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Aile De Marsan
The Pavillon de Marsan or Marsan Pavilion was built in the 1660s as the northern end of the Tuileries Palace in Paris, and reconstructed in the 1870s after the Tuileries burned down at the end of the Paris Commune. Following the completion of the joining of the Louvre and the Tuileries in the 1850s and the demolition of the Tuileries' remains in the early 1880s, it is now the northwestern tip of the Louvre Palace. Since 1897 it has been part of the Musée des Arts Décoratifs, a separate institution from the Louvre. History The pavilion was originally built in 1666, based on a design by Louis Le Vau. The exterior was similar to that of its southern pendant, the Pavillon de Flore. On its south side, the Pavillon de Marsan was connected to Le Vau's pavilion for the stage of the Théâtre des Tuileries, completed in 1661. On the Pavillon de Marsan's east side, Le Vau constructed the first bay of the North Wing, heading toward the Louvre. The south façade of the North Wing replicat ...
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Pavillon De Marsan, November 18, 2011
Pavillon may refer to: * Le Pavillon Hotel, New Orleans * Le Pavillon (New York City restaurant), a former New York City restaurant * Pavillon de Flore, a section of the Palais du Louvre in Paris, France * Pavillon de Paris, a large concert space in Paris, France * Pavillon de l'Arsenal, a center for urban planning and museum in Paris, France * Pavillon de la Jeunesse, an indoor arena in Quebec City, Quebec * Pavillon des sports Modibo Keita, an indoor sporting arena in Bamako, Mali * Le Pavillon-Sainte-Julie, a commune in the Aube department in north-central France * Pavillon de l’Horloge, a structure by architect Jacques Lemercier People with the surname * Étienne Pavillon, French lawyer and poet * Nicolas Pavillon Nicolas Pavillon (1597 at Paris – 1677 at Alet) was a French bishop of Alet and Jansenist. His attitude against Pope Alexander VII won him the admiration of Port-Royal. Alet became the "Mecca" of the Jansenists. His nephew was the writer Étienn ..., French bi ...
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French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ...
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Théodore-Charles Gruyère
Théodore-Charles Gruyère (born 17 September 1813 in Paris, died in 1885) was a French sculptor. In 1836 as the pupil of Auguste Dumont. He hit notoriety in 1839 winning the Prix de Rome. His other works are some busts, some statues of saints for several churches, including the sandstone statues in the Église Saint-Augustin de Paris (1865), the sculpture named ''Seated Indian'' (1865), the characters of the town of Arras and Laon on the front of the Gare du Nord and a bas-relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the ... in the Église Saint-Thomas-d'Aquin (Paris). References {{DEFAULTSORT:Gruyere, Theodore-Charles 1813 births 1885 deaths Artists from Paris Prix de Rome for sculpture 19th-century French sculptors French male sculptors 19th-century French male ...
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Carrousel Garden
The Tuileries Garden (french: Jardin des Tuileries, ) is a public garden located between the Louvre and the Place de la Concorde in the 1st arrondissement of Paris, France. Created by Catherine de' Medici as the garden of the Tuileries Palace in 1564, it was eventually opened to the public in 1667 and became a public park after the French Revolution. Since the 19th century, it has been a place where Parisians celebrate, meet, stroll and relax. History The Italian Garden of Catherine de' Medici (16th century) File:Tuileries projet et jardins.jpg, Plan for the palace and gardens by Jacques I Androuet du Cerceau, 1576–1579 File:Map of Tuileries and Louvre, as in c. 1589.png, Plan of the Tuileries garden in about 1589. The Louvre is to the right In July 1559, after the accidental death of her husband, Henry II of France, Henry II, Queen Catherine de' Medici decided to leave her residence of the Hôtel des Tournelles, at the eastern part of Paris, near the Bastille. Together ...
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Winged Lion
The winged lion is a mythological creature that resembles a lion with bird-like wings. Mythical adaptations The winged lion is found in various forms especially in ancient and medieval civilizations. There were different mythological adaptions for the winged lion: * Lamassu or shedu in Mesopotamian mythology was depicted as a winged lion. It was often depicted with a bull's body instead of a lion's body. * The griffin in classical mythology was depicted as a lion-eagle creature. Griffin-like creatures were depicted in Egyptian and Persian mythology. * The first beast in the first vision of the biblical prophet Daniel resembled a winged lion. * The winged lion was the heraldic symbol of Mark the Evangelist. * The Goetic demon Vapula was depicted as a winged lion. Emblems The emblems of the winged lions were featured in different countries: * The emblem of the Republic of Venice as the heraldic symbol of St. Mark the Evangelist, the patron saint of the Republic. ** The ''Lion o ...
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Copper
Copper is a chemical element with the symbol Cu (from la, cuprum) and atomic number 29. It is a soft, malleable, and ductile metal with very high thermal and electrical conductivity. A freshly exposed surface of pure copper has a pinkish-orange color. Copper is used as a conductor of heat and electricity, as a building material, and as a constituent of various metal alloys, such as sterling silver used in jewelry, cupronickel used to make marine hardware and coins, and constantan used in strain gauges and thermocouples for temperature measurement. Copper is one of the few metals that can occur in nature in a directly usable metallic form ( native metals). This led to very early human use in several regions, from circa 8000 BC. Thousands of years later, it was the first metal to be smelted from sulfide ores, circa 5000 BC; the first metal to be cast into a shape in a mold, c. 4000 BC; and the first metal to be purposely alloyed with another metal, tin, to create ...
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Architectural Sculpture
Architectural sculpture is the use of sculptural techniques by an architect and/or sculptor in the design of a building, bridge, mausoleum or other such project. The sculpture is usually integrated with the structure, but freestanding works that are part of the original design are also considered to be architectural sculpture. The concept overlaps with, or is a subset of, monumental sculpture. It has also been defined as "an integral part of a building or sculpture created especially to decorate or embellish an architectural structure." Architectural sculpture has been employed by builders throughout history, and in virtually every continent on earth save pre-colonial Australia. Egyptian Modern understanding of ancient Egyptian architecture is based mainly on the religious monuments that have survived since antiquity, which are carved stone with post and lintel construction. These religious monuments dedicated to the gods or pharaohs were designed with a great deal of architec ...
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Gaston Redon
Gaston Redon (28 October 1853 – 20 November 1921) was a French architect, teacher, and graphic artist. Biography Redon was born in Bordeaux, Aquitaine to a prosperous family, the younger brother of Odilon Redon. Gaston attended the École des Beaux-Arts in the atelier of Louis-Jules André, and took the Prix de Rome for architecture in 1883. This entitled him to three years at the Villa Medici from 1884 to 1887, where he met and became friends with the composer Claude Debussy. After his return to Paris, Redon was made the official architect of the Louvre. The rebuilding and expansion of the Pavillon de Marsan (the most northwestern wing of the palace) between 1900 and 1905 to accommodate the Museum of Decorative Arts amounts to his major built work. Redon was elected to the Académie des Beaux-Arts in May 1914, and, jointly with Alfred-Henri Recoura, ran an architecture atelier at the Ecole. His students included French architects Henri Marchal, Roger-Henri Expe ...
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Cour Des Comptes
The ''Cour des Comptes'' ("Court of Accounts") is France's supreme audit institution, under French law an administrative court. As such, it is independent from the legislative and executive branches of the French Government. However, the 1946 and 1958 French constitutions made it the Court's duty to assist the Cabinet and Parliament in regulating government spending. The Court thus combines functions of a court of exchequer, comptroller general's office, and auditor general's office in common-law countries. It is also a Grand Corps of the French State and mainly recruits among the best-ranked students graduating from the Ecole nationale d'administration. The Court traces its origins back to the Middle Ages and views itself as succeeding the Court of Auditors of Paris, permanently established in the early 14th century. It was re-established in 1807 by Napoleon. Its three duties are to conduct financial audits of accounts, conduct good governance audits, and provide information ...
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Giuseppe De Nittis
Giuseppe De Nittis (February 25, 1846 – August 21, 1884)Efrem Gisella Calingaert. "De Nittis, Giuseppe." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 9 Aug. 2013. was one of the most important Italian painters of the 19th century, whose work merges the styles of Salon art and Impressionism. Biography De Nittis was born in Barletta, in the region of Apulia, where he lived with his family in the wealthiest district of the city near the intersection of the Corso Vittorio Emanuele and the Corso Garibaldi, just around the corner from the birthplace of another famous painter and contemporary, Geremia Discanno. Barletta at the time of the Bourbons, and in particular during the reign of Ferdinand II, nicknamed the "Bomb King" for having his own subjects cannonaded, was an extremely class-oriented city and those who could afford it gathered regularly near De Nittis' home beneath the Basilica of the Holy Sepulcher with its bronze Colossus of Heraclius in front. Si ...
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Alphonse Liébert
Alphonse Justin Liébert (30 November 1826, Tournai - 18 June 1913, Paris) was a French photographer. Biography Initially devoted to a career in the French Navy, Navy, he was wounded at the Battle of Vuelta de Obligado (1845), in Argentina. He had always been interested in photography, so he took it as an opportunity to embark on a new career. Around 1853, probably attracted by the California Gold Rush, Gold Rush, he had established himself as a photographer in California. He returned to France in 1863 and set up a studio in Paris. Between then and 1906, he would relocate his studio at least four times. In 1866, he married Marie-Louise Peuple, a trader in silks. They had three children; Marie-Louise, apparently born out of wedlock, Gaston Ernest Liébert, Gaston Ernest, a career diplomat, and Georges Auguste (1876-1947), who also became a photographer. In 1867, he photographed Alexandre Dumas père, Alexandre Dumas with his mistress, Adah Isaacs Menken. Later that year, followi ...
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Hector Lefuel
Hector-Martin Lefuel (14 November 1810 – 31 December 1880) was a French architect, best known for his work on the Palais du Louvre, including Napoleon III's Louvre expansion and the reconstruction of the Pavillon de Flore. Biography He was born in Versailles, the son of Alexandre Henry Lefuel (1782–1850), a building entrepreneur. He was admitted to the École des Beaux-Arts in 1829, studied there with Jean-Nicolas Huyot and in 1833 received second place in the Prix de Rome competition. By that time, his father died and he had to spend the next few years managing the family building business, which delayed the completion of his studies but also brought him valuable building experience. He won of the Prix de Rome in 1839 and subsequently spent the years 1840 to 1844 as a pensionary of the French Academy in Rome at the Villa Medici, together with Ernest Hébert (laureate in painting) and Charles Gounod (music). On his return to France he opened his own practice and was a ...
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