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Aristeas (sculptor)
Aristeas ( grc, Ἀριστέας) was part of a duo, along with Papias, of sculptors from Aphrodisium in Cyprus who made the two statues of centaurs, known as the Furietti Centaurs, in dark grey marble which were found at Hadrian's Villa at Tivoli, Lazio in 1746, and are now in the Capitoline Museums. The statues bear the inscription ΑΡΙΣΤΕΑΣ ΚΑΙ ΠΑΠΙΑΣ ΑΦΡΟΔΙΣΙΕΙΣ. From the style of the statues, and from the place where they were discovered, German art historian Johann Joachim Winckelmann supposed that they were made during the reign of Hadrian. Other statues of centaurs have been discovered, very much like those of Aristeas and Papias, but of better workmanship, from which some writers have inferred that the latter are only copies. The two centaurs are fully described by Winckelmann, and figured by sculptors Bartolomeo Cavaceppi and Giovanni Battista Foggini Giovanni Battista (Giambattista) Foggini (25 April 1652 – 12 April 1725) was an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphrodisium (Cyprus)
Aphrodisium or Aphrodision ( grc, Ἀφροδίσιον), also known as Aphrodisias (Ἀφροδισιάς), was a city of ancient Cyprus, situated at the narrowest part of the island, only 70 stadia from Salamis. Its site is near the modern Liastrika, Akanthou, in the ''de facto'' Turkish Republic of Northern Cyprus Northern Cyprus ( tr, Kuzey Kıbrıs), officially the Turkish Republic of Northern Cyprus (TRNC; tr, Kuzey Kıbrıs Türk Cumhuriyeti, ''KKTC''), is a ''de facto'' state that comprises the northeastern portion of the island of Cyprus. Recog .... References Populated places in ancient Cyprus Former populated places in Cyprus {{AncientCyprus-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyprus
Cyprus ; tr, Kıbrıs (), officially the Republic of Cyprus,, , lit: Republic of Cyprus is an island country located south of the Anatolian Peninsula in the eastern Mediterranean Sea. Its continental position is disputed; while it is geographically in Western Asia, its cultural ties and geopolitics are overwhelmingly Southern European. Cyprus is the third-largest and third-most populous island in the Mediterranean. It is located north of Egypt, east of Greece, south of Turkey, and west of Lebanon and Syria. Its capital and largest city is Nicosia. The northeast portion of the island is ''de facto'' governed by the self-declared Turkish Republic of Northern Cyprus, which was established after the 1974 invasion and which is recognised as a country only by Turkey. The earliest known human activity on the island dates to around the 10th millennium BC. Archaeological remains include the well-preserved ruins from the Hellenistic period such as Salamis and Kourion, and Cypr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centaur
A centaur ( ; grc, κένταυρος, kéntauros; ), or occasionally hippocentaur, is a creature from Greek mythology with the upper body of a human and the lower body and legs of a horse. Centaurs are thought of in many Greek myths as being as wild as untamed horses, and were said to have inhabited the region of Magnesia and Mount Pelion in Thessaly, the Foloi oak forest in Elis, and the Malean peninsula in southern Laconia. Centaurs are subsequently featured in Roman mythology, and were familiar figures in the medieval bestiary. They remain a staple of modern fantastic literature. Etymology The Greek word ''kentauros'' is generally regarded as being of obscure origin. The etymology from ''ken'' + ''tauros'', 'piercing bull', was a euhemerist suggestion in Palaephatus' rationalizing text on Greek mythology, ''On Incredible Tales'' (Περὶ ἀπίστων), which included mounted archers from a village called ''Nephele'' eliminating a herd of bulls that were the scourge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Furietti Centaurs
The Furietti Centaurs (known as the Old Centaur and Young Centaur, or Older Centaur and Younger Centaur, when being treated separately) are a pair of Hellenistic or Roman grey-black marble sculptures of centaurs based on Hellenistic models. One is a mature, bearded centaur, with a pained expression, and the other is a young smiling centaur with his arm raised. The amorini are missing that once rode the backs of these centaurs, which are the outstanding examples of a group of sculptures varying the motif. The strongly contrasted moods were intended to remind the Roman viewer of the soul troubled in pain with love or uplifted in joy, themes of Plato's '' Phaedrus'' and Hellenistic poetry. Capitoline Centaurs The sculptures were found together at Hadrian's Villa in Tivoli by Monsignor Giuseppe Alessandro Furietti in December 1736; they were the outstanding pieces of his collection of antiquities, which he refused to give to Pope Benedict XIV— at the cost of a cardinal's hat. Fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hadrian's Villa
Hadrian's Villa ( it, Villa Adriana) is a UNESCO World Heritage Site comprising the ruins and archaeological remains of a large villa complex built c. AD 120 by Roman Emperor Hadrian at Tivoli outside Rome. The site is owned by the Republic of Italy and has been managed since 2014 by the Polo Museale del Lazio. History The villa was constructed at Tibur (modern-day Tivoli) as a retreat from Rome for Emperor Hadrian during the second and third decades of the 2nd century AD. Hadrian is said to have disliked the palace on the Palatine Hill in Rome, leading to the construction of the retreat. It was traditional for the Roman emperor to have constructed a villa as a place to relax from everyday life. Previous emperors and Romans with wealth, such as Trajan, had also constructed villas. Many villas were also self-sustaining with small farms and did not need to import food.. Though emperors’ villas were supposed to be a place of rest and leisure, there is some evidence of Had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tivoli, Lazio
Tivoli ( , ; la, Tibur) is a town and in Lazio, central Italy, north-east of Rome, at the falls of the Aniene river where it issues from the Sabine hills. The city offers a wide view over the Roman Campagna. History Gaius Julius Solinus cites Cato the Elder's lost ''Origines'' for the story that the city of Tibur was founded by Catillus the Arcadian, a son of Amphiaraus, who came there having escaped the slaughter at Thebes, Greece. Catillus and his three sons Tiburtus, Coras, and Catillus drove out the Siculi from the Aniene plateau and founded a city they named Tibur in honor of Tiburtus. According to another account, Tibur was a colony of Alba Longa. Historical traces of settlement in the area date back to the thirteenth century BC. ''Tibur'' may share a common root with the river Tiber and the Latin praenomen ''Tiberius (praenomen), Tiberius''. From Etruscans, Etruscan times Tibur, a Sabine city, was the seat of the Tiburtine Sibyl. There are two small temples abov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitoline Museums
The Capitoline Museums (Italian: ''Musei Capitolini'') are a group of art and archaeological museums in Piazza del Campidoglio, on top of the Capitoline Hill in Rome, Italy. The historic seats of the museums are Palazzo dei Conservatori and Palazzo Nuovo, facing on the central trapezoidal piazza in a plan conceived by Michelangelo in 1536 and executed over a period of more than 400 years. The history of the museum can be traced to 1471, when Pope Sixtus IV donated a collection of important ancient bronzes to the people of Rome and located them on the Capitoline Hill. Since then, the museums' collection has grown to include many ancient Roman statues, inscriptions, and other artifacts; a collection of medieval and Renaissance art; and collections of jewels, coins, and other items. The museums are owned and operated by the municipality of Rome. The statue of a mounted rider in the centre of the piazza is of Emperor Marcus Aurelius. It is a copy, the original being housed o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Winckelmann
Johann Joachim Winckelmann (; ; 9 December 17178 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and founding hero of modern archaeology", Boorstin, 584 Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. Many consider him the father of the discipline of art history. He was one of the first to separate Greek Art into periods, and time classifications. He had a decisive influence on the rise of the Neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. Winckelmann's ''History of Ancient Art'' (1764) was one of the first books written in German to become a classic of European literature. His subsequent influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hadrian
Hadrian (; la, Caesar Trâiānus Hadriānus ; 24 January 76 – 10 July 138) was Roman emperor from 117 to 138. He was born in Italica (close to modern Santiponce in Spain), a Roman ''municipium'' founded by Italic settlers in Hispania Baetica and he came from a branch of the gens Aelia that originated in the Picenean town of Hadria, the ''Aeli Hadriani''. His father was of senatorial rank and was a first cousin of Emperor Trajan. Hadrian married Trajan's grand-niece Vibia Sabina early in his career before Trajan became emperor and possibly at the behest of Trajan's wife Pompeia Plotina. Plotina and Trajan's close friend and adviser Lucius Licinius Sura were well disposed towards Hadrian. When Trajan died, his widow claimed that he had nominated Hadrian as emperor immediately before his death. Rome's military and Senate approved Hadrian's succession, but four leading senators were unlawfully put to death soon after. They had opposed Hadrian or seemed to threaten his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Cavaceppi
Bartolomeo Cavaceppi (c. 1716 – December 9, 1799) was an Italian sculptor who worked in Rome, where he trained in the studio of the acclimatized Frenchman, Pierre-Étienne Monnot, and then in the workshop of Carlo Antonio Napolioni, a restorer of sculptures for Cardinal Alessandro Albani, who was to become a major patron of Cavaceppi, and a purveyer of antiquities and copies on his own account. The two sculptors shared a studio. Much of his work was in restoring antique Roman sculptures, making casts, copies, and fakes of antiques, fields in which he was pre-eminent and which brought him into contact with all the ''virtuosi'': he was a close friend of and informant for Johann Joachim Winckelmann. Winckelmann's influence and Cardinal Albani's own evolving taste may have contributed to Cavaceppi's increased self-consciousness of the appropriateness of restorations — a field in which earlier sculptors had improvised broadly — evinced in his introductory essay to his ''Raccolt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Foggini
Giovanni Battista (Giambattista) Foggini (25 April 1652 – 12 April 1725) was an Italian sculptor active in Florence, renowned mainly for small bronze statuary. Biography Born in Florence, the young Foggini was sent to Rome by the Medici Grand Duke of Tuscany to join the so-called ''Accademia Fiorentina'', and apprentice in the Roman sculptural studio of Ercole Ferrata, a pupil of Algardi. He was also tutored in drawing by the Accademia's first director (1673–86), Ciro Ferri, who was a pupil of Cortona. Returning to Florence in 1676, he became the court sculptor for Cosimo III. After the son of Pietro Tacca, Fernando, died in 1686, the mantle of the premier local sculptor fell to Foggini, who would become the Medici's ''Architetto Primario e Primo scultore della Casa Serenissima'' as well as ''Soprintendente dei Lavori'' (1687–1725). In 1687, Foggini acquired the foundry in Borgo Pinti that had once belonged to the sculptor Giambologna. This allowed him to special ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
