die, but tells his sister that the newborn died of natural causes and had to be buried. Rinthy discovers this lie and sets out to find the baby for herself. The name of the novel is derived from the Gospel of Matthew, specifically the meeting between the Roman centurion and Jesus, during which Jesus says: "But the children of the kingdom shall be cast out into outer darkness: there shall be weeping and gnashing of teeth". Writing process McCarthy began writing the novel on December 15, 1962, in Asheville, North Carolina, and finished the first draft in New Orleans, in 1964. He wrote the early draft of the final version in ...
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Rhetorical Techniques
In rhetoric, a rhetorical device, persuasive device, or stylistic device is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading them towards considering a topic from a perspective, using language designed to encourage or provoke an emotional display of a given perspective or action. Rhetorical devices evoke an emotional response in the audience through use of language, but that is not their primary purpose. Rather, by doing so, they seek to make a position or argument more compelling than it would otherwise be. Modes of persuasion Originating from Aristotle's ''Rhetoric'', the four modes of persuasion in an argument are as follows: ;Logos : is an appeal to logic using intellectual reasoning and argument structure such as giving claims, sound reasons for them, and supporting evidence.Selzer, J. (2004). Rhetorical Analysis: Understanding How Texts Persuade Readers. In C. Bazerman & P. Prior (Eds.), ''What Writing Do ...
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Mark Forsyth
Mark Forsyth (born 2 April 1977) is a British writer of non-fiction who came to prominence with a series of books concerning the meaning and etymology of English words. He is the author of best-selling books '' The Etymologicon'', '' The Horologicon'', and ''The Elements of Eloquence'', as well as being known for his blog The Inky Fool. Forsyth's earlier work was based around the meaning of words and more specifically, obscure and out-of-use words. His first two books were featured on BBC Radio 4's series Book of the Week. In June 2012, Forsyth gave a TEDX talk entitled "What’s a snollygoster? A short lesson in political speak". Education Forsyth attended Winchester College in Winchester, Hampshire, England from 1990 to 1995. He also studied English Language & Literature at Lincoln College, Oxford University from 1996 to 1999. Career The Inky Fool As a self-described journalist, proofreader, ghostwriter and pedant, Forsyth started a blog called the ''Inky Fool'' in 2009 ...
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Edward P
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned. Peop ...
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Zeugma And Syllepsis
In rhetoric, zeugma (; from the Ancient Greek , , lit. "a yoking together"Liddell, H. G. & al. ''A Greek-English Lexicon''"" Perseus Project. Retrieved 24 January 2013.) and syllepsis (; from the Ancient Greek , , lit. "a taking together"''Random House Dictionary''"Syllepsis" 2013. Retrieved 24 January 2013.) are figures of speech in which a single phrase or word joins different parts of a sentence. Definition In current usage, there are multiple and sometimes conflicting definitions for zeugma and syllepsis. This article categorizes these two figures of speech into four types, based on four definitions: Type 1 Grammatical syllepsis (sometimes also called ''zeugma''): where a single word is used in relation to two other parts of a sentence although the word grammatically or logically applies to only one. By definition, grammatical syllepsis will often be grammatically "incorrect" according to traditional grammatical rules. However, such solecisms are sometimes not errors bu ...
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Reduced Relative Clause
A reduced relative clause is a relative clause that is ''not'' marked by an explicit relative pronoun or complementizer such as ''who'', ''which'' or ''that''. An example is the clause ''I saw'' in the English sentence "This is the man ''I saw''." Unreduced forms of this relative clause would be "This is the man ''that I saw''." or "...''whom I saw''." Another form of reduced relative clause is the "reduced object passive relative clause", a type of nonfinite clause headed by a past participle, such as the clause ''found here'' in: "The animals ''found here'' can be dangerous." Reduced relative clauses are given to ambiguity or garden path effects, and have been a common topic of psycholinguistic study, especially in the field of sentence processing. Finite types Regular relative clauses are a class of dependent clause (or "subordinate clause") that usually modifies a noun.Li & Thompson 1981:579–580.Carrol 2008:294. They are typically introduced by one of the relative p ...
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Parataxis (grammar)
Parataxis (from el, παράταξις, "act of placing side by side"; from παρα, ''para'' "beside" + τάξις, ''táxis'' "arrangement") is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions. It contrasts with syntaxis and hypotaxis. It is also used to describe a technique in poetry in which two images or fragments, usually starkly dissimilar images or fragments, are juxtaposed without a clear connection. Readers are then left to make their own connections implied by the paratactic syntax. Ezra Pound, in his adaptation of Chinese and Japanese poetry, made the stark juxtaposition of images an important part of English-language poetry. Etymology Edward Parmelee Morris wrote in 1901 that the term was introduced into linguistics by Friedrich Thiersch in his ''Greek Grammar'' (1831). The term has remained unchanged, but the concept of parataxis has e ...
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