''Cendrillon'' (''

Cinderella "Cinderella",; french: link=no, Cendrillon; german: link=no, Aschenputtel) or "The Little Glass Slipper", is a folk tale with thousands of variants throughout the world.Dundes, Alan. Cinderella, a Casebook. Madison, Wis: University of Wisconsi ...

'') is an

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...

—described as a "fairy tale"—in four acts by

Jules Massenet Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and '' Werther ...

to a French

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major li ...

Henri Caïn Henri Cain (11 October 1857 – 21 November 1937) was a French dramatist, opera and ballet librettist. He wrote over forty librettos from 1893 to his death, for many of the most prominent composers of the Parisian Belle Epoque. Cain was born in ...

based on Perrault's 1698 version of the

fairy tale. It had its premiere performance on 24 May 1899 in

Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Si ...

. The ''

New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...

'' notes that Massenet's sense of humor and wit is more evident in this work, and the use of recurrent motifs is more discreet, while the love music "reminds us how well Massenet knew his

Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...

". Albert Carré (director of the Opéra-Comique and producer of the first staging) persuaded the composer to drop a prologue introducing the characters, but a brief epilogue survives. Another writer comments that Massenet's perfectly proportioned score moves from a scene worthy of

Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas ...

's '' Armide'' (in Cendrillon's monologue), through

Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards ...

vocalise A vocal warm-up is a series of exercises meant to prepare the voice for singing, acting, or other use. There is very little scientific data about the benefits of vocal warm-ups. Relatively few studies have researched the effects of thesexercis ...

s and archaic

orchestration Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orch ...

s to ballet movements on a par with

Tchaikovsky Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popu ...

Composition history

The scenario was conceived by Massenet and Cain when they were in London for the premiere of Massenet's '' La Navarraise'' in June 1893. The composer began work on the score in

Pont-de-l'Arche Pont-de-l'Arche () is a commune of the Eure ''département'' in France. Notable monuments include the parish church of Notre-Dame-des-Arts, which was built in the late Flamboyant style. Population See also *Communes of the Eure department T ...

, with the final touches being made in

Nice Nice ( , ; Niçard: , classical norm, or , nonstandard, ; it, Nizza ; lij, Nissa; grc, Νίκαια; la, Nicaea) is the prefecture of the Alpes-Maritimes department in France. The Nice agglomeration extends far beyond the administrative ...

in 1895/96.Harding, p. ?? At the time of the premiere, Massenet had announced in ''

Le Figaro ''Le Figaro'' () is a French daily morning newspaper founded in 1826. It is headquartered on Boulevard Haussmann in the 9th arrondissement of Paris. The oldest national newspaper in France, ''Le Figaro'' is one of three French newspapers of r ...

'' that ''Cendrillon'' would be his last lyric work (although in fact several more followed). The autograph score is dedicated to "Mademoiselle Julie Giraudon", who created the title role and subsequently married Henri Cain.

Performance history

19th century As one of the first operas to be produced at the newly rebuilt

Salle Favart The Salle Favart, officially the Théâtre de l'Opéra-Comique, is a Paris opera house and theatre, the current home of the Opéra-Comique. It was built from 1893 to 1898 in a neo-Baroque style to the designs of the French architect Louis Bernie ...

(the third theatre of that name and the home of the

Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...

), it enjoyed the modern facilities provided during the refurbishment, including special effects on stage and electricity throughout the theater. The original production had sets designed by Lucien Jusseaume (Act I),

Eugène Carpezat Eugène Louis Carpezat (Paris, 4 November 1833 – Paris, 26 February 1912) was an acclaimed French scenographer in the Belle Époque. Career Carpezat was the son of lemonade makers Claude François Carpezat and Jacqueline Caniou. After conside ...

(Act II),

Auguste Alfred Rubé Auguste Alfred Rubé (20 June 1817 – 13 April 1899) was a French painter. Biography Born in the 9th arrondissement of Paris, Rubé was an innovator in the field of theatrical set design. This "decorator of rare ingenuity", focused on a local ...

(Act III, scene 2), and Marcel Jambon (Act IV). Massenet took a close interest in the first production, attending 60 out of 98 rehearsals at the Opéra-Comique prior to the premiere.Parisi J. 2011, "La féerie scénique d'Albert Carré". Opéra-Comique program for the opera, March 2011, pp. 56–62. The first performance was given at the

in Paris on 24 May 1899, at the height of Massenet's success.Milnes 1998, pp. 797–99 As was his usual practice, Massenet avoided the first night, but received a telegram from Fugère the next day at

Enghien-les-Bains Enghien-les-Bains () is a commune in the northern suburbs of Paris, France. It is located from the centre of Paris, in the département of Val-d'Oise. Enghien-les-Bains is famous as a spa resort and a well-to-do suburb of Paris, developed i ...

(where he was staying with his wife), recording its triumph. 20th century and beyond An immediate success, with fifty performances in its first season, it was revived at the Gaîté-Lyrique in Paris in 1909 with

Geneviève Vix Geneviève Vix (née Brouwer, December 31, 1879 – August 25, 1939) was a French soprano. She was a descendant of the Dutch painter Adriaen Brouwer.Gourret J. ''Dictionnaire des cantatrices de l'Opéra de Paris.'' Editions Albatros, Paris, ...

as the Prince and Rose Heilbronner in the title role. ''Cendrillon'' was performed in Brussels and Milan in 1899, quickly followed by other Italian cities, New Orleans in 1902, and New York in 1912.

Maggie Teyte Dame Maggie Teyte (born Margaret Tate; 17 April 188826 May 1976) was an English operatic soprano and interpreter of French art song. Early years Margaret Tate was born in Wolverhampton, England, one of ten children of Jacob James Tate, a suc ...

in the title role and

Mary Garden A Mary garden is a small sacred garden enclosing a statue or shrine of the Virgin Mary, who is known to many Christians as the Blessed Virgin, Our Lady, or the Mother of God. In the New Testament, Mary is the mother of Jesus of Nazareth. Mary g ...

as the Prince led the cast in Chicago in 1911. The UK stage premiere was given in

Swindon Swindon () is a town and unitary authority with borough status in Wiltshire, England. As of the 2021 Census, the population of Swindon was 201,669, making it the largest town in the county. The Swindon unitary authority area had a population ...

Wiltshire Wiltshire (; abbreviated Wilts) is a historic and ceremonial county in South West England with an area of . It is landlocked and borders the counties of Dorset to the southwest, Somerset to the west, Hampshire to the southeast, Gloucestershire ...

in 1939, thanks to

Lord Berners Gerald Hugh Tyrwhitt-Wilson, 14th Baron Berners (18 September 188319 April 1950), also known as Gerald Tyrwhitt, was a British composer, novelist, painter, and aesthete. He was also known as Lord Berners. Biography Early life and education ...

. In the post-World War II years, the opera has been seen in Brussels and Liege in 1982 (with Frederica von Stade, Ann Murray and Jules Bastin), Geneva in 1998, Strasbourg in 2003, at the

Santa Fe Opera Santa Fe Opera (SFO) is an American opera company, located north of Santa Fe, New Mexico. After creating the ''Opera Association of New Mexico'' in 1956, its founding director, John Crosby, oversaw the building of the first opera house on a newl ...

in 2006 (with Joyce DiDonato and Eglise Gutiérrez in

Laurent Pelly Laurent Pelly (born 14 January 1962 in Paris) is a French opera and theatre director. He enjoys a career as one of France's most sought after directors of both theatre and opera, working regularly in the world's most prestigious houses. Biograp ...

's production), Brussels and Luxembourg in 2007, New York in 2008, Dresden, Montreal and Brisbane in 2010, Vancouver in February 2011, and the

Juilliard School The Juilliard School ( ) is a Private university, private performing arts music school, conservatory in New York City. Established in 1905, the school trains about 850 undergraduate and graduate students in dance, drama, and music. It is widely ...

in New York City in April 2014. Having been produced at the Châtelet in 1984, in a staging borrowed from

New York City Opera The New York City Opera (NYCO) is an American opera company located in Manhattan in New York City. The company has been active from 1943 through 2013 (when it filed for bankruptcy), and again since 2016 when it was revived. The opera company, du ...

(with

Maureen Forrester Maureen Kathleen Stewart Forrester, (July 25, 1930 – June 16, 2010) was a Canadian operatic contralto. Life and career Maureen Forrester was born and grew up in Montreal, Quebec, one of four children of Thomas Forrester, a Scottish cabinetmak ...

as Madame de la Haltière)'Jules Massenet: Cendrillon'. In: Kaminski, Piotr. ''Mille et Un Opéras''. Fayard, 2003, pp. 886–87. ''Cendrillon'' was mounted in Paris at the Opéra-Comique in March 2011 conducted by

Marc Minkowski Marc Minkowski (born 4 October 1962) is a French conductor of classical music, especially known for his interpretations of French Baroque works, and is the current general director of Opéra national de Bordeaux. His mother, Mary Anne (Wade), i ...

. In July 2011 the

Royal Opera House The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal ...

, London used Pelly's production, with the conductor

Bertrand de Billy Bertrand de Billy (born Paris, 11 January 1965) is a French conductor. He attended a Jesuit school, but only started serious musical studies when he was around 14–15; he studied piano and violin.

(later issued as a DVD), and Barcelona's

Gran Teatre del Liceu Gran may refer to: People * Grandmother, affectionately known as "gran" *Gran (name) Places * Gran, the historical German name for Esztergom, a city and the primatial metropolitan see of Hungary * Gran, Norway, a municipality in Innlandet cou ...

did likewise in December 2013. ''Cendrillon'' waited 119 years for its premiere at the

Metropolitan Opera The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is opera ...

; the 2018 production featured DiDonato and Alice Coote in Pelly's production.

Roles

Synopsis

''A prologue in front of the curtain, suppressed before the premiere, introduced the characters and invited the audience to enjoy the fairy-tale "to escape from dark realities (pour échapper à des réalités sombres)" and to believe in the "fabulous (fabuleux)". The final words of the prologue are repeated at the end of the opera''.

Act 1

''Chez Madame de la Haltière'' A large room in the house of Madame de la Haltière with a chimney grate. Servants are busy preparing for the ball. Pandolfe, the second husband of Madame de la Haltière, wonders why he forsook the calm of his country home to marry a selfish countess with her two daughters, and pities the lot of his own loving daughter Lucette (Cendrillon). Madame de la Haltière and her daughters Noémie and Dorothée dress while the mother tells them how to attract the prince's attention at the ball. Late in leaving, Pandolfe resigns himself to accompanying them. Cendrillon enters, singing of how she wishes she could also have gone to the ball. After completing her chores she falls asleep by the warm chimney hearth. The Fairy Godmother and her attendants come in, transform Cendrillon into magnificent clothes for the ball, but warn the girl that their spell will only last until midnight, and that the glass slippers will protect her from being recognized by her family. Cendrillon promises to return at midnight, and sets off for the ball.

Act 2

''The royal palace'' At the royal hall, all is excitement, except for the prince who is melancholic. The king reminds him that he must choose a wife. After five ballet entrées where the eligible princesses present themselves to the prince, a heavenly unknown beauty (Cendrillon) enters and enchants everyone—except for Madame de la Haltière and the two step-sisters. The prince and Cendrillon fall in love at first sight but when the clock strikes midnight Cendrillon runs off, as the stunned prince looks on.

Act 3

''First tableau: The return from the ball'' Cendrillon returns to the house, having lost one of her glass slippers in her flight, and relives the charm of the ball. Her fine gown has changed back into a plain dress. She hears the returning family carriage and hides in her room. Madame de la Haltière and her daughters insist that the prince rejected the unknown beauty. Cendrillon is on the point of fainting, when her father angrily sends the other women from the room. Tenderly he promises Cendrillon that they will return to his country home. When he has left, she recalls her mother's death, and to prevent her father any more pain, Cendrillon flees into the night, to die on her own. ''Second Tableau: ''The Fairies' Oak'' Under a magic oak tree in an enchanted forest, the prince and Cendrillon are drawn together by the fairies. An enchanted arbour of flowers blocks their view of each other but they recognize each other's voice and sing of their love. The prince offers his heart to see his beloved. The flowers disappear and the lovers, surrounded by the spirits, fall into a slumber in each other's arms.

Act 4

''First Tableau: The terrace chez Cendrillon'' Back in Cendrillon's home, Pandolfe watches over his sleeping daughter, who was found months previously by a stream. Cendrillon awakes and her father relates how in her delirium she spoke to him about the prince, the oak, and the slipper. Pandolfe convinces her that it was all a dream. Madame de la Haltière and her daughters appear with the news about an assembly of all eligible princesses at the King's palace. As a royal herald summons the princesses to go and try on the glass slipper, Cendrillon realizes that her dream was true. During the march of the princesses, the scene changes. ''Second Tableau: A great hall in the palace'' Back at the ballroom in the palace the prince recognizes Cendrillon among the princesses. The lovers are reunited and acclaimed by all present, even Madame de la Haltière. All turn to the audience and, out of character, sing that the piece is over and they have done their best to send the audience through "les beaux pays bleus (the beautiful blue countries)".

Music

The part of

Prince Charming Prince Charming is a fairy tale stock character who comes to the rescue of a damsel in distress and must engage in a quest to liberate her from an evil spell. This classification suits most heroes of a number of traditional folk tales, includi ...

is a

breeches role A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatric ...

, sung by a Falcon soprano—or "''soprano de sentiment"''—according to the libretto, a dark dramatic and characteristically French soprano voice. There is no authority for transposing this role for a tenor. This

voice type A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, ...

is contrasted in Cendrillon's other scenes with the

coloratura Coloratura is an elaborate melody with runs, trills, wide leaps, or similar virtuoso-like material,''Oxford American Dictionaries''.Apel (1969), p. 184. or a passage of such music. Operatic roles in which such music plays a prominent part, ...

writing for the fairy godmother, which is characterised by trills and

arpeggio A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played ...

s. The 18th-century is echoed in witty pastiche of

galant The galant style was an 18th-century movement in music, visual arts and literature. In Germany a closely related style was called the '' empfindsamer Stil'' (sensitive style). Another close relative is rococo style. The galant style was drawn in ...

music, such as the trio of

harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orc ...

viola d'amore The viola d'amore (; Italian for " viol of love") is a 7- or 6- stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and sound The ...

, and

flute The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedles ...

that fails to rouse the melancholy and silent prince at the opening of Act 2. The score includes a ballet, a series of '' entrées'' at the ball of princesses who fail to satisfy the Prince, contrasted with the spectral ballet under a "bluish light" in Act 3, where Cain interposes an episode in which Lucette (as Cendrillon is called) and her Prince are kept apart and tested by the arts of ''la Fée'' (Fairy Godmother). Heugel Full Score 1898

Noted arias

* ''Ah! que mes soeurs sont heureuses'' (Cendrillon) - Act I * ''Ah! douce enfant'' (La Fée) - Act 1 * ''Coeur sans amour'' (Le Prince Charmant) - Act 2 * ''Enfin, je suis ici'' (Cendrillon) - Act 3 * ''À deux genoux'' (Le Prince Charmant, Cendrillon) - Act 3

Recordings

References

Notes Sources * Harding, J. (1970), ''Massenet.'' J. M. Dent & Sons Ltd, London. * Loewenberg, A. (1978), ''Annals of Opera.'' London, John Calder. * Milnes, Rodney (1998), "''Cendrillon''", in

Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was pub ...

(Ed.), ''

The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...

'', Vol. One. Macmillan, London and New York. * * Smith, Craig, "Glass slipper fits for SFO production", ''Santa Fe New Mexican'', 17 July 2006 * Wolff, Stéphane (1953), ''Un demi-siècle d'Opéra-Comique 1900–1950''. André Bonne, Paris. {{Authority control 1899 operas French-language operas Opera world premieres at the Opéra-Comique Operas Operas by Jules Massenet Operas based on fairy tales Operas based on works by Charles Perrault Works based on Cinderella