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Andrea Cominelli was an Italian stonemason, sculptor and architect, who was active in the
Republic of Venice The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, ...
during the second half of the 17th century.


Early years

Little is known of Cominelli's youth. He was probably born in Venice in the first half of the 17th century into a family from Bergamo. In 1652 Francesco and Tommaso Morosini commissioned Cominelli to restore the facade of the Church of San Clemente on the Isola di San Clemente. He included busts of
Morosini family The House of Morosini was a powerful Venetian noble family that gave many doges, statesmen, generals, and admirals to the Republic of Venice, as well as cardinals to the Church. History One legend says the family reached the Venetian lagoon i ...
members above the portal, and their coat of arms. He also added statues of
Saint Benedict Benedict of Nursia ( la, Benedictus Nursiae; it, Benedetto da Norcia; 2 March AD 480 – 21 March AD 548) was an Italian Christian monk, writer, and theologian who is venerated in the Catholic Church, the Eastern Orthodox Church, the Orient ...
and
Saint Romuald Romuald ( la, Romualdus; 951 – traditionally 19 June, c. 1025/27 AD) was the founder of the Camaldolese order and a major figure in the eleventh-century "Renaissance of eremitical asceticism".John Howe, "The Awesome Hermit: The Symbolic ...
, and a Madonna and cherub. The facade includes reliefs of scenes from battles commemorating the Morosini's victories in the war against the Turks. He is thought to have himself made the sculptures of the two brothers Morosini and of the two saints.


Carmelite convent

Cominelli is recorded on a bill of payment dated 4 April 1653 for implementation of an altar in the church of the new Venetian convent of the
Carmelites , image = , caption = Coat of arms of the Carmelites , abbreviation = OCarm , formation = Late 12th century , founder = Early hermits of Mount Carmel , founding_location = Mount Ca ...
of St. Theresa. He was engaged in this work until the end of 1654. He supervised construction of the convent and church of San Palo between 1682 and 1683, said by Brandolese in 1795 to have "some elegance, that would be greater if it were not encrusted with stucco". In 1679 he was in charge of the arrangement of the organ, with the work done by Eugenio Gasparini. On 7 April 1682 he signed an agreement for the partial reconstruction and beautification of the altar of the Blessed Virgin of Carmel. The church and convent of St. Teresa were built by Cominelli for the Sisters of Saint Theresa and consecrated in 1688. The church has a tall, square and simple design.


Other work

While working almost continuously for the Carmelites, Cominelli undertook other works. He made the altar of
Baldassarre Longhena Baldassare Longhena (1598 – 18 February 1682) was an Italian architect, who worked mainly in Venice, where he was one of the greatest exponents of Baroque architecture of the period. Biography Born in Venice, Longhena studied under the architect ...
's St. Mary the Virgin in 1674-1677. He participated in the competition for design of the "
Dogana da Mar Punta della Dogana is an art museum in one of Venice's old customs buildings, the ''Dogana da Mar''. It also refers to the triangular area of Venice where the Grand Canal meets the Giudecca Canal, and its collection of buildings: Santa Maria del ...
" customs house (1676-1677). There are no records of activity after 1688. However, he was credited with the design of the
Palazzo Labia Palazzo Labia is a baroque palace in Venice, Italy. Built in the 17th–18th century, it is one of the last great palazzi of Venice. Little known outside of Italy, it is most notable for the remarkable frescoed ballroom painted 1746–47 by Giova ...
, built for private clients. Cominelli designed the water facades of the building. The building was completed in 1696. Later the ballroom was decorated by the perspective artist
Gerolamo Mengozzi Colonna Gerolamo Mengozzi Colonna (1688 – Venice, 27 October 1774) was an Italian painter, mostly of frescoed quadratura. Biography Born in Ferrara, Gerolamo was a pupil of the painters of architectural perspective painters Antonio Felice Ferrari and ...
and the fresco painter Giovanni Battista Tiepolo. The paintings tell the story of
Anthony and Cleopatra ''Antony and Cleopatra'' (First Folio title: ''The Tragedie of Anthonie, and Cleopatra'') is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around ...
. In the mid-18th century Alessandro Tremignon designed the campo facade of the palace.


References


Sources

* * * * * * {{DEFAULTSORT:Cominelli, Andrea Republic of Venice architects 17th-century Italian architects Republic of Venice sculptors 17th-century Italian sculptors Italian male sculptors