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Veena Kuppayyar
Veena Kuppayyar (1798–1860) was an exponent of Veena and a composer of Carnatic music. He was a student of the famous composer Tyagaraja. Kuppayar composed his songs in Telugu language and has left behind a number of popular ''kritis''. Early life Veena Kuppayya was born in a Telugu Brahmin family in Tiruvottiyur, near Chennai. His father Sambamoorti Sastri was a famous vocalist as well as a veena player. Kuppayyar had his initial training from his father. Later he continued his musical training under Tyagaraja and learnt the art of music composition from him. Following the steps of his guru, Kuppaiyer has composed two groups of Pancharathnams – Kālahasti Pancharathna kritis and Vénkatésha Pancharathna kritis. The Panchrathna kritis are in Telugu and bears his nom de plume “Gópāla-dāsa” – his family deity, Sri Venugopala Swamy. These Panchrathna kritis also have been bedecked with beautiful Chittaswarams - solfa passages. Kuppayyar later moved to Chennai and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veena
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument Encyclopædia Britannica (2010) The many regional designs have different names such as the ''Rudra veena'', the ''Saraswati veena'', the ''Vichitra veena'' and others. The North Indian ''rudra veena'', used in Hindustani classical music, is a stick zither. About 3.5 to 4 feet (1 to 1.2 meters) long to fit the measurements of the musician, it has a hollow body and two large resonating gourds under each end. It has four main strings which are melodic, and three auxiliary drone strings. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamsadhwani
Hamsadhvani (meaning "the cry of the swan"), is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāga, meaning pentatonic scale). It is a ''janya'' rāga of the Melakartha raga, Sankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th). ''Hamsadhvani'' is also extensively used in Hindustani music and said to be borrowed into it from Carnatic music.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It was created by the Carnatic composer Ramaswami Dikshitar (1735–1817), father of Muthuswami Dikshitar (one of the musical trinity of Carnatic music), and brought into Hindustani music by Aman Ali Khan of the Bhendibazaar gharana. It has become popular due to Amir Khan. Structure and lakshana ''Hamsadhvani'' does not contain ''madhyamam'' or ''dhaivatham''. It is a pentatonic scale (''audava-audava'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1860 Deaths
Year 186 ( CLXXXVI) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Glabrio (or, less frequently, year 939 ''Ab urbe condita''). The denomination 186 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Peasants in Gaul stage an anti-tax uprising under Maternus. * Roman governor Pertinax escapes an assassination attempt, by British usurpers. New Zealand * The Hatepe volcanic eruption extends Lake Taupō and makes skies red across the world. However, recent radiocarbon dating by R. Sparks has put the date at 233 AD ± 13 (95% confidence). Births * Ma Liang, Chinese official of the Shu Han state (d. 222) Deaths * April 21 – Apollonius the Apologist, Christian martyr * Bian Zhang, Chinese official and gener ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1798 Births
Events January–June * January – Eli Whitney contracts with the U.S. federal government for 10,000 muskets, which he produces with interchangeable parts. * January 4 – Constantine Hangerli enters Bucharest, as Prince of Wallachia. * January 22 – A coup d'état is staged in the Netherlands ( Batavian Republic). Unitarian Democrat Pieter Vreede ends the power of the parliament (with a conservative-moderate majority). * February 10 – The Pope is taken captive, and the Papacy is removed from power, by French General Louis-Alexandre Berthier. * February 15 – U.S. Representative Roger Griswold (Fed-CT) beats Congressman Matthew Lyon (Dem-Rep-VT) with a cane after the House declines to censure Lyon earlier spitting in Griswold's face; the House declines to discipline either man.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p171 * March &ndas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Composers
Carnatic most often refers to: *Carnatic region, Southern India *Carnatic music, the classical music of Southern India Carnatic may also refer to: *Carnatic Wars, a series of military conflicts in India during the 18th century *, a ''Bangor''-class minesweeper of the Royal Indian Navy, that served in World War II *, a 74-gun third rate ship of the line of the Royal Navy, launched at Deptford in 1783 *, a 74-gun third rate ship of the line of the Royal Navy, launched at Portsmouth Dockyard in 1823 * – one of several vessels of that name *Carnatic Hall Carnatic Hall was an 18th-century mansion that was located in Mossley Hill, Liverpool, England. The house was built in 1779 for slave trader Peter Baker, who served as Mayor of Liverpool in 1795. Originally on the site of Mossley Hall (home of ..., built by slave trader, now closed university residence {{disambiguation, ship ca:Carnàtic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Carnatic Composers
List of composers of Carnatic music, a subgenre of Indian classical music. Chronologically they can be grouped into 4 different Eras: Pre-Trinity Era, Trinity Era, Post Trinity Era and Modern Era. Composers are listed here based on this classification and their birth years are provided to the extent available. Pre-Trinity Era Composers (17th Century and Prior) These are early stage composers that created the rules and foundations of classical music. # Allama Prabhu (12th century) # Andal (9th century) # Arunagirinathar (b.1480) # Bhadraachala Raama daasu (1620-1688) # Jayadeva, (12th Century) - Composed Gita Govinda ## Prathama Vaggeyakara(First poet-composer) of Carnatic and Hindustani music forms to compose art music (in contrast to traditional bhakti poems) involving ragas; he is praised for his contributions to dance and music by his contemporary and later musicologists in their musical treatises # Kanakadasa (1509-1609) # Karaikkal Ammeiyar (7th century) # Kshetrayya (16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darbar (Raga)
Darbar (pronounced darbār) is a ragam in Carnatic music. The raga is a comparatively recent entry to Carnatic Music, possibly in the earlier part of the 18th century.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of MadrasRagasurabhi by K.T Rabindranathan published by Kerala Bhasha Institute First published in November 1992 Structure and lakshana It is a Vakra ragam derived from the 22nd Melakarta rāgam Kharaharapriya. Nishadham and ghandharam used as long in the Avarohana. Its ' structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes used are shadjam, chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham, kaisiki nishadham. Popular compositions ''Darbar'' is a scale that is used for compositions in a medium to fast tempo. This scale has been used by many composers a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saveri
Saveri (pronounced sāvēri) is a Carnatic music ragam. This raga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga brings out karuna rasa, i.e. it brings mood of compassion.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Structure and Lakshana This ragam is an ''Audava-Sampurna'' ragam (five notes in the ascending scale and seven notes in the descending scale). * : * : The notes are ''shuddha rishabham, shuddha madhyamam'' and ''shuddha dhaivatam'' in ascending scale and ''kakali nishadam, shuddha dhaivatam, shuddha madhyamam, antara gandharam'' and ''shuddha rishabham'' in descent. The two swaras which give the raga such a characteristic are R (Rishabham) and D (Dhaivatham). Select compositions *''Sarasuda'', a ''varnam'' composed by Kotavasal Venkatarama Iyer, set to ''Adi tala'' *''Sankari Sankuru'', ''Durusuga'' and ''Janani Natajana'' composed by Shyama Sastri *''Bhavayaami Raghuraamam (first raga used in this rag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mukhari
Mukhari (pronounced mukhāri) is a rāga in Carnatic music (musical scale of South Indian classical music). It is a ''janya'' rāga of Kharaharapriya. Structure and Lakshana * Arohana: * Avarohana: Popular Compositions * ''Indu Enage Govinda'' by Raghavendra Swami (Also sung in Mukhari) *''Palisemma Muddu Sharade'', ''Chitta Shuddhi illadava'' By Purandara Dasa * ''Brahma Kadigina Padamu'' by Annamacharya * ''Pahimaam Rathnachala'' by ''Muthuswami Dikshitar'' * ''Entaninne'' by Tyagaraja * ''Ksheenamai'' by Tyagaraja * ''Karubaru Cheyuvaru'' by Tyagaraja * ''Elavatara'' by Tyagaraja * ''Sangeeta Sastra'' by Tyagaraja * ''Talachi Nantane'' by Tyagaraja * ''Muripemu'' by Tyagaraja * ''Endraikku Siva Krupai'' by Neelakanta Sivan * ''Emani Ne by'' Subbaraya Sastri * ''Ososi Namadi'' by Kshetrayya * ''Dasaratha Rama'' by Bhadrachala Ramadasu * ''Sivakama sundari'' by Papanasam Sivan * ''Krishnam Kalaya'' by Narayana Teertha Less-known Compositions ''Anandam Anandam Ana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simhendramadhyamam
Simhendramadhyamam is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 57th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Sumadyuti in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is said to be borrowed into Hindustani music from Carnatic music. Structure and Lakshana It is the 3rd rāgam in the 10th ''chakra Disi''. The mnemonic name is ''Disi-Go''. The mnemonic phrase is ''sa ri gi mi pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : It is also equivalent to Hungarian Minor Scale that is also called as Gypsy Minor Scale in Western Music. This musical scale uses the notes ''chatushruti rishabham, sadharana gandharam, prati madhyama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Begada
Baig, also commonly spelled Bayg, Beigh, Beg, Bek, Bey, Baeg or Begh (Persian: بیگ, ''Beig'', Turkish: ''Bey''), was a Turkic title which is today used as a name to identify lineage. It means ''Chief'' or ''Commander'' and is an honorific title. It is common in Turkey, Iran, the Caucasus, Central Asia, South Asia and Southeast Europe and among their respective diaspora. Etymology The origin of ''beg'' is still disputed, though it is mostly agreed that it is a Turkic loan-word. Two principal etymologies have been proposed. The first etymology is from a Middle Iranian form of Old Iranian '' baga''; though the meaning would fit since the Middle Persian forms of the word often mean "lord", used for the king or others. The second etymology is from Chinese ''po'' "eldest (brother), (feudal) lord". Gerhard Doerfer seriously considers the possibility that the word is genuinely Turkic. Whatever the truth may be, there is no connection with Turkish ''berk'', Mongolian ''berke'' "st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varnam
Varṇam is a type of composition in the Carnatic music system consisting of short metric pieces which encapsulate the main features (patterns of notes) of a ''raga''. Varnams capture the ''raga bhavam'', ''ranjaka prayogas'' ''visesha sancharas'', etc. ''Dhatu'' and ''janta prayogas'' (phrase usage) are usually part of a varnam. Understanding of these aspects is key to developing ''manodharma sangeetham'' (i.e., improvisation aspects of Carnatic music such as ''raga aalapana'', ''swara kalpana'', ''neraval'', etc.). Known for their complex structure, varnams are a fundamental form in Carnatic music. All varnams consist of lyrics, Bradnock (1992), p631 as well as ''swara'' passages, including a ''pallavi'', an '' anupallavi'', ''muktaayi swaras'', a ''charanam'', and '' chitta swaras''. There are different types of varnams, such as ''taana varnam'', ''pada varnam'', ''daru varnam'' and ''ragamalika varnam''. They also come in different ''taalams'' (beat cycles). Though the mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
