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Olympia (painting)
''Olympia'' is a painting by Édouard Manet, first exhibited at the 1865 Paris Salon, which shows a nude woman ("Olympia") lying on a bed being brought flowers by a servant. Olympia was modelled by Victorine Meurent and Olympia's servant by the art model Laure. Olympia's confrontational gaze caused shock and astonishment when the painting was first exhibited because a number of details in the picture identified her as a prostitute. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is on display at the Musée d'Orsay, Paris. Content What shocked contemporary audiences was not Olympia's nudity, nor the presence of her fully clothed maid, but her confrontational gaze and a number of details identifying her as a ''demi-mondaine'' or prostitute. These include the orchid in her hair, her bracelet, pearl earrings and the oriental shawl on which she lies, symbols of wealth and sensuality. The black ribbon around her n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cezanne A Modern Olympia Painting
Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Christian missionary and writer *Pope Paul (other), multiple Popes of the Roman Catholic Church *Saint Paul (other), multiple other people and locations named "Saint Paul" Roman and Byzantine empire *Lucius Aemilius Paullus Macedonicus (c. 229 BC – 160 BC), Roman general *Julius Paulus Prudentissimus (), Roman jurist *Paulus Catena (died 362), Roman notary *Paulus Alexandrinus (4th century), Hellenistic astrologer *Paul of Aegina or Paulus Aegineta (625–690), Greek surgeon Royals *Paul I of Russia (1754–1801), Tsar of Russia *Paul of Greece (1901–1964), King of Greece Other people *Paul the Deacon or Paulus Diaconus (c. 720 – c. 799), Italian Benedictine monk *Paul (father of Maurice), the father of Maurice, Byzan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oppositional Gaze
The "oppositional gaze", first coined by feminist, scholar and social activist bell hooks in her 1992 essay collection ''Black Looks: Race and Representation'', is a type of looking relation that involves the political rebellion and resistance against the repression of a black person's right to look. As hooks states, white slave-owners would punish their slaves regularly simply for looking at them. The oppositional gaze is a tool that black people use to disrupt the power dynamic that white cinema uses to perpetuate the Othering of blackness in media. The oppositional gaze works by creating a representation of blackness in media by developing independent black cinema. It works as black media by black creators for specifically black audiences. hooks' essay is a work of feminist film theory that criticizes both the male gaze through Michel Foucault's "relations of power" and the prevalence of white feminism in feminist film theory. The oppositional gaze encompasses modes of looking tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western World
The Western world, also known as the West, primarily refers to the various nations and state (polity), states in the regions of Europe, North America, and Oceania.Western Civilization Our Tradition; James Kurth; accessed 30 August 2011 The Western world is also known as the Occident (from the Latin word ''occidēns'' "setting down, sunset, west") in contrast to the Eastern world known as the Orient (from the Latin word ''oriēns'' "origin, sunrise, east"). Following the Discovery of America in 1492, the West came to be known as the "world of business" and trade; and might also mean the Northern half of the North–South divide, the countries of the ''Global North'' (often equated with capitalist Developed country, developed countries). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cartesianism
Cartesianism is the philosophical and scientific system of René Descartes and its subsequent development by other seventeenth century thinkers, most notably François Poullain de la Barre, Nicolas Malebranche and Baruch Spinoza. Descartes is often regarded as the first thinker to emphasize the use of reason to develop the natural sciences. For him, philosophy was a thinking system that embodied all knowledge. Aristotle and St. Augustine’s work influenced Descartes's cogito argument. Additionally, there is similarity between Descartes’s work and that of the Scottish philosopher, George Campbell’s 1776 publication, titled ''Philosophy of Rhetoric.'' In his ''Meditations on First Philosophy'' he writes, " t what then am I? A thing which thinks. What is a thing which thinks? It is a thing which doubts, understands, onceives affirms, denies, wills, refuses, which also imagines and feels." Cartesians view the mind as being wholly separate from the corporeal body. Sensation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorraine O'Grady
Lorraine O'Grady (born September 21, 1934) is an American artist, writer, translator, and critic. Working in conceptual art and performance art that integrates photo and video installation, she explores the cultural construction of identity – particularly that of Black female subjectivity – as shaped by the experience of diaspora and hybridity. O'Grady studied at Wellesley College and the University of Iowa Writers' Workshop before becoming an artist at age forty-five. Regarding the purpose of art, O'Grady said in 2016: "I think art’s first goal is to remind us that we are human, whatever ''that'' is. I suppose the politics in my art could be to remind us that we are ''all'' human." Life and work O'Grady was born in Boston, Massachusetts, to Jamaican parents, who helped establish St. Cyprian's, the first West Indian Episcopal church in Boston. Drawn to the form and aesthetics of the "high church" of nearby St. John's of Roxbury Crossing, O'Grady recalls: "I was permanentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Feminism
Black feminism is a philosophy that centers on the idea that "Black women are inherently valuable, that lack women'sliberation is a necessity not as an adjunct to somebody else's but because our need as human persons for autonomy." Race, gender, and class discrimination are all aspects of the same system of hierarchy, which bell hooks calls the "imperialist white supremacist, capitalist patriarchy." Due to their inter-dependency, they combine to create something more than experiencing racism and sexism independently. The experience of being a Black woman, then, cannot be grasped in terms of being Black or of being a woman but must be illuminated via intersectionality, a term coined by legal scholar Kimberlé Crenshaw in 1989. Intersectionality indicates that each identity—being Black and being female—should be considered both independently and for their interaction effect, in which intersecting identities deepen, reinforce one another, and potentially lead to aggravated f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Colonial Empire
The French colonial empire () comprised the overseas colonies, protectorates and mandate territories that came under French rule from the 16th century onward. A distinction is generally made between the "First French Colonial Empire", that existed until 1814, by which time most of it had been lost or sold, and the "Second French Colonial Empire", which began with the conquest of Algiers in 1830. At its apex between the two world wars, the second French colonial empire was the second-largest colonial empire in the world behind the British Empire. France began to establish colonies in North America, the Caribbean and India in the 17th century but lost most of its possessions following its defeat in the Seven Years' War. The North American possessions were lost to Britain and Spain but the latter returned Louisiana (New France) to France in 1800. The territory was then sold to the United States in 1803. France rebuilt a new empire mostly after 1850, concentrating chiefly in Afri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abolitionism
Abolitionism, or the abolitionist movement, is the movement to end slavery. In Western Europe and the Americas, abolitionism was a historic movement that sought to end the Atlantic slave trade and liberate the enslaved people. The British abolitionist movement started in the late 18th century when English and American Quakers began to question the morality of slavery. James Oglethorpe was among the first to articulate the Enlightenment case against slavery, banning it in the Province of Georgia on humanitarian grounds, and arguing against it in Parliament, and eventually encouraging his friends Granville Sharp and Hannah More to vigorously pursue the cause. Soon after Oglethorpe's death in 1785, Sharp and More united with William Wilberforce and others in forming the Clapham Sect. The Somersett case in 1772, in which a fugitive slave was freed with the judgement that slavery did not exist under English common law, helped launch the British movement to abolish slavery. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavery
Slavery and enslavement are both the state and the condition of being a slave—someone forbidden to quit one's service for an enslaver, and who is treated by the enslaver as property. Slavery typically involves slaves being made to perform some form of work while also having their location or residence dictated by the enslaver. Many historical cases of enslavement occurred as a result of breaking the law, becoming indebted, or suffering a military defeat; other forms of slavery were instituted along demographic lines such as race. Slaves may be kept in bondage for life or for a fixed period of time, after which they would be granted freedom. Although slavery is usually involuntary and involves coercion, there are also cases where people voluntarily enter into slavery to pay a debt or earn money due to poverty. In the course of human history, slavery was a typical feature of civilization, and was legal in most societies, but it is now outlawed in most countries of the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Honour
Hugh Honour FRSL (26 September 1927 – 19 May 2016) was a British art historian, known for his writing partnership with John Fleming (art historian), John Fleming. Their ''A World History of Art'' (a.k.a. ''The Visual Arts: A History''), is now in its seventh edition and Honour's ''Chinoiserie: The Vision of Cathay'' (1961) first set the phenomenon of chinoiserie in its European cultural context. Early life Honour was born in Eastbourne, Sussex, to Herbert and Dorothy (Withers) Honour. After The King's School, Canterbury, he read English at St Catharine's College, Cambridge, graduating with a Bachelor of Arts degree. While at Cambridge, Honour met John Fleming (art historian), John Fleming, a solicitor and amateur art historian, who would become Honour's life partner. Honour accepted a position as Assistant director of Leeds City Art Gallery and Temple Newsam House but left after one year to join Fleming in Italy. Life in Italy Living in Asolo near Venice, Honour and Fleming be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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