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Apollo Barberini
The Apollo Barberini is a 1st–2nd-century Roman sculpture of Apollo Citharoedus. It is a probable copy of the sculpture of Apollo Citharoedus (possibly by Scopas and perhaps from the sanctuary of Apollo at Rhamnus, in Attica) that was the cult statue in the temple of Apollo Palatinus in Rome. It is named after the Barberini who acquired it. It is now held in the Munich Glyptothek (Inv. 211). See also Other items from the Barberini collections: *Barberini Faun *Portland Vase The Portland Vase is a Roman cameo glass vase, which is dated to between AD 1 and AD 25, though low BC dates have some scholarly support. It is the best known piece of Roman cameo glass and has served as an inspiration to many glass and porcelain ... SourcesLinda Jones Roccos, 'Apollo Palatinus: The Augustan Apollo on the Sorrento Base', ''American Journal of Archaeology'', Vol. 93, No. 4 (Oct., 1989), pp. 571-588 Sculptures of Apollo Barberini collection Roman copies of Greek sculptures Archaeo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Barberini Glyptothek Munich 211
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, classical Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Citharoedus
An Apollo Citharoedus, or Apollo Citharede, is a statue or other image of Apollo with a cithara (lyre). Among the best-known examples is the ''Apollo Citharoedus'' of the Vatican Museums, a 2nd-century AD colossal marble statue by an unknown (probably Roman) sculptor. Apollo is shown crowned with laurel and wearing the long, flowing robe of the Ionic bard. The statue was found in 1774, with seven statues of the Muses, in the ruins of Gaius Cassius Longinus' villa near Tivoli, Italy. The sculptures are preserved in the Hall of the Muses, in the Museo Pio-Clementino of the Vatican Museums. A marble sculpture now identified as '' Pothos'' following a lost Greek 4th-century BC original by Skopas was restored as an ''Apollo Citharoedus''; it is conserved in the Great Hall of the Palazzo Nuovo, Capitoline Museums, Rome. Another marble ''Apollo Citharoedus'' (2.29m), from a Hellenistic original attributed to Timarchides, of the 2nd century BC, also stands in the Great Hall of the Pal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scopas
Scopas ( grc-gre, Σκόπας; born in Paros, fl. 4th century BCE) was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius. Early life and family Scopas was born on the island of Paros. His father was the sculptor Aristander of Paros. Skopas left Paros at an early age and travelled throughout the Hellenic world. Career as sculptor and architect Scopas worked with Praxiteles, and he sculpted parts of the Mausoleum of Halicarnassus, especially the reliefs. He led the building of the new temple of Athena Alea at Tegea. Similar to Lysippus, Scopas is artistically a successor of the Classical Greek sculptor Polykleitos. The faces of the heads are almost in quadrat. The deeply sunken eyes and a slightly opened mouth are recognizable characteristics in the figures of Scopas. Works by Scopas are preserved in the British Museum (reliefs) in London; fragments from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhamnus (Greek Archaeological Site)
Rhamnous ( grc, Ῥαμνοῦς, Rhamnoûs; el, Ραμνούς, Ramnoús, label=Modern Greek), also Ramnous or Rhamnus, was an ancient Greek city in Attica situated on the coast, overlooking the Euboean Strait. Its impressive ruins lie northwest of the modern town of Agia Marina in the municipality of Marathon. The site was best known in antiquity for its sanctuary of Nemesis, the implacable avenging goddess, her most important in ancient Greece. Rhamnous is the best-preserved Attic deme site. It was strategically significant on the sea routes and was fortified with an Athenian garrison of ''ephebes'' (young men). A fortified acropolis dominates the two small harbours located on either side of it which have silted up extensively since antiquity, and into which grain was imported for Athens during the Peloponnesian War. History Rhamnus or Rhamnous ( grc, Ῥαμνοῦς) or Rhamnuntus or Rhamnountos (Ῥαμνοῦντος) was a deme of ancient Attica, belonging to the trib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple Of Apollo Palatinus
The Temple of Apollo Palatinus ('Palatine Apollo') was a temple on the Palatine Hill of ancient Rome, which was first dedicated by Augustus to his patron god Apollo. It was only the second temple in Rome dedicated to the god, after the Temple of Apollo Sosianus. It was sited next to the Temple of Cybele. Prior to excavations in 1956, these remains were thought to belong to the Temple of Jupiter Victor.Filippo Coarelli, Rome and Environs: An Archaeological Guide, page 142 History It was vowed by Octavian in return for the victory over Sextus Pompeius at the Battle of Naulochus in 36 BC and over Mark Antony and Cleopatra at the Battle of Actium 31 BC, and was built on a site where a lightning bolt had struck the interior of Augustus' property on the Palatine. It was dedicated on October 9, 28 BC. The ludi saeculares, reinstituted by Augustus in 17 BC and also largely developed and funded by him, involved the new temple. Augustus' private house was directly connected to the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barberini
The House of Barberini are a family of the Italian nobility that rose to prominence in 17th century Rome. Their influence peaked with the election of Cardinal Maffeo Barberini to the papal throne in 1623, as Pope Urban VIII. Their urban palace, the Palazzo Barberini, completed in 1633 by Bernini, today houses Italy's Galleria Nazionale d'Arte Antica (National Gallery of Ancient Art). Early history The Barberini family were originally a family of minor nobility from the Tuscan town of Barberino Val d'Elsa, who settled in Florence during the early part of the 11th century. This cites: * A. von Reumont, ''Geschichte der Stadt Rom'' (Berlin, 1868), iii. b. 611–612, 615, 617, &c. * ''Almanach de Gotha'' (Gotha, 1902). * J. H. Douglas, ''The Principal Noble Families of Rome'' (Rome, 1905). Carlo Barberini (1488–1566) and his brother Antonio Barberini (1494–1559) were successful Florentine grain, wool and textile merchants. In 1530 Antonio participated in the defense of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyptothek
The Glyptothek () is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I of Bavaria, Ludwig I to house his collection of Ancient Greek art, Greek and Roman art, Roman sculptures (hence γλυπτο- ''glypto-'' "sculpture", from the Greek verb γλύφειν ''glyphein'' "to carve" and the noun θήκη "container"). It was designed by Leo von Klenze in the neoclassical architecture, neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal. History The Glyptothek was commissioned by the Crown Prince (later King) Ludwig I of Bavaria alongside other projects, such as the neighboring Königsplatz, Munich, Königsplatz and the building which houses the Staatliche Antikensammlungen, State Collection of Greek and Roman Antiquities, as a monument to ancient Greece. He envisioned a "German Athens", in which the ancient Greek culture would be remembered; he had this built in front of the gates of Munich. The Glyptothek is M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barberini Faun
The life-size ancient but much restored marble statue known as the ''Barberini Faun'', ''Fauno Barberini'' or ''Drunken Satyr'' is now in the Glyptothek in Munich, Germany. A faun is the Roman equivalent of a Greek satyr. In Greek mythology, satyrs were human-like male woodland spirits with several animal features, often a goat-like tail, hooves, ears, or horns. Satyrs attended Dionysus. History The sculpture was either carved by an unknown Hellenistic sculptor of the Pergamene school, in the late third or early second century BC or is a Roman copy of high quality, though its present form was given it by a series of restorers in Rome, ending with Vincenzo Pacetti. The statue was found in the 1620s in the moat below the Castel Sant'Angelo, Rome, which in Antiquity had been Hadrian’s Mausoleum. Work on the fortification was undertaken by the Barberini Pope Urban VIII in 1624. The sculpture made its first documented appearance in a receipt for its restoration, 6 June 1628, when it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portland Vase
The Portland Vase is a Roman cameo glass vase, which is dated to between AD 1 and AD 25, though low BC dates have some scholarly support. It is the best known piece of Roman cameo glass and has served as an inspiration to many glass and porcelain makers from about the beginning of the 18th century onwards. It is first recorded in Rome in 1600–1601, and since 1810 has been in the British Museum in London. It was bought by the museum in 1945 (GR 1945,0927.1) and is normally on display in Room 70. The vase measures about high and . It is made of violet-blue glass, and surrounded with a single continuous white glass cameo making two distinct scenes, depicting seven human figures, plus a large snake, and two bearded and horned heads below the handles, marking the break between the scenes. The bottom of the vase was a cameo glass disc, also in blue and white, showing a head, presumed to be of Paris or Priam on the basis of the Phrygian cap it wears. This roundel clearly does not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Apollo
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barberini Collection
The House of Barberini are a family of the Italian nobility that rose to prominence in 17th century Rome. Their influence peaked with the election of Cardinal Maffeo Barberini to the papal throne in 1623, as Pope Urban VIII. Their urban palace, the Palazzo Barberini, completed in 1633 by Bernini, today houses Italy's Galleria Nazionale d'Arte Antica (National Gallery of Ancient Art). Early history The Barberini family were originally a family of minor nobility from the Tuscan town of Barberino Val d'Elsa, who settled in Florence during the early part of the 11th century. This cites: * A. von Reumont, ''Geschichte der Stadt Rom'' (Berlin, 1868), iii. b. 611–612, 615, 617, &c. * ''Almanach de Gotha'' (Gotha, 1902). * J. H. Douglas, ''The Principal Noble Families of Rome'' (Rome, 1905). Carlo Barberini (1488–1566) and his brother Antonio Barberini (1494–1559) were successful Florentine grain, wool and textile merchants. In 1530 Antonio participated in the defense of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
