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Abano Terme
Abano Terme (known as Abano Bagni until 1924) is a town and ''comune'' in the Province of Padua, in the Veneto region, Italy, on the eastern slope of the Euganean Hills; it is southwest by rail from Padua. Abano Terme's population is 19,062 (2001) (in 1901 it was 4,556). The town's hot springs and mud baths are an important economic resource. The waters have a temperature of about . History The baths were known to the Romans as '' Aponi fons'' or ''Aquae Patavinae''. A description of them is given in a letter to Theodoric, the king of the Ostrogoths, from Cassiodorus. Some remains of the ancient baths have been discovered (S. Mandruzzato, ''Trattato dei Bagni d'Abano,'' Padua, 1789). An oracle of Geryon lay near, and the so-called ''sortes Praenestinae'' (C.I.L. i., Berlin, 1863; 1438–1454), small bronze cylinders inscribed, and used as oracles, were perhaps found here in the 16th century. The baths were destroyed by the Lombards in the 6th century, but they were rebuilt an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veneto
Veneto (, ; vec, Vèneto ) or Venetia is one of the 20 regions of Italy. Its population is about five million, ranking fourth in Italy. The region's capital is Venice while the biggest city is Verona. Veneto was part of the Roman Empire until the 5th century AD. Later, after a Feudalism, feudal period, it was part of the Republic of Venice until 1797. Venice ruled for centuries over one of the largest and richest maritime republics and trade empires in the world. After the Napoleonic Wars and the Congress of Vienna, the Republic was combined with Lombardy and annexed to the Austrian Empire as the Kingdom of Lombardy–Venetia, until that was Italian unification, merged with the Kingdom of Italy in 1866, as a result of the Third Italian War of Independence. Besides Italian language, Italian, most inhabitants also speak Venetian language, Venetian. Since 1971, the Statute of Veneto has referred to the region's citizens as "the Venetian people". Article 1 defines Veneto as an " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abano Cathedral
Abano may refer to: *Pietro d'Abano (c.1257 – 1315), Italian philosopher, astrologer and professor of medicine * Abano Glacier, a glacier in Georgia * Abano (Kareli municipality), a village in Kareli municipality, Georgia * Abano (Kazbegi municipality), a village in Kazbegi municipality, Georgia * Abano Pass, a mountain pass in Georgia *Abano Terme Abano Terme (known as Abano Bagni until 1924) is a town and ''comune'' in the Province of Padua, in the Veneto region, Italy, on the eastern slope of the Euganean Hills; it is southwest by rail from Padua. Abano Terme's population is 19,062 (20 ..., a town and comune in the Padua province of Italy {{disamb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praglia Abbey
Praglia Abbey ( it, Abbazia di Praglia) is a Benedictine monastery in the frazione of Bresseo in Teolo, Province of Padua, Italy. It is located at the foot of the Euganean Hills, some 12 kilometers southwest of Padua, and four kilometers from Abano Terme. History The monastery was founded in 1080. The first abbot of Praglia, Iselberto dei Tadi, who had become a monk in the monastery of San Benedetto Polirone in Mantua, is mentioned in a Papal Bull of Calixtus II in 1123. Until 1304 Praglia was under the direction of more powerful abbeys such as that of Polirone, the Abbey of Santa Giustina in Padua, and Cluny. By the 14th century the abbey had gained more autonomy, funded by donations of various rulers and families. Most of the cloisters and church were rebuilt in the 16th century. Only the belltower retains medieval construction. The basilica church, dedicated to the Assumption of Mary (''Santa Maria dell'Assunta''), was designed in 1490 by Tullio Lombardo. Construction of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Il Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidobal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Da Montagnana
Jacopo da Montagnana, also known as Jacopo Parisato (c. 1440 to 1443 in Montagnana – 20 April and 14 Agusut 1499 in Padua) was an Italian painter of the early Renaissance who was mainly active in the Padua area.John G. Bernasconi. "Jacopo da Montagnana." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 10 May 2017 Life He was born in Montagnana, but mainly active in Padua where he died. He was either a pupil or influenced by Andrea Mantegna and/ or Gentile Bellini. He is considered a major Quattrocento painter in Padua. He was active in the fresco decoration of the Capella Santa Maria degli Angeli in the Palazzo Vescovile of Padua, erected in 1495, and frescoed by Jacopo and Prospero da Piazzola. Also contemporary in Padua at that time was Pietro Calzetta and Francesco Bazelieri Francesco, the Italian (and original) version of the personal name " Francis", is the most common given name among males in Italy. Notable persons with that name include: People w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative medium. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giandomenico Tiepolo
Giovanni Domenico Tiepolo (August 30, 1727March 3, 1804) was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo. Life history Domenico was born in Venice, studied under his father, and by the age of 13 was the elder Tiepolo's chief assistant. He was one of the many assistants, including his brother Lorenzo, who transferred the designs of his father (often executed in 'oil sketches). By the age of 20, he was producing his own work for commissioners. He assisted his father in Würzburg 1751–3, decorating the famous stairwell fresco, in Vicenza at the Villa Valmarana Ai Nani in 1757, and in Madrid at the palace of Charles III from 1762 to 1770. Works His painting style developed after the death of his father in 1770, at which time he returned to Venice, and worked there as well as in Genoa and Padua. His painting, though keeping the decorative influence of his father, moved from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma The Younger
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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