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Amenhotep (Asyut)
Amenhotep was an ancient Egyptian official and ''chief physician'' of the early 19th Dynasty. He is mainly known from his decorated tomb chapel that was excavated in 1913–14 by Ahmed Bey Kamal at Asyut, in Middle Egypt. Amenhotep hold several titles, such as ''king's scribe'', ''chief lector priest'', ''overseer of wab priests of Sakhmet'' and ''chief physician''. His wife is depicted in the tomb chapel. She was the ''song-tress of Wepwawet'' and ''song-tress of Amun-Ra'' Renenutet. His son Yuny is known from a statue found not far away and was also ''overseer of wab priests of Sakhmet'' and ''chief physician''. The grandson Khay also hold the latter position. The tomb chapel of Amenhotep was once relatively small, perhaps once only three meters long, 1.52 meter wide and 2.40 meter high. The ceiling was vaulted. The walls are decorated with a combination of painted, raised and sunken relief. The workmanship is of highest quality. On the back wall, Amenhotep is shown twice sit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunk Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cleveland Museum Of Art
The Cleveland Museum of Art (CMA) is an art museum in Cleveland, Ohio, located in the Wade Park District, in the University Circle neighborhood on the city's east side. Internationally renowned for its substantial holdings of Asian and Egyptian art, the museum houses a diverse permanent collection of more than 61,000 works of art from around the world. The museum provides general admission free to the public. With a $755 million endowment, it is the fourth-wealthiest art museum in the United States. With about 770,000 visitors annually (2018), it is one of the most visited art museums in the world. History Beginnings The Cleveland Museum of Art was founded as a trust in 1913 with an endowment from prominent Cleveland industrialists Hinman Hurlbut, John Huntington, and Horace Kelley. The neoclassical, white Georgian Marble, Beaux-Arts building was constructed on the southern edge of Wade Park, at the cost of $1.25 million. Wade Park and the museum were designed by the loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egyptian Museum Of Berlin
The Egyptian Museum of Berlin (german: Ägyptisches Museum und Papyrussammlung) is home to one of the world's most important collections of ancient Egyptian artefacts, including the iconic Nefertiti Bust. Since 1855, the collection is a part of the Neues Museum on Berlin's Museum Island, which reopened after renovations in 2009. History The museum originated in the 18th century from the royal art collection of the Hohenzollern kings of Prussia. Alexander von Humboldt had recommended that an Egyptian section be created, and the first objects were brought to Berlin in 1828 under King Friedrich Wilhelm III. Initially housed in Monbijou Palace, the department was headed by the Trieste merchant Giuseppe Passalacqua (1797–1865), whose extensive collections formed the basis. A Prussian expedition to Egypt and Nubia led by Karl Richard Lepsius in 1842–45 brought additional pieces to Berlin. In 1850, the collections moved to its present-day home in the Neues Museum, built according t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anubis
Anubis (; grc, Ἄνουβις), also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian () is the god of death, mummification, embalming, the afterlife, cemeteries, tombs, and the Underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head. Like many ancient Egyptian deities, Anubis assumed different roles in various contexts. Depicted as a protector of graves as early as the First Dynasty (c. 3100 – c. 2890 BC), Anubis was also an embalmer. By the Middle Kingdom (c. 2055–1650 BC) he was replaced by Osiris in his role as lord of the underworld. One of his prominent roles was as a god who ushered souls into the afterlife. He attended the weighing scale during the "Weighing of the Heart", in which it was determined whether a soul would be allowed to enter the realm of the dead. Anubis is one of the most frequently depicted and mentioned gods in the Egyptian pantheon, however, no relevant myth involved him. Anubis was depict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hathor
Hathor ( egy, ḥwt-ḥr, lit=House of Horus, grc, Ἁθώρ , cop, ϩⲁⲑⲱⲣ, Meroitic: ) was a major goddess in ancient Egyptian religion who played a wide variety of roles. As a sky deity, she was the mother or consort of the sky god Horus and the sun god Ra, both of whom were connected with kingship, and thus she was the symbolic mother of their earthly representatives, the pharaohs. She was one of several goddesses who acted as the Eye of Ra, Ra's feminine counterpart, and in this form she had a vengeful aspect that protected him from his enemies. Her beneficent side represented music, dance, joy, love, sexuality, and maternal care, and she acted as the consort of several male deities and the mother of their sons. These two aspects of the goddess exemplified the Egyptian conception of femininity. Hathor crossed boundaries between worlds, helping deceased souls in the transition to the afterlife. Hathor was often depicted as a cow, symbolizing her maternal a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osiris
Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩⲥⲓⲣⲉ , ; Phoenician: 𐤀𐤎𐤓, romanized: ʾsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother, Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire. Osiris was at times considered the eldest son of the earth god Geb and the sky goddess Nut, as well as being brother and husband of Isis, and brother of Set, Nephthys, and Horus the Elder, with Horus the Younger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Register (art)
In art and archaeology, in sculpture as well as in painting, a register is a horizontal level in a work that consists of several levels arranged one above the other, especially where the levels are clearly separated by lines. Modern comic books typically use similar conventions. It is thus comparable to a row, or a line in modern texts. In the study of ancient writing, such as cuneiform and Egyptian hieroglyphs, "register" may be used of vertical compartments like columns containing writing that are arranged side by side and separated by lines, especially in cylinder seals, which often mix text and images. Normally, when dealing with images it only refers to row compartments stacked vertically. Among many other cultures, the use of registers is common in Ancient Egyptian art, from the Narmer Palette onwards, and in medieval art in large frescos and illuminated manuscripts. Narrative art, especially covering the lives of sacred figures, is often presented as a sequence of smal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bassorilievo
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuny
:''Yuny was also the name of a viceroy of Kush.'' Yuny or Iuny was an official through the reign of Seti I, in the 19th Dynasty, serving as chief scribe of the court, the overseer of priests, and royal steward. His tomb at Deir Durunka, south of Asyut, portrays Yuny as an hereditary prince and a count. A life-sized statue of him was discovered in the tomb of his son. Another statue shows him alone offering a shrine with a figure of Osiris Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩⲥⲓⲣⲉ , ; Phoenician: 𐤀𐤎𐤓, romanized: ʾsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was ...., p. 349-352, figs. 219-220 References External linksImage and description of statue of Yuny and his wife.Metropolitan Museum of Art. People of the Nineteenth Dynasty of Egypt 13th-century BC people Ramesses II {{AncientEgypt-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amun-Ra
Amun (; also ''Amon'', ''Ammon'', ''Amen''; egy, jmn, reconstructed as (Old Egyptian and early Middle Egyptian) → (later Middle Egyptian) → (Late Egyptian), cop, Ⲁⲙⲟⲩⲛ, Amoun) romanized: ʾmn) was a major ancient Egyptian deity who appears as a member of the Hermopolitan Ogdoad. Amun was attested from the Old Kingdom together with his wife Amunet. With the 11th Dynasty ( 21st century BC), Amun rose to the position of patron deity of Thebes by replacing Montu. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I (16th century BC), Amun acquired national importance, expressed in his fusion with the Sun god, Ra, as Amun-Ra (alternatively spelled Amon-Ra or Amun-Re). Amun-Ra retained chief importance in the Egyptian pantheon throughout the New Kingdom (with the exception of the " Atenist heresy" under Akhenaten). Amun-Ra in this period (16th to 11th centuries BC) held the position of transcendental, self-created creator deity "p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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