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Armand Félix Marie Jobbé-Duval
Armand Félix Marie Jobbé-Duval (17 July 1821 – 2 April 1889) was a French painter and politician of Breton origin. He became known for his severely classical compositions, which included the ceiling decorations of many churches and public buildings. He was a committed Republican and secularist, and participated in the French revolutions of 1848 and 1870–71. Family Armand Félix Marie Jobbé-Duval was born on 17 July 1821 in Carhaix-Plouguer, Carhaix, where his father Thomas Félix Jobbé-Duval (1787–1860), was an engineer and chief surveyor for the cadastre (land registry) of Finistère, Brittany. He was the youngest of four children of Thomas Félix Jobbé-Duval and Charlotte Le Tournoux de Villegeorges (1791-1828), both from Rennes, who had married on 28 November 1811. He married Marie Louise Sophie Jacquemart (1831–1917) in the Saint-Laurent, Paris, Église Saint-Laurent, Paris, and they had four children between 1850 and 1865. Artistic career Jobbé-Duval studied ...
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André Gill
André Gill (17 October 1840 – 1 May 1885) was a French caricaturist. Born Louis-Alexandre Gosset de Guînes at Paris, the son of the Comte de Guînes and Sylvie-Adeline Gosset, Gill studied at the Royal Academy of Painting and Sculpture. He adopted the pseudonym ''André Gill'' in homage to his hero, James Gillray. Gill began illustrating for '' Le Journal Amusant'', but he became known for his work for the weekly four-sheet newspaper '' La Lune'', edited by Francis Polo, in which he drew portraits for a series entitled ''The Man of the Day''. He worked for ''La Lune'' from 1865 to 1868. When ''La Lune'' was banned, he worked for the periodical '' L'Éclipse'' from 1868 to 1876. Gill also drew for famous periodical '' Le Charivari''. Caricatures Gill's style, subsequently much imitated, was noted for the enlargement of his subjects' heads, which sat upon undersized bodies. His caricatures, in the form of large hand-colored, lithographic portraits, were considered very ...
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French Third Republic
The French Third Republic (, sometimes written as ) was the system of government adopted in France from 4 September 1870, when the Second French Empire collapsed during the Franco-Prussian War, until 10 July 1940, after the Fall of France during World War II led to the formation of the Vichy France, Vichy government. The French Third Republic was a parliamentary republic. The early days of the French Third Republic were dominated by political disruption caused by the Franco-Prussian War of 1870–1871, which the French Third Republic continued to wage after the fall of Emperor Napoleon III in 1870. Social upheaval and the Paris Commune preceded the final defeat. The German Empire, proclaimed by the invaders in Palace of Versailles, annexed the French regions of Alsace (keeping the ) and Lorraine (the northeastern part, i.e. present-day Moselle (department), department of Moselle). The early governments of the French Third Republic considered French Third Restoration, re-establi ...
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Government Of National Defense
The Government of National Defense () was the first government of the Third Republic of France from 4 September 1870 to 13 February 1871 during the Franco-Prussian War. It was formed after the proclamation of the Republic in Paris on 4 September, which in turn followed the surrender and capture of Emperor Napoleon III by the Prussians at the Battle of Sedan. The government, headed by General Louis Jules Trochu, was under Prussian siege in Paris. Breakouts were attempted twice, but met with disaster and rising dissatisfaction of the public. In late January the government, having further enraged the population of Paris by crushing a revolutionary uprising, surrendered to the Prussians. Two weeks later, it was replaced by the new government of Adolphe Thiers, which soon passed a variety of financial laws in an attempt to pay reparations and thus oblige the Prussians to leave France, leading to the outbreak of revolutions in French cities, and the ultimate creation of the Paris Com ...
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July Monarchy
The July Monarchy (), officially the ''Kingdom of France'' (), was a liberalism, liberal constitutional monarchy in France under , starting on 9 August 1830, after the revolutionary victory of the July Revolution of 1830, and ending 26 February 1848, with the French Revolution of 1848, Revolution of 1848. It marks the end of the Bourbon Restoration in France, Bourbon Restoration (1814–1830). It began with the overthrow of the conservative government of Charles X of France, Charles X, the last king of the main line House of Bourbon. Louis Philippe I, a member of the more liberal House of Orléans, Orléans branch of the House of Bourbon, proclaimed himself as ("popular monarchy, King of the French") rather than "King of France", emphasizing the popular origins of his reign. The king promised to follow the ''juste milieu'', or the middle-of-the-road, avoiding the extremes of both the conservative supporters of Charles X and radicals on the left. The July Monarchy was dominat ...
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French Revolution Of 1848
The French Revolution of 1848 (), also known as the February Revolution (), was a period of civil unrest in France, in February 1848, that led to the collapse of the July Monarchy and the foundation of the French Second Republic. It sparked the wave of revolutions of 1848. The revolution took place in Paris, and was preceded by the French government's crackdown on the campagne des banquets. Starting on 22 February as a large-scale protest against the government of François Guizot, it later developed into a violent uprising against the monarchy. After intense urban fighting, large crowds managed to take control of the capital, leading to the abdication of King Louis Philippe on 24 February and the subsequent proclamation of the Second Republic. Background Under the Charter of 1814, Louis XVIII ruled France as the head of a constitutional monarchy. Upon Louis XVIII's death, his brother, the Count of Artois, ascended to the throne in 1824, as Charles X. Supported by the u ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ...
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Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( ; ; 29 August 1780 – 14 January 1867) was a French Neoclassicism, Neoclassical Painting, painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romanticism (art), Romantic style. Although he considered himself a History painting, painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of Jacques-Louis David, David. In 1802 he made his Paris Salon, Salon debut, and won the for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Ro ...
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Jean Jouvenet
Jean-Baptiste Jouvenet (; 1 May 1644 – 5 April 1717) was a French painter, especially of religious subjects. Biography He was born into an artistic family in Rouen. His first training in art was from his father, Laurent Jouvenet; a generation earlier, his grandfather, Noel Jouvenet, may have taught Nicolas Poussin. Jouvenet early showed a remarkable aptitude for his profession, and on arriving in Paris, attracted the attention of Le Brun, by whom he was employed at Versailles, notably in the ''Salon de Mars'' (1671–74), and under whose auspices, in 1675, he became a member of the '' Académie royale de peinture et de sculpture'', of which he was elected professor in 1681, and one of the four perpetual rectors in 1707. He also worked under Charles de La Fosse in the Invalides and Trianon. Jouvenet was later Director of the Académie from 1705 to 1708. The great mass of works that he executed, chiefly in Paris, many of which, including his celebrated ''Miraculous Draugh ...
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Parlement Of Rennes
The Parlement of Rennes or Parlement of Brittany (, ) was one of the , a court of justice under the French , with its seat at Rennes. The last building to house the Parlement still stands and now houses the Rennes Court of Appeal, the natural successor of the Parlement. under the As with all the before they were abolished in 1789, that of Brittany was a sovereign court of justice, principally listening to appeals of sentences issued by lower jurisdictions. The Parlements also possessed limited legislative powers and asserted some autonomy with respect to the royal prerogative. The nobles of Brittany were keen to defend the rights of the province, known as the "Breton liberties", maintained under the treaty of union with France. They were determined to exercise these powers, and to play a big part in the life of the Parlement and consequently in the life of the whole province. This resistance to royal powers, involving the defending of its institutions and the privileges of the ...
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Hôtel De Ville, Lyon
The (, ''City Hall'') is the city hall of Lyon, France, and one of the largest historic buildings in the city. The building is located between the Place des Terreaux and the Place de la Comédie, in front of the Opéra Nouvel. It was designated a ''monument historique'' by the French government in 1886. History Much of Lyon was redeveloped in the 17th century, with the Presqu'île becoming the city centre. As part of the masterplan for the area the council decided to commission a new town hall for Lyon. The site they selected was between the Place des Terreaux and the Place de la Comédie. Construction of the new building was deliberately timed to commence on the birthday of King Louis XIV, 5 September 1646. It was designed by Simon Maupin in the Renaissance Revival style, built ashlar stone and the council held their first meeting there on 14 November 1652. The design involved a symmetrical main frontage of nine bays facing west onto the Place des Terreaux with the end two ...
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St-Gervais-et-St-Protais
Saint-Gervais-Saint-Protais () is a Roman Catholic parish church located in the 4th arrondissement of Paris, on Place Saint-Gervais in the Marais district, east of City Hall (Hôtel de Ville). The current church was built between 1494 and 1657, on the site of two earlier churches; the facade, completed last, was the first example of the French baroque style in Paris. The organists of the church included Louis Couperin and his nephew François Couperin, two of the most celebrated composers and musicians of the Baroque period; the organ they used can still be seen today. The church contains remarkable examples of medieval carved choir stalls, stained glass from the 16th century, 17th century sculpture, and modern stained glass by Sylvie Gaudin and Claude Courageux. Saint-Gervais was a parish church until 1975, when it became the headquarters of the Monastic Fraternities of Jerusalem. History A church dedicated to Saints Gervasius and Protasius, two Christian martyrs from Mil ...
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Sainte-Trinité, Paris
The Église de la Sainte-Trinité () is a Roman Catholic church located on the place d'Estienne d'Orves, at 3 rue de la Trinité, in the 9th arrondissement of Paris. It was built between 1861 and 1867 during the reign of Emperor Napoleon III, in the residential neighborhood of the Chaussée d'Antin. It is in the ornate Neo-Renaissance or Second Empire Style, with a highly visible 65-meter-tall belfry. The church is accessible by the Métro (the nearby station, Trinité, is named after it). The rue de La Trinité also takes its name from the church. History The first church in the parish, which was then outside the city limits of Paris, was constructed en 1850 at 21 rue de Calais, but was too small for growing population and too far from the center of the parish. A second church was built in 1852 on the rue de Clichy, where the present-day Casino de Paris is located, but it also was too small. The Abbé Modelonde, the curé of the parish, appealed to Napoleon III to construct a ...
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