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A Family (painting)
''A Family'' is a 1951 oil on canvas painting by Irish artist Louis le Brocquy. It depicts a woman half-lying on a table and gazing out at the viewer accompanied by a cat in the foreground, a man sitting hunched over in the background, and a child holding a bouquet of flowers on one side, gazing at the woman. The painting's stark grey colour palette and its portrayal of dejection within the family unit attracted strong criticism from some contemporaries in post-war Ireland, while others praised the artist's willingness to address the problems of the time in the work. It is currently on display in The National Gallery of Ireland. Depicting a stark human condition in the aftermath of World War II, Síghle Bhreathnach-Lynch, Curator of Irish Art at the National Gallery of Ireland notes: 'The mother, lying on a table, leaning on one arm, stares out with quiet dignity while a menacing looking cat peers out from beneath the draw sheet. In the background the father sits, head bowe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Le Brocquy
__NOTOC__ Louis le Brocquy ''HRHA'' (; 10 November 1916 – 25 April 2012) was an Irish painter born in Dublin to Albert and Sybil le Brocquy. His work received many accolades in a career that spanned some seventy years of creative practice. In 1956, he represented Ireland at the Venice Biennale, winning the ''Premio Acquisito Internationale'' (a once-off award when the event was acquired by the Nestle Corporation) with '' A Family'' (National Gallery of Ireland), subsequently included in the historic exhibition ''Fifty Years of Modern Art'' Brussels, World Fair 1958. The same year he married the Irish painter Anne Madden and left London to work in the French Midi. Le Brocquy is widely acclaimed for his evocative "Portrait Heads" of literary figures and fellow artists, which include William Butler Yeats, James Joyce, and his friends Samuel Beckett, Francis Bacon and Seamus Heaney. Towards the end of his life, le Brocquy's early "Tinker" subjects and Grey period "Family" pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Lane Municipal Gallery
The Hugh Lane Gallery, officially Dublin City Gallery The Hugh Lane and originally the Municipal Gallery of Modern Art, is an art museum operated by Dublin City Council and its subsidiary, the Hugh Lane Gallery Trust. It is in Charlemont House (built 1763) on Parnell Square, Dublin, Ireland. Admission is free. History The gallery was founded by noted art collector Sir Hugh Lane on Harcourt Street on 20 January 1908, and is the first known public gallery of modern art in the world. Lane met the running costs, while seeking a more permanent home. New buildings were proposed in St. Stephens Green, and as a dramatic bridge-gallery over the River Liffey, both proposed designs by Sir Edwin Lutyens, both unrealised. Lane did not live to see his gallery permanently located as he died in 1915 during the sinking of the RMS ''Lusitania''. Since 1933 it has been housed in Charlemont House. Lane's will bequeathed his collection to London, but an unwitnessed codicil, written in the mont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patronage
Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, arts patronage refers to the support that kings, popes, and the wealthy have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or Benefice, church benefices, the business given to a store by a regular customer, and the patron saint, guardianship of saints. The word "patron" derives from the la, patronus ("patron"), one who gives benefits to his clients (see Patronage in ancient Rome). In some countries the term is used to describe political patronage or patronal politics, which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the Prime Minister to appoint Senate of Canada, senators and the heads of a number of commissions and agencies; in many cases, these appointments go to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorine Meurent
Victorine-Louise Meurent (also Meurant; February 18, 1844 – March 17, 1927) was a French painter and a model for painters. Although she is best known as the favorite model of Édouard Manet, she was an artist in her own right who regularly exhibited at the prestigious Paris Salon. In 1876, her paintings were selected for inclusion at the Salon's juried exhibition, when Manet's work was not. Biography Victorine-Louise Meurent was born in Paris on Sunday, February 18, 1844, to a family of artisans. Her mother was a milliner and her father was a patinator of bronzes. In 1860, at the age of sixteen, Meurent began modeling in the studio of Thomas Couture and she may have studied art at his atelier for women. Meurent first modeled for Manet in 1862, for his painting ''The Street Singer''. Manet was first drawn to Meurent when he saw her in the street, carrying her guitar. She was particularly noticeable for her petite stature that earned her the nickname ''La Crevette (The Shr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia (painting)
''Olympia'' is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant. Olympia was modelled by Victorine Meurent and Olympia's servant by the art model Laure. Olympia's confrontational gaze caused shock and astonishment when the painting was first exhibited because a number of details in the picture identified her as a prostitute. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is on display at the Musée d'Orsay, Paris. Content What shocked contemporary audiences was not Olympia's nudity, nor the presence of her fully clothed maid, but her confrontational gaze and a number of details identifying her as a ''demi-mondaine'' or prostitute. These include the orchid in her hair, her bracelet, pearl earrings and the oriental shawl on which she lies, symbols of wealth and sensuality. The black ribbon around her n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seraglio
A seraglio, serail, seray or saray (from fa, سرای, sarāy, palace, via Turkish and Italian) is a castle, palace or government building which was considered to have particular administrative importance in various parts of the former Ottoman Empire. "The Seraglio" may refer specifically to the Topkapı Palace, the residence of the former Ottoman sultans in Istanbul (known as Constantinople in English at the time of Ottoman rule). The term can also refer to other traditional Turkish palaces (every imperial prince had his own) and other grand houses built around courtyards. Etymology The term ''seraglio'', from Italian, has been used in English since 1581. The Italian Treccani dictionary gives two derivations: # one via tr, seray or (with the variants ''seraya'' or ''saraya''), which comes from fa, سرای, sarāy, palace or, per derivation, the enclosed court for the wives and concubines of the harem of a house or palace (see ); # the other — in the sense of enc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Auguste Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting '' The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majo
''Majo'' (masc.) or ''maja'' (fem.), also ''manolo'' and ''manola'', after the most popular names, were people from the lower classes of Spanish society, especially in Madrid, who distinguished themselves by their elaborate outfits and sense of style in dress and manners, as well as by their cheeky behavior. They flourished from the late 18th to early 19th century, and to some extent later. ''Majos'' and ''majas'' were one of the favorite subjects of some 19th-century Spanish painters. The ''majos'' and ''majas'' outfits were exaggerations of traditional Spanish dress. The style stood in strong contrast to the France, French styles affected by many of the Spanish elite under the influence of the Enlightenment. ''Majos'' were known to pick fights with those they saw as ''afrancesados'' ("Frenchified" – fops). In Spanish, the word possesses derived forms such as ''chulapo'' and ''chulapa'', a version of ''chulo'' and ''chula'' in reference to their saucy attitude, as well as '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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