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Actant
In narrative theory, actant is a term from the actantial model of semiotic analysis of narratives. The term also has uses in linguistics, sociology, computer programming theory, and astrology. In narratology Algirdas Julien Greimas (1917–1992), professor of semiotics, is widely credited with producing the actantial model in 1966. This model reveals the structural roles typically performed in story telling; such as "hero, villain (opponent of hero), object (of quest), helper (of hero) and sender (who initiates the quest)." Each of these roles fulfills an integral component of the story, or, narrative. Without the contribution of each actant, the story may be incomplete. Thus, an "actant" is not simply a character in a story, but an integral structural element upon which the narrative revolves. An actant can also be described as a binary opposition pairing, such as a hero paired with a villain, a dragon paired with a dragon-slaying sword, a helper paired with an opponent. Actantial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actantial Model
__NOTOC__ In structural semantics, the actantial model, also called the actantial narrative schema, is a tool used to analyze the action that takes place in a story, whether real or fictional.Herbert 2006 ''Tools'', Ch.5, ''Origins and function''Herbert 2006 ''Actantial'' It was developed in 1966 by semiotician Algirdas Julien Greimas. The model considers an action as divided into six facets, called actants. Those actants are a combined framework inspired mainly between Vladimir Propp's and Étienne Souriau's actantial theories. Greimas took the term ''actant'' from linguist Lucien Tesnière, who coined the term in his discussion of the grammar of noun phrases.David Herman, Manfred Jahn, Marie-Laure Ryan (2005''Routledge encyclopedia of narrative theory'' p. 574 Basic Summary Greimas actantial model distinguishes characters and action elements according to their function within the plot. The model differentiates between *Subject / Object *Helper / Opponent *Sender / Receiver *Pow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucien Tesnière
Lucien Tesnière (; May 13, 1893 – December 6, 1954) was a prominent and influential French linguist. He was born in Mont-Saint-Aignan on May 13, 1893. As a maître de conférences (senior lecturer) in University of Strasbourg (1924), and later professor in University of Montpellier (1937), he published many papers and books on Slavic languages. However, his importance in the history of linguistics is based mainly on his development of an approach to the syntax of natural languages that would become known as dependency grammar. He presented his theory in his book ''Éléments de syntaxe structurale'' (Elements of Structural Syntax), published posthumously in 1959. In the book he proposes a sophisticated formalization of syntactic structures, supported by many examples from a diversity of languages. Tesnière died in Montpellier on December 6, 1954. Many central concepts that the modern study of syntax takes for granted were developed and presented in ''Éléments''. For ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor–network Theory
Actor–network theory (ANT) is a theoretical and methodological approach to social theory where everything in the social and natural worlds exists in constantly shifting networks of relationships. It posits that nothing exists outside those relationships. All the factors involved in a social situation are on the same level, and thus there are no external social forces beyond what and how the network participants interact at present. Thus, objects, ideas, processes, and any other relevant factors are seen as just as important in creating social situations as humans. ANT holds that social forces do not exist in themselves, and therefore cannot be used to explain social phenomena. Instead, strictly empirical analysis should be undertaken to "describe" rather than "explain" social activity. Only after this can one introduce the concept of social forces, and only as an abstract theoretical concept, not something which genuinely exists in the world.Latour, B., 2005. '' Reassembling th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Propp
Vladimir Yakovlevich Propp (russian: Владимир Яковлевич Пропп; – 22 August 1970) was a Soviet folklorist and scholar who analysed the basic structural elements of Russian folk tales to identify their simplest irreducible structural units. Biography Vladimir Propp was born on 29 April 1895 in Saint Petersburg to an assimilated Russian family of German descent. His parents, Yakov Philippovich Propp and Anna-Elizaveta Fridrikhovna Propp (née Beisel), were Volga German wealthy peasants from Saratov Governorate. He attended Saint Petersburg University (1913–1918), majoring in Russian and German philology.Propp, Vladimir. "Introduction." ''Theory and History of Folklore.'' Ed. Anatoly Liberman. University of Minnesota: University of Minnesota Press, 1984. pg ix Upon graduation he taught Russian and German at a secondary school and then became a college teacher of German. His ''Morphology of the Folktale'' was published in Russian in 1928. Although i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Theory
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical modes, rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition (narrative), exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied metho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramaturgic Functions
Dramaturgy is the study of dramatic composition and the representation of the main elements of drama on the stage. The term first appears in the eponymous work ''Hamburg Dramaturgy'' (1767–69) by Gotthold Ephraim Lessing. Lessing composed this collection of essays on the principles of drama while working as the world's first dramaturge at the Hamburg National Theatre. Dramaturgy is distinct from play writing and directing, although the three may be practiced by one individual. Some dramatists combine writing and dramaturgy when creating a drama. Others work with a specialist, called a dramaturge, to adapt a work for the stage. Dramaturgy may also be broadly defined as "adapting a story to actable form." Dramaturgy gives a performance work foundation and structure. Often the dramaturge's strategy is to manipulate a narrative to reflect the current Zeitgeist through cross-cultural signs, theater- and film-historical references to genre, ideology, questions of gender and racial re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Souriau
Étienne Souriau (; April 26, 1892 – November 19, 1979) was a French philosopher, best known for his work in aesthetics. Biography Son of Paul Souriau, he studied at the École Normale Supérieure and received his '' agrégation of philosophy'' in 1925. After teaching at the universities of Aix-en-Provence and Lyon he eventually became a professor at the Sorbonne, where he held a chair in aesthetics. He was the editor of the '' Revue d'esthétique'' and was elected to the Académie des sciences morales et politiques in 1958. Recently, the works of Bruno Latour have reawoken interests on Souriau's oeuvre, specially his works on ontology and metaphysics regarding his theories of different modes of existence. Works * ''L'Abstraction sentimentale'', 1925 * ''L'Avenir de l'esthétique : essai sur l'objet d'une science naissante'', F. Alcan, Coll. « Biblio. de Philosophie Contemporaine », 1929 * ''L'Instauration philosophique'', 1939 * ''Les Différents modes d'existence, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Thirty-Six Dramatic Situations
''The Thirty-Six Dramatic Situations'' is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. Polti analyzed classical ancient Greece, Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations. Publication history This list was published in a book of the same name, which contains extended explanations and examples. The original French-language book was written in 1895. An English translation was published in 1916 and continues to be reprinted. The list was popularized as an aid for writers, but is also used by dramatists, storytelling, storytellers and others. Other similar lists have since been made. It influenced Christina Stead and George Pierce Baker, the author of ''Dramatic Technique''. The 36 situations have been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Polti
''The Thirty-Six Dramatic Situations'' is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations. Publication history This list was published in a book of the same name, which contains extended explanations and examples. The original French-language book was written in 1895. An English translation was published in 1916 and continues to be reprinted. The list was popularized as an aid for writers, but is also used by dramatists, storytellers and others. Other similar lists have since been made. It influenced Christina Stead and George Pierce Baker, the author of ''Dramatic Technique''. The 36 situations have been critiqued as being "concate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Callon
Michel Callon (born 1945) is a professor of sociology at the École des mines de Paris and member of the Centre de sociologie de l'innovation. He is an author in the field of Science and Technology Studies and one of the leading proponents of actor–network theory (ANT) with Bruno Latour. Recent career Since the late 1990s, Michel Callon has led efforts to apply ANT approaches to study economic life, notably economic markets. This body of work interrogates the interrelation between the economy and economics, highlighting the ways in which economics and economics-inspired disciplines such as marketing shape the economy (Callon 1998 and 2005). Bibliography Books * * Callon, Michel (ed.) (1998). The Laws of the Markets. London: Blackwell Publishers. * Callon, Michel (2005). "Why virtualism paves the way to political impotence", Economic Sociology - the European electronic newsletterRead as PDF* Callon, M., Lascoumes, P., & Barthe, Y. (2009). Acting in an uncertain world: an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruno Latour
Bruno Latour (; 22 June 1947 – 9 October 2022) was a French philosopher, anthropologist and sociologist.Wheeler, Will. ''Bruno Latour: Documenting Human and Nonhuman Associations'' Critical Theory for Library and Information Science. Libraries Unlimited, 2010, p. 189. He was especially known for his work in the field of science and technology studies (STS). After teaching at the École des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became professor at Sciences Po Paris (2006–2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017. He was also a Centennial Professor at the London School of Economics. Latour is best known for his books ''We Have Never Been Modern'' (1991; English translation, 1993), ''Laboratory Life'' (with Steve Woolgar, 1979) and '' Science in Action'' (1987).Heather Vidmar-McEwe"Anthropologists biographies: Bruno Latour" "Anthropologists biographies: Bru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argument (linguistics)
In linguistics, an argument is an expression that helps complete the meaning of a predicate, the latter referring in this context to a main verb and its auxiliaries. In this regard, the ''complement'' is a closely related concept. Most predicates take one, two, or three arguments. A predicate and its arguments form a ''predicate-argument structure''. The discussion of predicates and arguments is associated most with (content) verbs and noun phrases (NPs), although other syntactic categories can also be construed as predicates and as arguments. Arguments must be distinguished from adjuncts. While a predicate needs its arguments to complete its meaning, the adjuncts that appear with a predicate are optional; they are not necessary to complete the meaning of the predicate. Most theories of syntax and semantics acknowledge arguments and adjuncts, although the terminology varies, and the distinction is generally believed to exist in all languages. Dependency grammars sometimes call arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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