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Adolphe Choler
Adolphe Joseph Choler (1821 – 19 January 1889) was a French playwright and librettist who was born in and died in Paris. He was Saint-Agnan Choler's brother. His plays were presented on the most important Parisian venues of the 19th century: Théâtre de la Porte Saint-Martin, Théâtre des Variétés, Théâtre du Palais-Royal, Théâtre du Gymnase-dramatique etc. He was managing director of the Théâtre du Palais-Royal from 1868 to 1879. Works *1842: ''Eva ou le Grillon du foyer'', comédie en vaudevilles in 2 acts, with Saint-Yves *1847: ''Mademoiselle Grabutot'', vaudeville in one act, with Saint-Yves *1848: ''Candide ou Tout est pour le mieux'', conte mêlé de couplets in 3 acts and 5 tableaux, with Clairville and Saint-Yves *1848: ''La république de Platon'', vaudeville in 1 act, with Saint-Yves *1849: ''Madame veuve Larifla'', vaudeville in 1 act, with Labiche *1849: ''Le Marquis de Carabas et la princesse Fanfreluche'', tale by Perrault in 1 act, mixed with dist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playwright
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Cogniard
The Cogniard brothers were two French brothers who worked as playwrights and theatre directors, producing an incalculable number of vaudevilles, reviews, féeries and operettas. The elder of the two was Charles-Théodore or Théodore Cogniard (30 April 1806 - 13 May 1872) and the younger was Jean-Hippolyte or Hippolyte Cogniard (28 November 1807 – 6 February 1882) Both brothers were born and died in Paris. Career Nicknamed "les jumeaux siamois du vaudeville" (the Siamese twins of vaudeville),Huart (1839) they headed the théâtre de la Porte-Saint-Martin from 1840 to 1845. In 1845 Hippolyte took sole charge of the Théâtre du Vaudeville, then of the Théâtre des Variétés from 1854 to 1869, where he instituted a repertoire solely consisting of operettas. It was under Hippolyte's leadership that Jacques Offenbach created his best known works : '' La Belle Hélène'', '' Barbe-Bleue'', '' La Grande-Duchesse de Gérolstein'' and ''La Périchole''. In 1869, on behalf of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léo Delibes
Clément Philibert Léo Delibes (; 21 February 1836 – 16 January 1891) was a French Romantic composer, best known for his ballets and operas. His works include the ballets ''Coppélia'' (1870) and '' Sylvia'' (1876) and the opera ''Lakmé'' (1883), which includes the well-known "Flower Duet". Born into a musical family, Delibes enrolled at France's foremost music academy, the Conservatoire de Paris, when he was twelve, studying under several professors including Adolphe Adam. After composing light comic opérettes in the 1850s and 1860s, while also serving as a church organist, Delibes achieved public recognition for his music for the ballet '' La Source'' in 1866. His later ballets ''Coppélia'' and ''Sylvia'' were key works in the development of modern ballet, giving the music much greater importance than previously. He composed a small number of mélodies, some of which are still performed frequently. Delibes had several attempts at writing more serious operas, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Labiche
Eugene is a common male given name that comes from the Greek εὐγενής (''eugenēs''), "noble", literally "well-born", from εὖ (''eu''), "well" and γένος (''genos''), "race, stock, kin". Henry George Liddell, Robert Scott, ''A Greek-English Lexicon'', on Perseus Gene is a common shortened form. The feminine variant is or Eugenie. , a common given name in parts of central and northern Europe, is also a variant of Eugene / Eugine. Other male foreign-language variants in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Rochefort
Henri is an Estonian, Finnish, French, German and Luxembourgish form of the masculine given name Henry. People with this given name ; French noblemen :'' See the 'List of rulers named Henry' for Kings of France named Henri.'' * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway, French Huguenot soldier and diplomat, one of the principal commanders of Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Delacour
Alfred Delacour or Alfred-Charlemagne Delacour, real name Pierre-Alfred Lartigue, (3 September 1817 – 31 March 1883 ) was a 19th-century French playwright and librettist. Biography In addition to his occupation as a physician, which he practised from 1841, Delacour turned progressively to the theatre. He collaborated with Eugène Labiche and Clairville for several vaudevilles Titles and decorations * Knight of the Legion of honour (7 August 1867 decree) His entry on the Base Léonore wrongly calls him ''Alfred-Charlemagne'' which was his pen name. Plays ''Le Courrier de Lyon'' (1850) was one of Delacour's noted plays. It was written together with Eugène Moreau and Paul Siraudin. The play was based on the story of Joseph Lesurques, an innocent man who was executed after he was mistaken for the leader of a gang who brutally murdered a courier. Aside from his collaborations with Labiche and Clairville, Delacour also worked with Lambert Thiboust on ''Le diable'' (1880), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand Lapointe
Armand Lapointe (1 May 1822 – 6 March 1910 ) was a French novelist, journalist and playwright. He also wrote the libretto of the opérette bouffe ''Mesdames de la Halle'' by Jacques Offenbach. Biography He was a prolific popular author in the years 1850–1890 and still obviously remembered at the time of his death.''Polybiblion'' : revue bibliographique universelle, volumes 118 à 119, page 464à lire en ligne During the Second French Empire, his comedies were given in Paris, at the Théâtre des Variétés and his opéra bouffe was produced at the Théâtre des Bouffes-Parisiens. From 1860, Lapointe was devoted mainly to writing novels. He was a friend of Gustave Aimard, with whom he would attend the . Works *1852: ''La Course à la veuve'', folie-vaudeville en 1 act *1853: ''Les Drames du foyer'', with F. de Reiffenberg fils *1853: ''Les moustaches grises'', vaudeville in 1 act, with Achille Bourdois and Émile Colliot *1853: ''Le mari par régime'', comédie en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Colliot
Émile Colliot(12 January 1824, Chaumont, Haute-Marne – 24 January 1881) was a French playwright and poet of the 19th century. His plays were presented at many Parisian stages of his time, including the Théâtre des Folies-Dramatiques, the Théâtre des Délassements-Comiques, and the Théâtre des Variétés. Works *1848: ''Amour et folie'', drama in three acts *1848: ''La Mort d'André Vesale'', soliloquy in 1 act and in verses *1849: ''Bruxelles, père, fils et compagnie'', actualité vaudeville à grand spectacle, in 1 act and 2 tableaux *1849: ''Clara ou la Double épreuve'', comédie en vaudevilles in 1 act *1849: ''Empereur et Savetier'', historical vaudeville in 1 act *1849: ''Le Jugement de Dieu'', drama vaudeville in 1 act *1849: ''La Politique des femmes'', vaudeville in 1 act *1850: ''Plaisir et charité'', vaudeville in 1 act *1851: ''400,000 francs pour vingt sous'', vaudeville in 1 act, with Émile Lefebvre *1851: ''Dans l'autre monde'', rêverie vaudeville in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Siraudin
Pierre-Paul-Désiré Siraudin (18 December 1812 – 8 September 1883) was a French playwright and librettist. He also used the pen names Paul de Siraudin de Sancy, Paul Siraudin de Sancy and M. Malperché. Biography He wrote many plays, mainly comedies and vaudevilles written in collaboration, notably with Alfred Delacour and Lambert-Thiboust. He also authored librettos for successful operettas and opéras-comiques, including ''La fille de Madame Angot'' (1872) in collaboration with Clairville and Victor Koning with music by Charles Lecocq. In 1860, Siraudin opened a confectionery shop — the Maison Siraudin — at the corner of the Rue de la Paix and the Place Vendôme. Siraudin's sweets were "renowned all the world over"; for example, Siraudin's ''Perles des Pyrénées'' ("Pearls of the Pyrenees"), consisting of perfumed sugar, are mentioned in Joris-Karl Huysmans' novel ''À rebours'' (1884). Works * 1842: ''La Vendetta'' with Dumanoir, Théâtre des Variétés ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Michel
Marc Michel (February 10, 1929 – 3 November 2016) was a French-Swiss actor. He appeared in more than fifty films. He is best known for his roles in three seminal French films of the 1960s: Jacques Becker's ''Le Trou'' (1960), and two films by Jacques Demy: ''Lola'' (1961) and ''The Umbrellas of Cherbourg ''The Umbrellas of Cherbourg'' (french: Les Parapluies de Cherbourg) is a 1964 musical romantic drama film written and directed by Jacques Demy, with music and lyrics by Michel Legrand. Catherine Deneuve and Nino Castelnuovo star as two young l ...'' (1964). In both Demy films, he played the same role, Roland Cassard, a lovesick writer and jeweler. Filmography References External links * 1932 births 2016 deaths Swiss male film actors {{Switzerland-actor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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