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Hector Lefuel
Hector-Martin Lefuel (14 November 1810 – 31 December 1880) was a French architect, best known for his work on the Palais du Louvre, including Napoleon III's Louvre expansion and the reconstruction of the Pavillon de Flore. Biography He was born in Versailles, the son of Alexandre Henry Lefuel (1782–1850), a building entrepreneur. He was admitted to the École des Beaux-Arts in 1829, studied there with Jean-Nicolas Huyot and in 1833 received second place in the Prix de Rome competition. By that time, his father died and he had to spend the next few years managing the family building business, which delayed the completion of his studies but also brought him valuable building experience. He won of the Prix de Rome in 1839 and subsequently spent the years 1840 to 1844 as a pensionary of the French Academy in Rome at the Villa Medici, together with Ernest Hébert (laureate in painting) and Charles Gounod (music). On his return to France he opened his own practice and w ...
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Funeral Monument Bust Of Hector Lefuel - FindAGrave Amy7252 (adjusted)
A funeral is a ceremony connected with the Disposal of human corpses, final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honor. Customs vary between cultures and Religion, religious groups. Funerals have both normative and legal components. Common secular motivations for funerals include mourning the deceased, celebrating their life, and offering support and sympathy to the bereaved; additionally, funerals may have religious aspects that are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation. The funeral usually includes a ritual through which the corpse receives a final disposition. Depending on culture and religion, these can involve either the destruction of the body (for example, by cremation or sky bu ...
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Second French Empire
The Second French Empire (; officially the French Empire, ), was the 18-year Imperial Bonapartist regime of Napoleon III from 14 January 1852 to 27 October 1870, between the Second and the Third Republic of France. Historians in the 1930s and 1940s often disparaged the Second Empire as a precursor of fascism. That interpretation is no longer widely held, and by the late 20th century they were giving it as an example of a modernising regime. Historians have generally given the Empire negative evaluations on its foreign policy, and somewhat more positive evaluations of domestic policies, especially after Napoleon III liberalised his rule after 1858. He promoted French business and exports. The greatest achievements included a grand railway network that facilitated commerce and tied the nation together with Paris as its hub. This stimulated economic growth and brought prosperity to most regions of the country. The Second Empire is given high credit for the rebuilding of Par ...
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Legion Of Honour
The National Order of the Legion of Honour (french: Ordre national de la Légion d'honneur), formerly the Royal Order of the Legion of Honour ('), is the highest French order of merit, both military and civil. Established in 1802 by Napoleon Bonaparte, it has been retained (with occasional slight alterations) by all later French governments and regimes. The order's motto is ' ("Honour and Fatherland"); its seat is the Palais de la Légion d'Honneur next to the Musée d'Orsay, on the left bank of the Seine in Paris. The order is divided into five degrees of increasing distinction: ' (Knight), ' (Officer), ' ( Commander), ' (Grand Officer) and ' ( Grand Cross). History Consulate During the French Revolution, all of the French orders of chivalry were abolished and replaced with Weapons of Honour. It was the wish of Napoleon Bonaparte, the First Consul, to create a reward to commend civilians and soldiers. From this wish was instituted a , a body of men that was not an o ...
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Martin-Pierre Gauthier
Martin-Pierre Gauthier (1790–1855) was a French architect. 1790 births 1855 deaths People from Troyes 19th-century French architects Recipients of the Legion of Honour Members of the Académie des beaux-arts Prix de Rome for architecture Academic staff of École Polytechnique {{France-architect-stub ...
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Académie Des Beaux-arts
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, d ...
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Pavillon De Marsan
The Pavillon de Marsan or Marsan Pavilion was built in the 1660s as the northern end of the Tuileries Palace in Paris, and reconstructed in the 1870s after the Tuileries burned down at the end of the Paris Commune. Following the completion of the joining of the Louvre and the Tuileries in the 1850s and the demolition of the Tuileries' remains in the early 1880s, it is now the northwestern tip of the Louvre Palace. Since 1897 it has been part of the Musée des Arts Décoratifs, a separate institution from the Louvre. History The pavilion was originally built in 1666, based on a design by Louis Le Vau. The exterior was similar to that of its southern pendant, the Pavillon de Flore. On its south side, the Pavillon de Marsan was connected to Le Vau's pavilion for the stage of the Théâtre des Tuileries, completed in 1661. On the Pavillon de Marsan's east side, Le Vau constructed the first bay of the North Wing, heading toward the Louvre. The south façade of the North Wing replica ...
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Tuileries Palace
The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, until it was burned by the Paris Commune in 1871. Built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. Since the destruction of the Tuileries, the Louvre courtyard has remained open and the site is now the location of the eastern end of the Tuileries Garden, forming an elevated terrace between the Place du Carrousel and the gardens proper. History Plan of Catherine de Medici (16th C.) The site of the Tuileries palace was originally just outside the walls of the city, in an area frequently flooded by the Seine as far as the present Rue Saint-Honore. The land was occupied by the workshops and kilns craftsmen who ...
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Paris Commune Of 1871
The Paris Commune (french: Commune de Paris, ) was a revolutionary government that seized power in Paris, the capital of France, from 18 March to 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard had defended Paris, and working-class radicalism grew among its soldiers. Following the establishment of the Third Republic in September 1870 (under French chief executive Adolphe Thiers from February 1871) and the complete defeat of the French Army by the Germans by March 1871, soldiers of the National Guard seized control of the city on March 18. They killed two French army generals and refused to accept the authority of the Third Republic, instead attempting to establish an independent government. The Commune governed Paris for two months, establishing policies that tended toward a progressive, anti-religious system of social democracy, including the separation of church and state, self-policing, the remission of rent, the abolition of child lab ...
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Second Empire (architecture)
Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts, which uses elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III in France (1852–1871) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Bibliothèque nationale de France, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards. Characteristics The Napoleon III or Second Empire style took its inspiration fro ...
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Louvre Palace
The Louvre Palace (french: link=no, Palais du Louvre, ), often referred to simply as the Louvre, is an iconic French palace located on the Right Bank of the Seine in Paris, occupying a vast expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a military facility, it has served numerous government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793. Whereas the area had been inhabited for thousands of years, the Louvre's history starts around 1190 with its first construction as a castle defending the western front of the Wall of Philip II Augustus. The Louvre's oldest section still standing above ground, its Lescot Wing, dates from the late 1540s, when Francis I started the replacement of the medieval castle with a new design inspired by classical antiquity and Italian Renaissance architec ...
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Grande Galerie
The Grande Galerie, in the past also known as the Galerie du Bord de l'Eau (Waterside Gallery), is a wing of the Louvre Palace, perhaps more properly referred to as the Aile de la Grande Galerie (Grand Gallery Wing), since it houses the longest and largest room of the museum, also referred to as the Grande Galerie, one of the museum's most iconic spaces. This unusually long wing was constructed beginning in 1595 on the initiative of Henry IV of France, King Henry IV and was completed in late 1607. It contained an elevated enclosed passageway linking the old Louvre Palace with the Tuileries Palace. The passageway was used for various purposes until the creation of the Louvre, Louvre Museum in 1793, when it became the exhibition gallery it remains to this day. Originally 460 meters long, the room was reduced to its current length of 288 meters following the remodeling of its western section in the 1860s in the wake of Napoleon III's Louvre expansion. Pre-museum history Henry IV ...
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Pavillon De Flore
The Pavillon de Flore, part of the Palais du Louvre in Paris, France, stands at the southwest end of the Louvre, near the Pont Royal. It was originally constructed in 1607–1610, during the reign of Henry IV, as the corner pavilion between the Tuileries Palace to the north and the Louvre's Grande Galerie to the east. The pavilion was entirely redesigned and rebuilt by Hector Lefuel in 1864–1868 in a highly decorated Napoleon III style. Arguably the most famous sculpture on the exterior of the Louvre, Jean-Baptiste Carpeaux's ''Triumph of Flora'', was added below the central pediment of the south facade at this time. The Tuileries Palace was burned by the Paris Commune in 1871, and a north facade, similar to the south facade, was added to the pavilion by Lefuel in 1874–1879. Currently, the Pavillon de Flore is part of the Musée du Louvre. Location The Pavillon de Flore is in central Paris, on the Right Bank ( French: Rive Droite) and is connected to the Louvr ...
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