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Adinatha Temple, Khajuraho
Adinatha temple (IAST: Ādinātha Mandir) is a Jain temple located at Khajuraho in Madhya Pradesh, India. It is dedicated to the Jain tirthankara Adinatha, although its exterior walls also feature Hindu deities. This temple is part of UNESCO World Heritage Site along with other temples in Khajuraho Group of Monuments. History The Adinatha temple is dated to the late 11th century CE. It was probably constructed slightly later than the Vamana temple. In the garbhgraha, there is a black schist (or basalt) statue of Lord Adinath with a three line inscription. It gives the date (samvat 1215 (1158 AD). It gives the name of the donor as Kumarnandi and the sculptor as Ramaveva. It mention that Kumarnandi was the disciple of Bhanukirti, who was disciple of Rajanandi, who was disciple of Ramachandra of Mula Sangha. The inscription includes 3 shardulavikridita verses in literary Sanskrit. .L Nagarch, Jaina Inscriptions of Khajuraho, In Hīrālāla Jaina Smriti Granth, Dharmacandra Jai ...
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Khajuraho
Khajuraho () is a city, near Chhatarpur in Chhatarpur district of the Indian state of Madhya Pradesh. One of the most popular tourist destinations in India, Khajuraho has the country's largest group of medieval Hindu and Jain temples, famous for their erotic sculptures. The Khajuraho Group of Monuments has been listed as a UNESCO World Heritage Site since 1986 and is considered one of the "seven wonders" of India. The town's name, anciently "Kharjuravahaka", is derived from the Sanskrit word ''kharjur'' meaning " date palm". History The region was historically part of many kingdoms and empires. The earliest known power to have had Khajuraho in its territory were the Vatsa. Their successors in the region included the Mauryans, Sungas, Kushans, Nagas of Padmavati, the Vakataka dynasty, the Guptas, the Pushyabhuti dynasty, and the Gurjara-Praithara dynasty. It was specifically during the Gupta period that architecture and art began to flourish in this region, although their su ...
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Vidyadhara
Vidyadhara(s) (Sanskrit , literally "wisdom-holders") are a group of supernatural beings in Indian religions who possess magical powers. In Hinduism, they also attend Shiva, who lives in the Himalayas. They are considered ''Upadeva''s, or demi-gods. In Hinduism In Hindu epics In the Hindu epics, Vidyādharas are described as essentially spirits of the air. They are described as doing different activities in the epics like gazing at human prowess with astonishment, strewing flowers watching a combat, rejoicing with music and laughter, crowned with wreaths and fleeing with their wives from danger. They possess great magical powers like the ability to diminish their size. They are endowed with epithets describing them as "doers of good and devoted to joy". They also live in Gandhamandhana mountain and other Himalayan mountains with Kinnaras. They are also described residing on Mount Krauncha, on Citrakuta where Rama saw Vidyadhara women playing, in the hills of Malabar and in ...
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Garuda
Garuda (Sanskrit: ; Pāli: ; Vedic Sanskrit: गरुळ Garuḷa) is a Hindu demigod and divine creature mentioned in the Hindu, Buddhist and Jain faiths. He is primarily depicted as the mount (''vahana'') of the Hindu god Vishnu. Garuda is also the half-brother of the Devas, Daityas, Danavas and Yakshas. He is the son of the sage Kashyapa and Vinata. He is the younger brother of Aruna, the charioteer of the Sun. Garuda is mentioned in several other texts such as the Puranas and the Vedas. Garuda is described as the king of the birds and a kite-like figure. He is shown either in a zoomorphic form (a giant bird with partially open wings) or an anthropomorphic form (a man with wings and some ornithic features). Garuda is generally portrayed as a protector with the power to swiftly travel anywhere, ever vigilant and an enemy of every serpent. He is also known as Tarkshya and Vainateya. Garuda is a part of state insignia of India, Indonesia and Thailand. The Indonesian official ...
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Yakshini
''Yakshinis'' or ''yakshis'' (यक्षिणी sa, yakṣiṇī or ''yakṣī''; pi, yakkhiṇī or ''yakkhī'') are a class of female nature spirits in Hindu, Buddhist, and Jain religious mythologies that are different from devas and asuras (classes of power-seeking beings), and gandharvas or apsaras (celestial nymphs). Yakshinis and their male counterparts, the yakshas, are one of the many paranormal beings associated with the centuries-old sacred groves of India. Yakshis are also found in the traditional legends of Northeastern Indian tribes, ancient legends of Kerala, and in the folktales of Kashmiri Muslims. Sikhism also mentions yakshas in its sacred texts. The well behaved and benign ones are worshipped as tutelaries, they are the attendees of Kubera, the treasurer of the gods, and also the Hindu god of wealth who ruled Himalayan kingdom of Alaka. There are also malign and mischievous yakshinis with poltergeist-like behaviours, that can haunt and curse humans ...
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Yaksha
The yakshas ( sa, यक्ष ; pi, yakkha, i=yes) are a broad class of nature-spirits, usually benevolent, but sometimes mischievous or capricious, connected with water, fertility, trees, the forest, treasure and wilderness. They appear in Hindu, Jain and Buddhist texts, as well as ancient and medieval era temples of South Asia and Southeast Asia as guardian deities. The feminine form of the word is or ''yakshini'' ( sa, यक्षिणी ; Pali:Yakkhini). In Hindu, Jain and Buddhist texts, the has a dual personality. On the one hand, a may be an inoffensive nature- fairy, associated with woods and mountains; but there is also a darker version of the , which is a kind of ghost ( bhuta) that haunts the wilderness and waylays and devours travellers, similar to the . Early yakshas Several monumental yakshas are known from the time of the Maurya Empire period. They are variously dated from around the 3rd century BCE to the 1st century BCE. These statues are monumental ...
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Dharmachakra
The dharmachakra (Sanskrit: धर्मचक्र; Pali: ''dhammacakka'') or wheel of dharma is a widespread symbol used in Indian religions such as Hinduism, Jainism, and especially Buddhism.John C. Huntington, Dina Bangdel, ''The Circle of Bliss: Buddhist Meditational Art,'' p. 524. Historically, the dharmachakra was often used as a decoration in East Asian statues and inscriptions, beginning with the earliest period of East Asian culture to the present. It remains a major symbol of the Buddhist religion today. Etymology The Sanskrit noun ''dharma'' ( धर्म ) is a derivation from the root ''dhṛ'' 'to hold, maintain, keep',Monier Williams, ''A Sanskrit Dictionary'' (1899): "to hold, bear (also: bring forth), carry, maintain, preserve, keep, possess, have, use, employ, practise, undergo" and means 'what is established or firm' and hence 'law'. It is derived from the Vedic Sanskrit ''n''-stem ''dharman-'' with the meaning "bearer, supporter" in the historical Vedic ...
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Ushnisha
The ushnisha (, IAST: ) is a three-dimensional oval at the top of the head of the Buddha. In Pali scriptures, it is the crown of Lord Buddha, the symbol of his Enlightenment and Enthronement. Description The Ushnisha is the thirty-second of the 32 major marks of the Buddha. The thirty-second of these is that the Buddha has a fleshy or cranial protuberance at the top of his head. Later sets elaborate that this is covered with hairs that curl in the direction of the sun. Later on a second definition of Ushnisha was added, which was a flame that ascends from the middle of this protuberance. Representation The first representations of the Buddha in the 1st century CE in the Greco-Buddhist art of Gandhara also represent him with a topknot, rather than just a cranial knob. It is thought that the interpretation of the ushnisha as a supernatural cranial protuberance happened at a later date, as the representation of the topknot became more symbolic and its original meaning was lost. ...
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Padmavati (Jainism)
Padmāvatī is the protective goddess or śāsana devī (शासनदेवी) of Parshvanatha, Pārśvanātha, the twenty-third Jain tirthankara, tīrthāṅkara, complimenting Parshwa yaksha in Swetambara and Dharanendra in digambar the shasan deva. She is a yakshi (attendant goddess) of Parshwanatha. Jain Biography There is another pair of souls of a nāga and Nāga, nāginī who were saved by Parshwanath while being burnt alive in a log of wood by the tapas kamath, and who were subsequently reborn as Indra (Dharanendra in particular) and Padmavati (different from sashan devi) after their death. According to the Jainism, Jain tradition, Padmavati and her husband Dharanendra protected Lord Parshvanatha when he was harassed by Meghmali. After Padmavati rescued Parshvanatha grew subsequently powerful in to yakshi, a powerful tantric deity and surpassed other snake goddess ''Vairotya''. Legacy Worship Goddess Padmavati along with Ambika (Jainism), Ambika, Chakreshvar ...
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Chakreshvari
In Jain cosmology, Chakeshvari or ''Apraticakra'' is the guardian goddess or Yakshini (attendant deity) of Rishabhanatha. She is the tutelary deity of the Sarawagi Jain community. Iconography The color of the goddess is golden. Her Vehicle is the Garuda. She has eight arms. As seen in photos , she is depicted with carrying two Chakras in upper two arms, carrying Trishula/ Vajra , bow, arrow, noose, Elephant goad and last arm as Varadamudra. Mata Shri Chakreshwari Devi Jain Tirth In Punjab, at village Attewali there is a famous temple of Goddess Chakreshvari, named Mata Shri Chakreshwari Devi Jain Tirth. This ancient temple is believed to be around 1000 years old and is situated in village Attewali in Sirhind town on Sirhind-Chandigarh Road. The legend has that during the times of Raja Prithviraj Chauhan, a large number of pilgrims from Rajasthan were going in bullock carts to the ancient Jain Temple of Kangra (H. P.) (still present Kangra Fort) to seek the blessings of Lord A ...
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Ambika (Jainism)
In Jainism, Ambika ( sa, अम्बिका, "Mother") or Ambika Devi ( "the Goddess-Mother") is the "dedicated attendant deity" or "protector goddess" of the 22nd Tirthankara, Neminatha. She is also known as ''Ambai'', ''Amba'', ''Kushmandini'' and ''Amra Kushmandini''. She is often shown with one or more children and often under a tree. She is frequently represented as a pair (Yaksha Sarvanubhuti on the right and Kushmandini on the left) with a small Tirthankar image on the top. The name ''ambika'' literally means mother, hence she is Mother Goddess. The name is also a common epithet of Hindu Goddess Parvati. Etymology The name Ambika is a Sanskrit words, that translates to mother. Jain Biography Early life According to Jain text, Ambika is said to have been an ordinary woman named Agnila who became a Goddess. She lived in the city of Girinagar with her husband, ''Soma'' as per Śhvētāmbara tradition and ''Somasarman'' as per Digambara tradition and her ...
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Yakshini
''Yakshinis'' or ''yakshis'' (यक्षिणी sa, yakṣiṇī or ''yakṣī''; pi, yakkhiṇī or ''yakkhī'') are a class of female nature spirits in Hindu, Buddhist, and Jain religious mythologies that are different from devas and asuras (classes of power-seeking beings), and gandharvas or apsaras (celestial nymphs). Yakshinis and their male counterparts, the yakshas, are one of the many paranormal beings associated with the centuries-old sacred groves of India. Yakshis are also found in the traditional legends of Northeastern Indian tribes, ancient legends of Kerala, and in the folktales of Kashmiri Muslims. Sikhism also mentions yakshas in its sacred texts. The well behaved and benign ones are worshipped as tutelaries, they are the attendees of Kubera, the treasurer of the gods, and also the Hindu god of wealth who ruled Himalayan kingdom of Alaka. There are also malign and mischievous yakshinis with poltergeist-like behaviours, that can haunt and curse humans ...
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Vyala
Yali ( ta, யாளி, IAST: Yāḷi), also called Vyala, is a Hindu mythological creature, portrayed with the head and the body of a lion, the trunk and the tusks of an elephant, and sometimes bearing equine features. The creature is represented in many South Indian temples, often sculpted onto the pillars. There also exist variations of the creature, with it possessing the appendages of other beasts. It has sometimes been described as a ''leogryph'' (part-lion and part- griffin), with some bird-like features, with the trunk referred to as a proboscis. Iconography Descriptions of, and references to, yalis are ancient, but they became prominent in South Indian sculptures in the 16th century. Yalis were described to be more powerful than the lion, the tiger, or the elephant. In its iconography, the yali has a cat-like graceful body, but the head of a lion with the tusks of an elephant (gaja), and the tail of a serpent. Sometimes, they have been shown standing on the back ...
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