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Alessandro Tremignon
Alessandro Tremignón (or Tremignàn, Tremiglióne; 1635–1711) was an Italian architect from Padua. Work Tremignon was active in Venice. He was influenced by Baldassare Longhèna. Tremignon adapted the High Baroque structural style of Longhena into a typically Late Baroque style with pictorial effects exemplified by the facade of the San Moisè church. His most famous work is the facade of the San Moisè with its exuberant sculptural decorations. The name of the church of San Moisè (Saint Moses) treats the old-Testament figure of Moses as a saint in the Byzantine manner. It also honors Moisè Venier, who paid for restoration of the church in the tenth century. The facade was designed by Tremignon and mostly sculpted by Heinrich Meyring (Arrigo Meréngo), one of Gian Lorenzo Bernini's pupils. It features grotesque carvings of camels above the main entrance. The main altarpiece, also the work of Tremignon and Meyring, represents ''Mount Sinai with Moses Receiving the Table ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Arsenal
The Venetian Arsenal ( it, Arsenale di Venezia) is a complex of former shipyards and armories clustered together in the city of Venice in northern Italy. Owned by the state, the Arsenal was responsible for the bulk of the Venetian republic's naval power from the late Middle Ages to the early modern period. It was "one of the earliest large-scale industrial enterprises in history". Overview Construction of the Arsenal began around 1104, during Venice's republican era. It became the largest industrial complex in Europe before the Industrial Revolution, spanning an area of about , or about fifteen percent of Venice.Giove, S., Rosato, P. & Breil, M.A multicriteria approach for the evaluation of the sustainability of re-use of historic buildings in Venice" ''Sustainability indicators and environmental valuation paper - Fondazione Eni Enrico Mattei.'' October 2008. Accessed 30 January 2010. Surrounded by a rampart, laborers and shipbuilders regularly worked within the Arsenal, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1711 Deaths
In the Swedish calendar it was a common year starting on Tuesday, one day ahead of the Julian and ten days behind the Gregorian calendar. Events January–March * January – Cary's Rebellion: The Lords Proprietor appoint Edward Hyde to replace Thomas Cary, as the governor of the North Carolina portion of the Province of Carolina. Hyde's policies are deemed hostile to Quaker interests, leading former governor Cary and his Quaker allies to take up arms against the province. * January 24 – The first performance of Francesco Gasparini's most famous opera '' Tamerlano'' takes place at the Teatro San Cassiano in Venice. * February – French settlers at '' Fort Louis de la Mobile'' celebrate Mardi Gras in Mobile (Alabama), by parading a large papier-mache ox head on a cart (the first Mardi Gras parade in America). * February 3 – A total lunar eclipse occurs, at 12:31 UT. * February 24 ** Thomas Cary, after declaring himself Governor of Nort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1635 Births
Events January–March * January 23 – 1635 Capture of Tortuga: The Spanish Navy captures the Caribbean island of Tortuga off of the coast of Haiti after a three-day battle against the English and French Navy. * January 25 – King Thalun moves the capital of Burma from Pegu to Ava. * February 22 – The ''Académie française'' in Paris is formally constituted, as the national academy for the preservation of the French language. * March 22 – The Peacock Throne of India's Mughal Empire is inaugurated in a ceremony in Delhi to support the seventh anniversary of Shah Jahan's accession to the throne as Emperor. * March 26 – Philipp Christoph von Sötern, the Archbishop-Elector of Trier, is taken prisoner in a surprise attack by Spanish Habsburg troops, leading to a declaration of war against Spain by France and the beginning of the Franco-Spanish War. April–June * April 13 – Druze warlord Fakhr-al-Din II is executed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Of Santa Maria Assunta (Chioggia)
Chioggia Cathedral ( it, Duomo di Chioggia, ''Cattedrale di Santa Maria Assunta'') is the main place of worship in Chioggia, Italy, in the south of the Venetian Lagoon. It dates from 1627. The interior contains many interesting works of art. History The Cathedral of Chioggia, dedicated to St. Mary of the Assumption, was built on the site of an ancient church dedicated to Mary that probably dated to the 8th century, and is mentioned around 1000 AD. Around that time the people of Chioggia began building a splendid new cathedral. This had a "Ravenna" style basilical layout, with a long nave and two aisles, with a semi-circular apse at the east end. It was long, and wide at the transepts. The cathedral was destroyed by fire on the night of 25–26 December 1623. At the time the fire was said to have been caused by arson. The altarpiece of gold and silver could not be found in the ruins that remained after the fire. The task of rebuilding the cathedral was given to the architect B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Labia
Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giovanni Battista Tiepolo, with decorative works in ''trompe-l'œil'' by Gerolamo Mengozzi-Colonna. In a city often likened to a cardboard film set, the Palazzo is unusual by having not only a formal front along the Grand Canal, but also a visible and formal facade at its rear, and decorated side as well, along the Cannaregio Canal. In Venice, such design is very rare. The palazzo was designed by the architect Andrea Cominelli (by Alessandro Tremignon according to others). The principal facade is on the Cannaregio Canal while a lesser three bayed facade faces the Grand Canal. A later facade probably designed by Giorgio Massari is approached from the Campo San Geremia. The Labia The Labia family, who commissioned the palazzo, were origi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Cominelli
Andrea Cominelli was an Italian stonemason, sculptor and architect, who was active in the Republic of Venice during the second half of the 17th century. Early years Little is known of Cominelli's youth. He was probably born in Venice in the first half of the 17th century into a family from Bergamo. In 1652 Francesco and Tommaso Morosini commissioned Cominelli to restore the facade of the Church of San Clemente on the Isola di San Clemente. He included busts of Morosini family members above the portal, and their coat of arms. He also added statues of Saint Benedict and Saint Romuald, and a Madonna and cherub. The facade includes reliefs of scenes from battles commemorating the Morosini's victories in the war against the Turks. He is thought to have himself made the sculptures of the two brothers Morosini and of the two saints. Carmelite convent Cominelli is recorded on a bill of payment dated 4 April 1653 for implementation of an altar in the church of the new Venetian conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piazza San Marco
Piazza San Marco (; vec, Piasa San Marco), often known in English as St Mark's Square, is the principal public square of Venice, Italy, where it is generally known just as ''la Piazza'' ("the Square"). All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called ''campi'' ("fields"). The Piazzetta ("little Piazza/Square") is an extension of the Piazza towards San Marco basin in its southeast corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them. A remark usually attributed (though without proof) to Napoleon calls the Piazza San Marco "the drawing room of Europe". Description The square is dominated at its eastern end by St Mark's Basilica. It is described here by a perambulation starting from the west front of the church (facing the length of the piazza) and proceeding to the right. The church is described in the articl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Flangini Fini
The Palazzo Ferro Fini is a historical building in Venice, Italy. It was originally two buildings, the Palazzo Morosini Ferro and the Palazzo Flangini Fini, which were combined into one in the 1860s to create the luxury Hotel New York. The hotel was occupied by troops in World War II (1939–45). By 1970 the hotel was in decay, and the building was purchased by the Veneto region, which undertook extensive renovations and made it the seat of the regional council. Building The Palazzo Ferro Fini is located on the north bank of the Grand Canal in the section between the Ponte dell'Accademia and Piazza San Marco, opposite the Church of Santa Maria della Salute built by the 17th century architect Baldassarre Longhena. The building combines two adjacent Renaissance-style buildings. It has the classic Venetian layout, with an atrium that spans the whole building from the waterfront to the landward side, and an interior garden or courtyard. The interior has been renovated several times, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padua
Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the area. Padua's population is 214,000 (). The city is sometimes included, with Venice (Italian ''Venezia'') and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of around 2,600,000. Padua stands on the Bacchiglione River, west of Venice and southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (''Pianura Veneta''). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. Padua appears twice in the UNESCO World Heritage List: for its Botanical Garden, the most ancient of the world, and the 14th-century Frescoes, situated in dif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ruskin
John Ruskin (8 February 1819 20 January 1900) was an English writer, philosopher, art critic and polymath of the Victorian era. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy. Ruskin's writing styles and literary forms were equally varied. He wrote essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, architectural structures and ornamentation. The elaborate style that characterised his earliest writing on art gave way in time to plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. Ruskin was hugely influential in the latter half of the 19th century and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Grot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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