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Émile Colonne
Émile Colonne (18 April 1885 – 13 May 1970) was a French baritone, a member of the troupe of the Théâtre de la Monnaie in Brussels. Biography Émile Aimable Parfait Colonne was born in Toulon on 18 April 11885 in a modest family.''Un Amour plus fort que la grande guerre'' by Paul Falkenback, (Read on line/ref> His father was a carpenter and nothing predestined the young apprentice plumber who liked to sing in a lyrical career. A lung disease caused him to take singing lessons as therapeutic breathing exercises. His natural dispositions led him to the conservatory of Toulon and then to the Marseille conservatory where he obtained a First Prize. On 7 June 1913, he married a young pianist in Toulon: Marie-Louise Bonduel (Toulon, 22 August 1886 - Brussels, 30 November 1970), whose family was linked to personalities such as Claude Debussy, Xavier Leroux and Camille Saint-Saëns. He made his debut on the stage of the Opéra de Toulon. His voice of baritone of opéra comique ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creon Of Thebes
Creon (; grc, Κρέων, Kreōn, ruler), is a figure in Greek mythology best known as the ruler of Thebes in the legend of Oedipus. Family Creon had four sons and three daughters with his wife, Eurydice (sometimes known as Henioche): Henioche, Pyrrha, Megareus (also called Menoeceus), Lycomedes and Haimon. Creon and his sister, Jocasta, were descendants of Cadmus and of the Spartoi. He is sometimes considered to be the same person who purified Amphitryon of the murder of his uncle Electryon and father of Megara, first wife of Heracles. Mythology First Regency After the death of King Laius of Thebes by the hands of his own son Oedipus, Creon sat on the vacant throne and became the ruler of the kingdom. During this regency, Amphitryon arrived with his fiancée Alcmena and her half-brother Licymnius from Mycenae, seeking exile and purification for the death of his prospective father-in-law King Electryon, whom he accidentally had killed. Creon purified him, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1970 Deaths
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 '' Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1885 Births
Events January–March * January 3– 4 – Sino-French War – Battle of Núi Bop: French troops under General Oscar de Négrier defeat a numerically superior Qing Chinese force, in northern Vietnam. * January 4 – The first successful appendectomy is performed by Dr. William W. Grant, on Mary Gartside. * January 17 – Mahdist War in Sudan – Battle of Abu Klea: British troops defeat Mahdist forces. * January 20 – American inventor LaMarcus Adna Thompson patents a roller coaster. * January 24 – Irish rebels damage Westminster Hall and the Tower of London with dynamite. * January 26 – Mahdist War in Sudan: Troops loyal to Mahdi Muhammad Ahmad conquer Khartoum; British commander Charles George Gordon is killed. * February 5 – King Leopold II of Belgium establishes the Congo Free State, as a personal possession. * February 9 – The first Japanese arrive in Hawaii. * February 16 – Charles Dow publishes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Holy Night
"O Holy Night" (original title: ) is a well-known sacred song for Christmas performance. Originally based on a French-language poem by poet Placide Cappeau, written in 1843, with the first line (Midnight, Christian, is the solemn hour) that composer Adolphe Adam set to music in 1847. The English version (with small changes to the initial melody) is by John Sullivan Dwight. The carol reflects on the birth of Jesus as humanity's redemption. History In Roquemaure in France at the end of 1843, the church organ had recently been renovated. To celebrate the event, the parish priest persuaded poet Placide Cappeau, a native of the town, to write a Christmas poem. Soon afterwards, in that same year, Adolphe Adam composed the music. The song was premiered in Roquemaure in 1847 by the opera singer Emily Laurey. Transcendentalist, music critic, minister, and editor of ''Dwight's Journal of Music'', John Dwight, adapted the song into English in 1855. This version became popular in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schubert Thematic Catalogue
''Schubert: Thematic Catalogue of all his Works in Chronological Order'', also known as the Deutsch catalogue, is a numbered list of all compositions by Franz Schubert compiled by Otto Erich Deutsch. Since its first publication in 1951, Deutsch (abbreviated as D or D.) numbers are used for the unique identification of Schubert's compositions. 1951 edition The Deutsch catalogue was first published in London in 1951 by J. M. Dent & Sons, as ''Schubert: Thematic Catalogue of all his Works in Chronological Order, compiled by O. E. Deutsch, in collaboration with Donald R. Wakeling.'' 1978 edition: NSE VIII/4 In 1978, as part VIII Supplement / Volume 4 of the New Schubert Edition (NSE), an updated version of the catalogue was published in German. A few compositions that had been undated in the first edition received a new number (usually followed by a letter), e.g. was renumbered to . Later versions The original 1951 edition (in English) was re-issued several times, for instance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quichotte à Dulcinée
Don Quichotte à Dulcinée is a song cycle by Maurice Ravel based on the story of ''Don Quixote''. It was first composed for voice and piano but later orchestrated. The songs are traditionally performed by a baritone or bass(-baritone). The cycle is made up of three independent pieces: ''Chanson Romanesque, Chanson épique,'' and ''Chanson à boire.'' The text was written by the librettist Paul Morand. It was composed between the years of 1932 and 1933. Composition history This was the last of Maurice Ravel's compositions, commissioned by the celebrated film director G. W. Pabst for a cinema version of ''Don Quixote'' starring the legendary bass Fyodor Chaliapin. The score was to include four songs (one more than the final version) along with background music for several episodes. As Ravel worked on the project in 1932, however, he suffered the increasingly disabling effects of Pick’s disease, a cerebral-neurological condition that gradually robbed him of motor skills and me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grisélidis
''Grisélidis'' is an opera (described as a ' conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished. Massenet began composition in 1894, completing it by the end of that year, but revising it in the autumn 1898 prior to discussing a potential production with Albert Carré. It was first performed at the Opéra-Comique in Paris on 20 November 1901, with Lucienne Bréval in the title role. The piece achieved 50 performances in the first six months at the Opéra-Comique, was withdrawn from the repertory in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quichotte (opera)
''Don Quichotte'' (''Don Quixote'') is an opera in five acts by Jules Massenet to a French libretto by Henri Caïn. It was first performed on 19 February 1910 at the Opéra de Monte-Carlo. Massenet's ''comédie-héroïque'', like many dramatized versions of the story of Don Quixote, relates only indirectly to the novel ''Don Quixote'' by Miguel de Cervantes. The immediate inspiration was ''Le chevalier de la longue figure'', a play by the poet first performed in Paris in 1904. In this version of the story, the simple farm girl Aldonza (Dulcinea) of the original novel becomes the more sophisticated Dulcinée, a flirtatious local beauty inspiring the infatuated old man's exploits. Composition history Conceiving originally ''Don Quichotte'' to be a three-act opera, Massenet started to compose it in 1909 at a time when, suffering from acute rheumatic pains, he spent more of his time in bed than out of it, and composition of ''Don Quichotte'' became, in his words, a sort of "sooth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cendrillon
''Cendrillon'' (''Cinderella'') is an opera—described as a "fairy tale"—in four acts by Jules Massenet to a French libretto by Henri Caïn based on Perrault's 1698 version of the Cinderella fairy tale. It had its premiere performance on 24 May 1899 in Paris. The '' New Grove Dictionary of Opera'' notes that Massenet's sense of humor and wit is more evident in this work, and the use of recurrent motifs is more discreet, while the love music "reminds us how well Massenet knew his Wagner". Albert Carré (director of the Opéra-Comique and producer of the first staging) persuaded the composer to drop a prologue introducing the characters, but a brief epilogue survives. Another writer comments that Massenet's perfectly proportioned score moves from a scene worthy of Jean-Baptiste Lully's '' Armide'' (in Cendrillon's monologue), through Rossinian vocalises and archaic orchestrations to ballet movements on a par with Tchaikovsky. Composition history The scenario was conceived by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
