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Anandabhairavi
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a ''janya'' rāgam (derived scale) of the 20th ''Melakarta'' rāgam '' Natabhairavi'' Structure and Lakshana Its structure is as follows (see swaras in Carnatic music for details on the notations used): * : * : (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams'', but it is not a ''melakarta'' rāgam, as it has (zig-zag notes in scale) and uses (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.''Ragas in Carnatic music'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AnandaBhairavi
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a ''janya'' rāgam (derived scale) of the 20th ''Melakarta'' rāgam '' Natabhairavi'' Structure and Lakshana Its structure is as follows (see swaras in Carnatic music for details on the notations used): * : * : (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams'', but it is not a ''melakarta'' rāgam, as it has (zig-zag notes in scale) and uses (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.''Ragas in Carnatic music'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananda Bhairavi
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a ''janya'' rāgam (derived scale) of the 20th ''Melakarta'' rāgam ''Natabhairavi'' Structure and Lakshana Its structure is as follows (see swaras in Carnatic music for details on the notations used): * : * : (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams'', but it is not a ''melakarta'' rāgam, as it has (zig-zag notes in scale) and uses (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.''Ragas in Carnatic music'' by D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syama Sastri
Shyama Shastri (; 26 April 1762 – 1827) or Syama Sastri was a musician and composer of Carnatic music. He was the oldest among the Trinity of Carnatic music, Tyagaraja and Muthuswami Dikshitar being the other two. Early life and career Shyama Shastri, whose birth name was Venkata Subrahmanya, was born on 26 April 1762 in a Telugu Brahmin family. He was also known as one of the trinity of carnatic music. To later generations, he is better known by his adopted name Shyama Shastri or by his musical mudra (signature) Shyama Krishna. He was born in Tiruvarur, in what is now the state of Tamil Nadu. He received his instruction in the vedas, astrology, and other traditional subjects early on and learned music from his maternal uncle. He was later trained in music by Adiappayya, a noted durbar musician of Thanjavur. Although Śyāma Śastri did not compose as many ''kritis'' as his two prolific contemporaries, his compositions are still well known due to the literary, melodic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natabhairavi
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhairavi corresponds to the ''Asavari thaat'' of Hindustani music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In the Muthuswami Dikshitar school this melakarta is instead known as Nārīrītigowla.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai ''Natabhairavi'' is known to be a rāgam that incites feelings of grandeur and devotion in the listeners. Structure and Lakshana It is the 2nd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Sri''. The mnemonic phrase is ''sa ri gi ma pa dha ni''. Its ' structure is as follows (see ''swaras'' in Carnatic music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natabhairavi Scale
Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhairavi corresponds to the ''Asavari thaat'' of Hindustani music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In the Muthuswami Dikshitar school this melakarta is instead known as Nārīrītigowla.''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai ''Natabhairavi'' is known to be a rāgam that incites feelings of grandeur and devotion in the listeners. Structure and Lakshana It is the 2nd rāgam in the 4th ''chakra Veda''. The mnemonic name is ''Veda-Sri''. The mnemonic phrase is ''sa ri gi ma pa dha ni''. Its ' structure is as follows (see ''swaras'' in Carnatic music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalpanaswaram
{{Use dmy dates, date=October 2011 In Carnatic Music, Kalpanaswaram (also called swarakalpana (spelt alternatively as svarakalpana), manodharmaswara or simply swaras), is melo-rhythmic raga improvisation in a specific tala. As part of swarakalpana, the musician delivers increasingly complex, improvised sequences in the Indian music solfege (sa, ri, ga, ma, pa, da, ni) within or towards the end of a composition. Swarakalpana is integral to the Pallavi portion of a Ragam Thanam Pallavi and typically follows the neraval. It is also common for seasoned artists to perform swarakalpana during recitals of various other kritis. Facts The ''kalpanaswaram'' may start at any place in the tala, but invariably the artist must end their improvisation at the first note of the first phrase of the composition, at the place in the rhythm cycle, where that note is. To arrive at that note, one has to approach it from the closest note below. There are, however, instances when ''kalpana swaras'' are rend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Meets Classical Tamil
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Tamil Conference
The World Tamil Conference ( ta, உலகத் தமிழ் மாநாடு) is a series of occasional conferences to discuss the social growth of the Tamil language. Each conference is attended by thousands of Tamil enthusiasts around the world. Conferences are hosted in various cities in India, as well as world cities with a significant Tamil population. The conference aims in promoting the heritage of Tamil language A similar conference called World Classical Tamil Conference 2010, unapproved by the International Association for Tamil Research, was held in Tamil Nadu conducted by the Government of Tamil Nadu under the leadership of M. Karunanidhi. Not all agreed with the academic and intellectual rigour of the latter event. Despite these criticisms upholding such a huge event portraying the value of Tamil language and culture is being appreciated vastly and credited to the DMK supremo as commonly believed by the people in the state of Tamil Nadu. The theme song of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajan Somasundaram
Rajan Somasundaram, best known as Composer Rajan, is a composer, drummer, violinist and music producer based in Raleigh. He is known for making the first ever music album on Tamil Sangam period poetry in association with Durham Symphony and prominent international musicians. The album became Amazon's Top#10 bestseller under 'International Music albums' category in July 2020. The album was called a "A Major event in the world of Music" by ''The Hindu Music review''. He composed the theme song of the 10th World Tamil Conference with many international musicians as a tribute to Sangam period poet Kaniyan Pungundranar. Early life and education Rajan was born in Thiruvarur in Tamil Nadu state and started learning Carnatic music since he was 9 years old at the birthplace of Shyama Shastri. He graduated with a master's degree in Engineering. Career In 2017, Rajan created a new Carnatic Raga, Svadhya, and released a single titled ‘Maya- The reflection of Self’ composed in the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaniyan Pungundranar
Kaniyan Poongunranar, also Poongundranar or Pungundranar (), was an influential Tamil philosopher from the Sangam age from around 6th century BCE. His name Kaniyan implies that he was an Kaala Kanithar (astronomer) (''kaala kanitham'' in Tamil literally means mathematics of date, time and place). Kaniyan was born and brought up in Mahibalanpatti, a village panchayat in Tamil Nadu's Sivaganga district. He composed two poems in Puṟanāṉūṟu and Natrinai. Purananuru (Verse 192) Themes Cosmopolitanism Poongundranar rejected division of mankind into various categories and emphasised the universality of all humans. The Tamil bards and intellectuals of the time of Poongundranar and those preceding his age considered that all humans, whatever their rank or station in life, were alike. Natural law Poongundranar states that the wooden log is carried by the water in its direction and similarly postulates that everything in life will also follow karma. This he calls 'Way of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radha
Radha ( sa, राधा, ), also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is worshiped as the goddess of love, tenderness, compassion, and devotion. She is the avatar of goddess Lakshmi and is also described as the chief of the ''Gopis'' (milkmaids). During Krishna's youth, she appears as his lover and companion. Many traditions and scriptures accord Radha the status of the eternal consort and wife of Krishna. Radha, as a supreme goddess, is considered as the female counterpart and the internal potency (''hladini shakti'') of Krishna, who resides in Goloka, the celestial abode of Radha Krishna. Radha is said to accompany Krishna in all his incarnations. In Radha Vallabh Sampradaya and Haridasi Sampradaya, only Radha is worshiped as the supreme deity. Elsewhere, she is venerated with Krishna as his principal consort in Nimbarka Sampradaya, Pushtimarg, Mahanam Sampraday, Swaminarayan Sampradaya, Vaishnava-Sahajiya and Gaudiya Vaishnavis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena Kuppayyar
Veena Kuppayyar (1798–1860) was an exponent of Veena and a composer of Carnatic music. He was a student of the famous composer Tyagaraja. Kuppayar composed his songs in Telugu language and has left behind a number of popular ''kritis''. Early life Veena Kuppayya was born in a Telugu Brahmin family in Tiruvottiyur, near Chennai. His father Sambamoorti Sastri was a famous vocalist as well as a veena player. Kuppayyar had his initial training from his father. Later he continued his musical training under Tyagaraja and learnt the art of music composition from him. Following the steps of his guru, Kuppaiyer has composed two groups of Pancharathnams – Kālahasti Pancharathna kritis and Vénkatésha Pancharathna kritis. The Panchrathna kritis are in Telugu and bears his nom de plume “Gópāla-dāsa” – his family deity, Sri Venugopala Swamy. These Panchrathna kritis also have been bedecked with beautiful Chittaswarams - solfa passages. Kuppayyar later moved to Chennai and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
