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Annunziata, Florence
The Basilica della Santissima Annunziata (Basilica of the Most Holy Annunciation) is a Renaissance-style, Catholic minor basilica in Florence, region of Tuscany, Italy. This is considered the mother church of the Servite Order. It is located at the northeastern side of the Piazza Santissima Annunziata near the city center. History The church was founded in 1250 by the seven original members of the Servite Order. In 1252, a painting of the ''Annunciation'' had been begun by a friar Bartolomeo, commissioned by the Servite monks. It is said he despaired about being able to paint a virgin with a beautiful enough face, and fell asleep, only to find the painting completed. This miracle he attributed to an angel. The painting now housed in the church, acquired increasing veneration, such that in 1444 the Gonzaga family from Mantua financed a special tribune. Initially Michelozzo, who was the brother of the Servite prior, was commissioned to build it, but since Ludovico III Gonzaga had ...
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Renaissance Architecture
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of Ancient Greece, ancient Greek and Ancient Rome, Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. Renaissance style places emphasis on symmetry, proportion (architecture), proportion, geometry and the regularity of parts, as demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pi ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Jacopo Da Empoli
250px, ''Martyrdom of St. Sebastian'', San Lorenzo, Florence Jacopo da Empoli (30 April 1551 – 30 September 1640) was an Italian Florentine Reformist painter. Born in Florence as Jacopo Chimenti (Empoli being the birthplace of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera ( Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. His younger brother, Domenico Chimenti, born in Empoli, was also a painter. Among his pupils were Felice Ficherelli, Giovanni Battista Brazzè (''Il Bigio''), Giovanni Battista Vanni, and Virgilio Zaballi.Hobbes J.R. p. 81 Finally, working in a thematic often shunned by Florentine painters, after the 1620s he completed a series of exceptional still-life paintings. Selected works * ''Madonna in Glory with Sain ...
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Baldassare Franceschini
Baldassare Franceschini, called Il Volterrano after his birth place Volterra and, to distinguish him from Ricciarelli, Il Volterrano Giuniore (16116 January 1689) was an Italian late Baroque painter and draughtsman active principally around Florence and Volterra.Baldassare Franceschini, il Volterrano
at the British Museum
He was mainly known for his frescoes, altarpieces and easel paintings for churches and palaces in Florence, Volterra and Rome. His subject matter was diverse and included portraits, biblical and mythological scenes, history paintings and allegorical compositions.
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Pietro Giambelli
Pietro is an Italian masculine given name. Notable people with the name include: People * Pietro I Candiano (c. 842–887), briefly the 16th Doge of Venice * Pietro Tribuno (died 912), 17th Doge of Venice, from 887 to his death * Pietro II Candiano (c. 872–939), 19th Doge of Venice, son of Pietro I A–E * Pietro Accolti (1455–1532), Italian Roman Catholic cardinal * Pietro Aldobrandini (1571–1621), Italian cardinal and patron of the arts * Pietro Anastasi (1948–2020), Italian former footballer * Pietro di Antonio Dei, birth name of Bartolomeo della Gatta (1448–1502), Florentine painter, illuminator and architect * Pietro Aretino (1492–1556), Italian author, playwright, poet, satirist and blackmailer * Pietro Auletta (1698–1771), Italian composer known mainly for his operas * Pietro Baracchi (1851–1926), Italian-born astronomer * Pietro Bellotti (1625–1700), Italian Baroque painter * Pietro Belluschi (1899–1994), Italian architect * Pietro Bembo (1470 ...
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Baroque Art
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ...
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Baccio E Clemente Bandinelli, Pietà Con Nicodemo, Per La Tomba Di Baccio E Della Moglie Jacopa Doni, 01
Baccio is an Italian masculine given name, the diminutive form of the name Bartolommeo. Notable people with the name include: *Bartolommeo Bandinelli, Florentine Mannerist sculptor * Baccio D'Agnolo (Bartolomeo Bagglioni), Florentine Renaissance sculptor and architect *Baccio Pontelli Baccio Pontelli (c. 1450 – 1492) was an Italian architect, who designed the Sistine Chapel in The Vatican City. Baccio is an abbreviation of Bartolomeo. Pontelli was born in Florence. Passing the phase of artistic formation with Giuliano and ..., Florentine Renaissance architect * Baccio Baldini, Renaissance engraver * Baccio Ciarpi, Tuscan Mannerist painter * Baccio della Porta, Florentine Renaissance painter also known as Fra Bartolommeo * Baccio del Bianco (1604-1657), Florentine architect, engineer, scenic designer and painter * Baccio da Montelupo, Italian Renaissance sculptor See also * Bart (other) {{given name Italian masculine given names ...
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Rafael Sabatini
Rafael Sabatini (29 April 1875 – 13 February 1950) was an Italian-born British writer of romance and adventure novels. He is best known for his worldwide bestsellers: ''The Sea Hawk'' (1915), ''Scaramouche'' (1921), ''Captain Blood'' (a.k.a. ''Captain Blood: His Odyssey'') (1922), and ''Bellarion the Fortunate'' (1926). In all, Sabatini produced 34 novels, eight short story collections, six non-fiction books, numerous uncollected short stories, and several plays. Biography Rafael Sabatini was born in Iesi, Italy, to an English-speaking mother, Anna Trafford, and Italian father, Vincenzo Sabatini. His parents were opera singers who then became teachers. At a young age, Sabatini was exposed to many languages, living with his grandfather in Britain, attending school both in Portugal, and, as a teenager, in Switzerland. By the time he was 17, when he returned to Britain to live permanently, he had become proficient in five languages. He quickly added a sixth language – En ...
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Pope Alexander VI
Pope Alexander VI ( it, Alessandro VI, va, Alexandre VI, es, Alejandro VI; born Rodrigo de Borja; ca-valencia, Roderic Llançol i de Borja ; es, Rodrigo Lanzol y de Borja, lang ; 1431 – 18 August 1503) was head of the Catholic Church and ruler of the Papal States from 11 August 1492 until his death in 1503. Born into the prominent House of Borgia, Borgia family in Xàtiva under the Crown of Aragon (now Spain), Rodrigo studied law at the University of Bologna. He was ordained deacon and made a Cardinal (Catholic Church), cardinal in 1456 after the election of his uncle as Pope Callixtus III, and a year later he became Apostolic Chancery, vice-chancellor of the Catholic Church. He proceeded to serve in the Roman Curia, Curia under the next four popes, acquiring significant influence and wealth in the process. In 1492, Rodrigo was elected pope, taking the name Alexander VI. Alexander's Inter caetera, papal bulls of 1493 confirmed or reconfirmed the rights of the Spanis ...
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Michelozzo E Altri, Cappella Dell'annunziata
Michelozzo di Bartolomeo Michelozzi (1396 – 7 October 1472) was an Italian architect and sculptor. Considered one of the great pioneers of architecture during the Renaissance, Michelozzo was a favored Medici architect who was extensively employed by Cosimo de' Medici. He was a pupil of Lorenzo Ghiberti in his early years, and later collaborated with Donatello. Known primarily for designing Palazzo Medici Riccardi in Florence, he is often overshadowed by his contemporaries Donatello in sculpture and Brunelleschi in architecture. Life Early life Michelozzo was born in Florence in 1396. He was the son of Bartolomeo di Gherardo Borgognone and Antonia. Borgognone was of French origin and arrived in Florence from Burgundy at an unknown date. Borgognone lived and worked in the Santa Croce quarter of Florence as a tailor, and was made a Florentine citizen on 9 April 1376. Michelozzo had three brothers named Leonardo (b. 1389/90), Zanobi (b. 1391), and Giovanni (b. 1403). By 1391 ...
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Antonio Da Sangallo The Elder
Antonio da Sangallo the Elder (c. 1453December 27, 1534) was an Italian Renaissance architect who specialized in the design of fortifications. Biography Antonio da Sangallo was born in Florence. Sangallo's father Francesco Giamberti was a woodworker. His brother Giuliano da Sangallo and nephew Antonio da Sangallo the Younger were also architects. Sangallo's godson, Giulio de Medici (the future Pope Clement VII) was raised in his household until the boy reached the age of seven, when Giulio's uncle Lorenzo the Magnificent became his full-time guardian. Sangallo often worked in partnership with his brother; however, he executed a number of independent works. As a military engineer he was especially skillful, building important works at Arezzo, Montefiascone, Florence and Rome. His most outstanding work as an architect is the church of San Biagio at Montepulciano, in plan a Greek cross with central dome, "the first of the great cinquecento domes to be completed".Wolfgang Lotz, in ...
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Ospedale Degli Innocenti
The Ospedale degli Innocenti (;) 'Hospital of the Innocents', also known in old Tuscan dialect as the ''Spedale degli Innocenti'', is a historic building in Florence, Italy. It was designed by Filippo Brunelleschi, who received the commission in 1419 from the Arte della Seta. It was originally a children's orphanage. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the "Arte della Seta" or Silk Guild of Florence. That guild was one of the wealthiest in the city and, like most guilds, took upon itself philanthropic duties. Today the building houses a small museum of Renaissance art with works by Luca della Robbia, Sandro Botticelli, and Piero di Cosimo, as well as an Adoration of the Magi by Domenico Ghirlandaio. The building currently serves as the base of operations for the UNICEF Innocenti Research Centre.UNICEF Innocenti (2021). History of I ...
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