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A Huguenot
''A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge. (See the Protestant Reformation in France, vol. ii., page 352)'' (1851–52) is the full, exhibited title, of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period. It was accompanied, at the Royal Academy of Arts in London in 1852, with a long quote reading: "When the clock of the Palais de Justice shall sound upon the great bell, at daybreak, then each good Catholic must bind a strip of white linen round his arm, and place a fair white cross in his cap.—''The order of the Duke of Guise''." This long title is usually abbreviated to ''A Huguenot'' or ''A Huguenot, on St Bartholomew's Day''. It depicts a pair of young lovers and is given a dramatic twist because the woman, who is Catholic, is attempting to get her beloved, who is Protestant, to wear the white armband declaring allegiance to Catholicism. The young man fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harvard University
Harvard University is a private Ivy League research university in Cambridge, Massachusetts. Founded in 1636 as Harvard College and named for its first benefactor, the Puritan clergyman John Harvard, it is the oldest institution of higher learning in the United States and one of the most prestigious and highly ranked universities in the world. The university is composed of ten academic faculties plus Harvard Radcliffe Institute. The Faculty of Arts and Sciences offers study in a wide range of undergraduate and graduate academic disciplines, and other faculties offer only graduate degrees, including professional degrees. Harvard has three main campuses: the Cambridge campus centered on Harvard Yard; an adjoining campus immediately across Charles River in the Allston neighborhood of Boston; and the medical campus in Boston's Longwood Medical Area. Harvard's endowment is valued at $50.9 billion, making it the wealthiest academic institution in the world. Endowment inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fogg Art Museum
The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum (established in 1895), the Busch-Reisinger Museum (established in 1903), and the Arthur M. Sackler Museum (established in 1985), and four research centers: the Archaeological Exploration of Sardis (founded in 1958), the Center for the Technical Study of Modern Art (founded in 2002), the Harvard Art Museums Archives, and the Straus Center for Conservation and Technical Studies (founded in 1928). The three museums that constitute the Harvard Art Museums were initially integrated into a single institution under the name Harvard University Art Museums in 1983. The word "University" was dropped from the institutional name in 2008. The collections include approximately 250,000 objects in all media, ranging in date from antiquity to the present and originating in Europe, North America, North Africa, the Middle East, South Asia, East Asia, and Southeast Asia. The main building contains of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Higgins Art Gallery
The Higgins Art Gallery & Museum is the principal art gallery and museum in Bedford, Bedfordshire, England, run by Bedford Borough Council and the trustees of the Cecil Higgins Collection. Overview The Higgins Art Gallery & Museum is in the Castle Quarter which occupies the site of Bedford Castle to the east of the High Street on the north side of the River Great Ouse embankment. The quarter also has the Castle Bailey gardens, the Castle Quay development of flats, restaurants and shops, the Castle Mound, and the John Bunyan Museum. The Art Gallery & Museum reopened after an extensive refurbishment in June 2013. The Higgins re-branding and development A £5.8m project allowed the buildings to be joined and redeveloped throughout, uniting on one site three previous cultural venues: Cecil Higgins Art Gallery, Bedford Museum and Bedford Gallery. It was felt within the organisation and the council that the new single building needed a new name that encompassed the history of the sit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Lever Art Gallery
The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool. The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Black Brunswicker
''The Black Brunswicker'' (1860) is a painting by John Everett Millais. It was inspired in part by the exploits of the Black Brunswickers, a German volunteer corps of the Napoleonic Wars, during the Waterloo campaign and in part by the contrasts of black broadcloth and pearl-white satin in a moment of tender conflict. Subject The painting depicts a Brunswicker about to depart for battle. His sweetheart, wearing a ballgown, restrains him, trying to push the door closed, while he pulls it open. This suggests that the scene is inspired by the Duchess of Richmond's ball on 15 June 1815, from which the officers departed to join troops at the Battle of Quatre Bras.Mary Bennett, ''Artists of the Pre-Raphaelite Circle: The First Generation'', Catalogue of Works at the Walker Art Gallery, Lady Lever Gallery and Sudley Art Gallery, National Museums and Galleries, Merseyside, Lund Humphries, pp.144–149. The woman's dog, wearing a red ribbon like its mistress, looks on attentively. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Proscribed Royalist, 1651
''The Proscribed Royalist, 1651'' (1852-1853) is a painting by John Everett Millais which depicts a young Puritan woman protecting a fleeing Royalist after the Battle of Worcester in 1651, the decisive defeat of Charles II by Oliver Cromwell. The Royalist is hiding in a hollow tree, a reference to a famous incident in which Charles himself hid in a tree to escape from his pursuers. Millais was also influenced by Vincenzo Bellini's 1835 opera ''I Puritani ' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto ...''. His friend and fellow painter, Arthur Hughes, served as the model for the Royalist. Millais painted the picture in Hayes, Kent, from a local oak tree that became known as the Millais Oak.Millais, J.G., ''Life and Letters of Sir John Everett Millais'', vol. 1, p.166; See alsA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tate
Tate is an institution that houses, in a network of four art galleries, the United Kingdom's national collection of British art, and international modern and contemporary art. It is not a government institution, but its main sponsor is the UK Department for Digital, Culture, Media and Sport. The name "Tate" is used also as the operating name for the corporate body, which was established by the Museums and Galleries Act 1992 as "The Board of Trustees of the Tate Gallery". The gallery was founded in 1897 as the National Gallery of British Art. When its role was changed to include the national collection of modern art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the foundations for the collection. The Tate Gallery was housed in the current building occupied by Tate Britain, which is situated in Millbank, London. In 2000, the Tate Gallery transformed itself into the curre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Order Of Release
''The Order of Release, 1746'' is a painting by John Everett Millais exhibited in 1853. It is notable for marking the beginnings of Millais's move away from the highly medievalist Pre-Raphaelitism of his early years. Effie Gray, who later left her husband John Ruskin for Millais, modelled for the female figure. The painting depicts the wife of a Highland Jacobite soldier, who has been imprisoned after the Jacobite rising of 1745, with an order securing his release. She holds her child, showing the order to a guard, while her husband embraces her. The ''Illustrated London News'' reviewed the painting as follows: :It is time now that we speak of Millais – Millais the Pre-Raffaelite; the "pretender" Millais that was; the "usurper" Millais that is; the "legitimate" Millais that perhaps (much virtue in that little word) may be; and who has certainly a larger crowd of admirers in his little corner in the Middle Room than all the Academicians put together command; … :Truth to say, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Oldham Barlow
Thomas Oldham Barlow (4 August 1824 – 24 December 1889) was an English mezzotint engraver. His prints helped to popularise the works of painters like John Phillip and Sir John Everett Millais. Biography Barlow was born in Oldham in Lancashire, the son of Henry Barlow, an ironmonger living in the High Street, and Sarah (née) Oldham. He was educated at the Old Grammar School, Oldham, and was then articled to "Stephenson & Royston", a firm of engravers in Manchester. He studied at the Manchester School of Design, where he won a prize of 10 guineas in 1846 for a drawing entitled ''Cullings from Nature''. He moved to Ebury Street, London, in 1847. His first independent work was a line engraving of John Phillip's ''Courtship'', made in 1848, and this led to a close friendship with the painter, the most important of whose pictures he subsequently engraved. These include ''Dona Pepita'' (1858); ''The Prison Window'' (1860); ''The House of Commons in 1860'' (1866); ''Prayer in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzotint
Mezzotint is a monochrome printmaking process of the '' intaglio'' family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print. ''Mezzotint'' is often combined with other ''intaglio'' techniques, usually etching and engraving. The process was especially widely used in England from the eighteenth century, to reproduce portraits and other paintings. It was somewhat in competition with the other main tonal technique of the day, aquatint. Since the mid-nineteenth century it has been relatively little used, as lithography and other techniques produced comparable results more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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