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Aimeric De Belenoi
Aimeric de Belenoi ( fl. 1215–1242 22.) was a Gascon troubadour. At least fifteen of his songs survived. Seven others were attributed to him in some medieval manuscripts. Early life Aimeric was born in the castle of Lesparra in the Bordelais (''metropolis civitas Burdigalensium'', the modern Gironde).Egan, 1–2. His uncle was another troubadour, Peire de Corbiac. His ''vida'' says he was a cleric and later a jongleur before he took to "inventing good songs, which were beautiful and charming." He apparently was the feudal lord of Belenoi, an unknown location. Career The chief object of his songs was a lady named Gentil de Rieux (''Gentilis de Gienciaco''), a Gascon from Gensac-Saint-Julien and the wife of Raimon de Benque. His biographer records that he lingered in Gascony a long time "for her" before moving on to Catalonia, where he died. Aimeric's poetry refers to events at Toulouse, Provence, and Italy, implying that he travelled. He was at the Este court in F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aimeric De Pegulhan
Aimeric or Aimery de Peguilhan, Peguillan, or Pégulhan (c. 1170 – c. 1230) was a troubadour (floruit, fl. 1190–1221)Gaunt and Kay, 279. born in Peguilhan (near Saint-Gaudens, Haute-Garonne, Saint-Gaudens), the son of a cloth merchant. Aimeric's first patron was Raimon V of Toulouse, followed by his son Raimon VI of Toulouse, Raimon VI. However, he fled the region at the threat of the Albigensian Crusade and spent some time in Spain and ten years in Lombardy. It is said that he had secretly loved a neighbour while living in Toulouse, and that it was for her that he returned. Aimeric is known to have composed at least fifty works, the music for six of which survives: *' *' *' *' *' *' Most of his works were bland ''Canso (song), cansos'' with a few ''tensos'' (with Sordello and Albertet de Sestaro). Notes Sources *Gaunt, Simon, and Kay, Sarah (edd.) ''The Troubadours: An Introduction''. Cambridge: Cambridge University Press, 1999. . {{DEFAULTSORT:Aimeric de Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Through-composed
In music theory of musical form, through-composed music is a continuous, non- sectional, and non- repetitive piece of music. The term is typically used to describe songs, but can also apply to instrumental music. While most musical forms such as ternary form, (ABA), rondo form, (ABACABA), and sonata form (ABA') rely on repetition, through-composed music does not re-use material (ABCD). This constant introduction of new material is most noticeable in musical settings of poems, in contrast to the often used strophic form (AAA). Through-composed songs have different music for each stanza of the lyrics. The German word "''durchkomponiert'' " is also used to indicate this concept. Examples Musicologist James Webster defines through-composed music in the following manner: Many examples of this form can be found in Schubert's ''Lieder'', where the words of a poem are set to music and each line is different. In his lied '' Erlkönig'', in which the setting proceeds to a different musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier
A chansonnier ( ca, cançoner, oc, cançonièr, Galician and pt, cancioneiro, it, canzoniere or ''canzoniéro'', es, cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally " song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics. The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères used in the medieval music. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raimbaut De Vaqueiras
__NOTOC__ Raimbaut de Vaqueiras or Vaqueyras ( fl. 1180 – 1207) was a Provençal troubadour and, later in his life, knight. His life was spent mainly in Italian courtsAmelia E. Van Vleck, ''The Lyric Texts'' p. 33, in ''Handbook of the Troubadours'' (1995), edited by F. R. P. Akehurst and Judith M. Davis. until 1203, when he joined the Fourth Crusade. His writings, particularly the so-called ''Epic Letter'', form an important commentary on the politics of the Latin Empire in its earliest years. Vaqueiras's works include a multilingual poem, ''Eras quan vey verdeyar'' where he used French, Italian, Galician-Portuguese and Gascon, together with his own Provençal. Vaqueiras was from Vacqueyras, near Orange. He spent most of his career as court poet and close friend of Boniface I of Montferrat, with whom he served in battle against the communes of Asti and Alessandria. Vaqueiras claimed he earned a knighthood through protecting Boniface with his shield in battle at Messina, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas I Of Savoy
Thomas Ι (''Tommaso I''; c. 1178 – 1 March 1233) was Count of Savoy from 1189 to 1233. He is sometimes numbered "Thomas I" to distinguish him from his son of the same name. His long reign marked a decisive period in the history of Savoy. Biography Thomas was born in Aiguebelle, the son of Humbert III of Savoy and Beatrice of Viennois. He was still a minor when his father died in 1189, and his mother acted as regent until 1191 during his minority reign. Despite his youth he began the push northwest into new territories. In the same year he granted Aosta Valley the "Charte des Franchises", recognising the right to administrative and political autonomy (this right was maintained until the French Revolution). Later he conquered Vaud, Bugey, and Carignano. He supported the Hohenstaufens, and was known as "Thomas the Ghibelline" because of his career as Imperial Vicar of Lombardy. Thomas worked throughout his reign to expand the control and influence of the County of Savoy. One o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Berengar IV Of Provence
Ramon Berenguer IV (french: Raimond-Bérenger; 1198 – 19 August 1245) was a member of the House of Barcelona who ruled as count of Provence and Forcalquier. He was the first count of Provence to live in the county in more than one hundred years. During the minority of a previous count, the regency was exercised by Ramon Berenguer IV de Barcelona, who is sometimes counted among the counts of Provence. Family Ramon Berenguer was the son of Alfonso II, Count of Provence, and Garsenda, Countess of Forcalquier. After his father's death (1209), Ramon's mother sent him to the Templar castle of Monzón in Aragon. He was accompanied by his cousin James, whose life was also under threat. He left Monzon in 1216 to claim his inheritance, which included the county of Forcalquier—inherited from his mother. On 5 June 1219, Ramon Berenguer married Beatrice of Savoy, daughter of Thomas, Count of Savoy. She was a shrewd and politically astute woman, whose beauty was likened by Matthew Paris to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuño Sánchez
Nuño Sánchez ( ca, Nunó, ''Nunyó'', or'' Nunyo Sanç'', french: Nuno Sanche) ( 1185 – 1242) was a nobleman and statesman in the Crown of Aragon. Nuño was the son of Sancho, Count of Provence, Roussillon, and Cerdagne, and Sancha Núñez of the House of Lara. His father was dispossessed of Provence in 1185 but maintained Roussillon and Cerdagne until his death in 1223, handing control of them over to his son as early as 1212. He was formally invested with them by Peter II of Aragon later that year. His full Latin title was ''Nunus Sancii, Dei gratia dominus de Rossillionis, Vallis de Asperii, Conflent et Cerritane'' ("Nuño Sánchez, by the grace of God lord of Roussillon, Vallespir, Conflent and Cerdagne"). His investment was of little help to Peter, for Nuño arrived too late to be of any service at the Battle of Muret (1213), where Peter died. Subsequently he and his father served as regents for Peter's minor heir, James I. In 1215 his father married him to Peronell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Planh
A genre of the troubadours, the or (; "lament") is a funeral lament for "a great personage, a protector, a friend or relative, or a lady."Elisabeth Schulze-Busacker, "Topoi", in F. R. P. Akehurst and Judith M. Davis, eds., ''A Handbook of the Troubadours'' (Berkeley: University of California Press, 1995), pp. 421–440. Its main elements are expression of grief, praise of the deceased (eulogy) and prayer for his or her soul.Patricia Harris Stäblein, "New Views on an Old Problem: The Dynamics of Death in the ", ''Romance Philology'' 35, 1 (1981): 223–234. It is descended from the medieval Latin .William D. Paden, "Planh/Complainte", in W. W. Kibler and G. A. Zinn, eds., ''Medieval France: An Encyclopedia'' (New York: Garland, 1995), pp. 1400–1401. The is similar to the in that both were typically contrafacta. They made use of existing melodies, often imitating the original song even down to the rhymes. The most famous of all, however, Gaucelm Faidit's lament on the death ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Castile
The Kingdom of Castile (; es, Reino de Castilla, la, Regnum Castellae) was a large and powerful state on the Iberian Peninsula during the Middle Ages. Its name comes from the host of castles constructed in the region. It began in the 9th century as the County of Castile (''Condado de Castilla''), an eastern frontier lordship of the Kingdom of León. During the 10th century, its counts increased their autonomy, but it was not until 1065 that it was separated from León and became a kingdom in its own right. Between 1072 and 1157, it was again united with León, and after 1230, this union became permanent. Throughout this period, the Castilian kings made extensive conquests in southern Iberia at the expense of the Al-Andalus, Islamic principalities. The Kingdoms of Castile and of León, with their southern acquisitions, came to be known collectively as the Crown of Castile, a term that also came to encompass overseas expansion. History 9th to 11th centuries: the beginnings Accor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peire Cardenal
Peire Cardenal (or Cardinal) (c. 1180 – c. 1278) was a troubadour (fl. 1204 – 1272) known for his satirical ''sirventes'' and his dislike of the clergy. Ninety-six pieces of his remain, a number rarely matched by other poets of the age.Aubrey, 23–4. Peire Cardenal was born in Le Puy-en-Velay, apparently of a noble family; the family name Cardenal appears in many documents of the region in the 13th and 14th centuries. He was educated as a canon, which education directed him to vernacular lyric poetry and he abandoned his career in the church for "the vanity of this world", according to his '' vida''.Egan, 74. The author of Peire's ''vida'' is known: Miquel de la Tor. Peire began his career at the court of Raymond VI of Toulouse—from whom he sought patronage—and a document of 1204 refers to a ''Petrus Cardinalis'' as a scribe of Raymond's chancery. At Raymond's court, however, he appears to have been known as Peire del Puoi or Puei (french: Pierre du Puy). Aroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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