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Ananda Bhairavi
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a ''janya'' rāgam (derived scale) of the 20th ''Melakarta'' rāgam ''Natabhairavi'' Structure and Lakshana Its structure is as follows (see swaras in Carnatic music for details on the notations used): * : * : (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams'', but it is not a ''melakarta'' rāgam, as it has (zig-zag notes in scale) and uses (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.''Ragas in Carnatic music'' by D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rāga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syama Sastri
Shyama Shastri (; 26 April 1762 – 1827) or Syama Sastri was a musician and composer of Carnatic music. He was the oldest among the Trinity of Carnatic music, Tyagaraja and Muthuswami Dikshitar being the other two. Early life and career Shyama Shastri, whose birth name was Venkata Subrahmanya, was born on 26 April 1762 in a Telugu Brahmin family. He was also known as one of the trinity of carnatic music. To later generations, he is better known by his adopted name Shyama Shastri or by his musical mudra (signature) Shyama Krishna. He was born in Tiruvarur, in what is now the state of Tamil Nadu. He received his instruction in the vedas, astrology, and other traditional subjects early on and learned music from his maternal uncle. He was later trained in music by Adiappayya, a noted durbar musician of Thanjavur. Although Śyāma Śastri did not compose as many ''kritis'' as his two prolific contemporaries, his compositions are still well known due to the literary, melodic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swathi Thirunal
( ml, സ്വാതി തിരുനാള് രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 400 classical compositions in both Carnatic and Hindustani style.http://print.achuth.googlepages.com/SwathiThirunalandSciencev3.0.pdf A well-formulated code of laws, courts of justice, introduction of English education, construction of an observatory, installation of the first Government printing press, establishment of the first manuscripts library were amongst the many initiatives taken by Svāti Tirunāḷ, as a King, to modernise Travancore. Early life Svāti Tirunāḷ was born into the Venad dynasty of the Matrilineal royal family of Travancore, which is now a part of Kerala, on 16 April 1813. He was the second child of Queen Gowri Lakshmi Bayi who ruled Travancore from 1811 to 1815, and Raja Raja Varma Koil Thampuran of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Meets Classical Tamil
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World Tamil Conference
The World Tamil Conference ( ta, உலகத் தமிழ் மாநாடு) is a series of occasional conferences to discuss the social growth of the Tamil language. Each conference is attended by thousands of Tamil enthusiasts around the world. Conferences are hosted in various cities in India, as well as world cities with a significant Tamil population. The conference aims in promoting the heritage of Tamil language A similar conference called World Classical Tamil Conference 2010, unapproved by the International Association for Tamil Research, was held in Tamil Nadu conducted by the Government of Tamil Nadu under the leadership of M. Karunanidhi. Not all agreed with the academic and intellectual rigour of the latter event. Despite these criticisms upholding such a huge event portraying the value of Tamil language and culture is being appreciated vastly and credited to the DMK supremo as commonly believed by the people in the state of Tamil Nadu. The theme song of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rajan Somasundaram
Rajan Somasundaram, best known as Composer Rajan, is a composer, drummer, violinist and music producer based in Raleigh. He is known for making the first ever music album on Tamil Sangam period poetry in association with Durham Symphony and prominent international musicians. The album became Amazon's Top#10 bestseller under 'International Music albums' category in July 2020. The album was called a "A Major event in the world of Music" by ''The Hindu Music review''. He composed the theme song of the 10th World Tamil Conference with many international musicians as a tribute to Sangam period poet Kaniyan Pungundranar. Early life and education Rajan was born in Thiruvarur in Tamil Nadu state and started learning Carnatic music since he was 9 years old at the birthplace of Shyama Shastri. He graduated with a master's degree in Engineering. Career In 2017, Rajan created a new Carnatic Raga, Svadhya, and released a single titled ‘Maya- The reflection of Self’ composed in the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaniyan Pungundranar
Kaniyan Poongunranar, also Poongundranar or Pungundranar (), was an influential Tamil philosopher from the Sangam age from around 6th century BCE. His name Kaniyan implies that he was an Kaala Kanithar (astronomer) (''kaala kanitham'' in Tamil literally means mathematics of date, time and place). Kaniyan was born and brought up in Mahibalanpatti, a village panchayat in Tamil Nadu's Sivaganga district. He composed two poems in Puṟanāṉūṟu and Natrinai. Purananuru (Verse 192) Themes Cosmopolitanism Poongundranar rejected division of mankind into various categories and emphasised the universality of all humans. The Tamil bards and intellectuals of the time of Poongundranar and those preceding his age considered that all humans, whatever their rank or station in life, were alike. Natural law Poongundranar states that the wooden log is carried by the water in its direction and similarly postulates that everything in life will also follow karma. This he calls 'Way of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena Kuppayyar
Veena Kuppayyar (1798–1860) was an exponent of Veena and a composer of Carnatic music. He was a student of the famous composer Tyagaraja. Kuppayar composed his songs in Telugu language and has left behind a number of popular ''kritis''. Early life Veena Kuppayya was born in a Telugu Brahmin family in Tiruvottiyur, near Chennai. His father Sambamoorti Sastri was a famous vocalist as well as a veena player. Kuppayyar had his initial training from his father. Later he continued his musical training under Tyagaraja and learnt the art of music composition from him. Following the steps of his guru, Kuppaiyer has composed two groups of Pancharathnams – Kālahasti Pancharathna kritis and Vénkatésha Pancharathna kritis. The Panchrathna kritis are in Telugu and bears his nom de plume “Gópāla-dāsa” – his family deity, Sri Venugopala Swamy. These Panchrathna kritis also have been bedecked with beautiful Chittaswarams - solfa passages. Kuppayyar later moved to Chennai and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragam
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananda Bhairavi
Anandabhairavi or Ananda Bhairavi (pronounced ānandabhairavi) is a very old melodious rāgam (musical scale) of Carnatic music (South Indian classical music). This rāgam also used in Indian traditional and regional musics. ''Ānandam'' (Sanskrit) means happiness and the rāgam brings a happy mood to the listener. It is a ''janya'' rāgam (derived scale) of the 20th ''Melakarta'' rāgam ''Natabhairavi'' Structure and Lakshana Its structure is as follows (see swaras in Carnatic music for details on the notations used): * : * : (''chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, Chatusruthi dhaivatham, kaishiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams'', but it is not a ''melakarta'' rāgam, as it has (zig-zag notes in scale) and uses (external note) in comparison with its parent rāgam. The ''anya swaram'' is the usage of ''shuddha dhaivatham'' ''(D1)'' in some phrases of the rāgam.''Ragas in Carnatic music'' by D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragam
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathura Nagarilo
Mathura () is a city and the administrative headquarters of Mathura district in the Indian state of Uttar Pradesh. It is located approximately north of Agra, and south-east of Delhi; about from the town of Vrindavan, and from Govardhan. In ancient times, Mathura was an economic hub, located at the junction of important caravan routes. The 2011 Census of India estimated the population of Mathura at 441,894. In Hinduism, Mathura is birthplace of Krishna, which is located at the Krishna Janmasthan Temple Complex. It is one of the Sapta Puri, the seven cities considered holy by Hindus, also called Mokshyadayni Tirth. The Kesava Deo Temple was built in ancient times on the site of Krishna's birthplace (an underground prison). Mathura was the capital of the kingdom of Surasena, ruled by Kansa, the maternal uncle of Krishna. Mathura is part of the Lord Krishna circuit (Mathura,Vrindavan, Barsana, Govardhan, Kurukshetra, Dwarka and Bhalka). Janmashtami is grandly celebrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
