Élisabeth Vigée Le Brun
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Élisabeth Vigée Le Brun
Élisabeth Louise Vigée Le Brun (; 16 April 1755 – 30 March 1842), also known as Madame Le Brun, was a French portrait painter, especially of women, in the late 18th and early 19th centuries. Her artistic style is generally considered part of the aftermath of Rococo with elements of an adopted Neoclassical style. Her subject matter and color palette can be classified as Rococo, but her style is aligned with the emergence of Neoclassicism. Vigée Le Brun created a name for herself in Ancien Régime society by serving as the portrait painter to Marie Antoinette. She enjoyed the patronage of European aristocrats, actors, and writers, and was elected to art academies in ten cities. Vigée Le Brun created 660 portraits and 200 landscapes. In addition to many works in private collections, her paintings are owned by major museums, such as the Louvre Paris, Uffizi Florence, Hermitage Museum Saint Petersburg, National Gallery in London, Metropolitan Museum of Art in New York and many ...
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Self-portrait
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American and modern ...
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Elisabeth Vig%C3%A9e-Lebrun - Madame Perregaux - WGA25078
Elizabeth or Elisabeth may refer to: People * Elizabeth (given name), a female given name (including people with that name) * Elizabeth (biblical figure), mother of John the Baptist Ships * HMS ''Elizabeth'', several ships * ''Elisabeth'' (schooner), several ships * ''Elizabeth'' (freighter), an American freighter that was wrecked off New York harbor in 1850; see Places Australia * City of Elizabeth ** Elizabeth, South Australia * Elizabeth Reef, a coral reef in the Tasman Sea United States * Elizabeth, Arkansas * Elizabeth, Colorado * Elizabeth, Georgia * Elizabeth, Illinois * Elizabeth, Indiana * Hopkinsville, Kentucky, originally known as Elizabeth * Elizabeth, Louisiana * Elizabeth Islands, Massachusetts * Elizabeth, Minnesota * Elizabeth, New Jersey, largest city with the name in the U.S. * Elizabeth City, North Carolina * Elizabeth (Charlotte neighborhood), North Carolina * Elizabeth, Pennsylvania * Elizabeth Township, Pennsylvania (other) * Elizabeth, West Vi ...
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Louis XIV
, house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Versailles, Versailles, France , burial_date = 9 September 1715 , burial_place = Basilica of Saint-Denis , religion = Catholicism (Gallican Rite) , signature = Louis XIV Signature.svg Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the longest of any sovereign in history whose date is verifiable. Although Louis XIV's France was emblematic of the age of absolutism in Europe, the King surrounded himself with a variety of significant political, military, and cultural figures, such as Bossuet, Colbert, Le Brun, Le Nôtre, Lully, Mazarin, Molière, Racine, Turenne, ...
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Charles Le Brun
Charles Le Brun (baptised 24 February 1619 – 12 February 1690) was a French painter, physiognomist, art theorist, and a director of several art schools of his time. As court painter to Louis XIV, who declared him "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Biography Early life and training Born in Paris, Le Brun attracted the notice of Chancellor Séguier, who placed him at the age of eleven in the studio of Simon Vouet. He was also a pupil of François Perrier. At fifteen he received commissions from Cardinal Richelieu, in the execution of which he displayed an ability which obtained the generous commendations of Nicolas Poussin, in whose company Le Brun started for Rome in 1642. In Rome, he remained four years in the receipt of a pension due to the liberality of the chancellor. There he worked under Poussin, adapting the latter's theories of art. While in Rome, Le Brun studied anc ...
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Jean-Baptiste-Pierre Le Brun
Jean-Baptiste-Pierre Le Brun (1748 – 7 August 1813) was a French painter, art collector and art dealer. Simon Denis was his pupil. Life Born in Paris, he was the son of the painter Pierre Le Brun, who was himself a great-nephew of another painter, Charles Le Brun. From 1775 onwards he became one of the main art dealers and painting experts in Paris, specialising in restoring old masters, particularly Dutch ones, and publishing catalogues of them for commercial purposes. His own collection included Ochtervelt 's '' Street Musicians at the Door'' and later an ''Immaculate Conception'' by Murillo. His first marriage was in the Netherlands, before a second marriage on 11 January 1776 at Saint-Eustache, Paris to Élisabeth Louise Vigée. He had first met her the previous year, becoming her agent and eventually proposing marriage – the marriage was discouraged due to his reputation as a rake and a gambler but she accepted nonetheless. They had one child, Jeanne Julie Louise Leb ...
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Étienne Vigée
Louis-Jean-Baptiste-Étienne Vigée (2 December 1758 – 8 August 1820) was a French playwright and man of letters. Early life Born into an artistic family, he was the son of the pastellist Louis Vigée and the brother of the celebrated painter Élisabeth Vigée. Biography Vigée was popular in the salons for his pleasant personality and quick wit. He was employed as a secretary to Marie Joséphine of Savoy, the Countess of Provence, wife of future king Louis XVIII, and sister in law of King Louis XVI and Marie Antoinette. He wrote poetry in praise of the French Revolution, although his enthusiasm quickly faded and he was at one point arrested as a Girondist. He lived long enough to write poetry both in praise of Napoleon and Louis XVIII. He succeeded Sautreau de Marsy as editor of the poetry magazine ''Almanach des Muses'' from 1794 until 1820, and replaced La Harpe at the ''Lycée'', but had nowhere near the same success as a teacher. As a playwright he was a skilled ...
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Joseph Vernet
Claude-Joseph Vernet (14 August 17143 December 1789) was a French painter. His son, Antoine Charles Horace Vernet, was also a painter. Life and work Vernet was born in Avignon. When only fourteen years of age he aided his father, Antoine Vernet (1689–1753), a skilled decorative painter, in the most important parts of his work. The panels of sedan chairs, however, could not satisfy his ambition, and Vernet started for Rome. The sight of the whales at Marseilles and his voyage thence to Civitavecchia (Papal States' main port on the Tyrrhenian Sea) made a deep impression on him, and immediately after his arrival he entered the studios of whale painter Bernardino Fergioni and marine landscapist Adrien Manglard. Manglard and Fergioni initiated Vernet into seascape painting. In 1734, Vernet left for Rome to study landscape designers and maritime painters, like Claude Gellee, where we find the styles and subjects of Vernet's paintings. Slowly Vernet attracted notice in the artistic ...
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Jean-Baptiste Greuze
Jean-Baptiste Greuze (, 21 August 1725 – 4 March 1805) was a French painter of portraits, genre scenes, and history painting. Biography Early life Greuze was born at Tournus, a market town in Burgundy. He is generally said to have formed his own talent; at an early age his inclinations, though thwarted by his father, were encouraged by a Lyonnese artist named Grandon, or Grondom, who enjoyed during his lifetime considerable reputation as a portrait-painter. Grandon not only persuaded Greuze's father to give way to his son's wishes, and permit the boy to accompany him as his pupil to Lyon, but, when at a later date he left Lyon for Paris, Grandon carried young Greuze with him. Settled in Paris, Greuze worked from the living model in the school of the Royal Academy, but did not attract the attention of his teachers; and when he produced his first picture, ''Le Père de famille expliquant la Bible a ses enfants'', considerable doubt was felt and shown as to his share in its pr ...
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Gabriel François Doyen
Gabriel François Doyen (; 1726 – 5 June 1806) was a French painter who was born in Paris. He became an artist against his father's wishes, becoming a pupil at the age of twelve of Charles-André van Loo. Making rapid progress, he obtained at twenty the Grand Prix de Rome, and in 1748 set out for Rome. He studied the works of Annibale Carracci, Pietro Berrettini da Cortona, Giulio Romano and Michelangelo, then visited Naples, Bologna and, crucially, Venice. While in the latter city Doyen was greatly influenced by the work of the famous colourists, such as Titian. In 1755 returned to Paris and, at first unappreciated and disparaged, he resolved by one grand effort to achieve a reputation, and in 1758 he exhibited his ''Death of Virginia''. It was completely successful, and procured him admission to the ''Académie Royale de Peinture et de Sculpture''. Doyen was also influenced by Peter Paul Rubens after a visit to Antwerp. This influence is, perhaps, best displayed in his ...
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Memoir
A memoir (; , ) is any nonfiction narrative writing based in the author's personal memories. The assertions made in the work are thus understood to be factual. While memoir has historically been defined as a subcategory of biography or autobiography since the late 20th century, the genre is differentiated in form, presenting a narrowed focus. A biography or autobiography tells the story "of a life", while a memoir often tells the story of a particular event or time, such as touchstone moments and turning points from the author's life. The author of a memoir may be referred to as a memoirist or a memorialist. Early memoirs Memoirs have been written since the ancient times, as shown by Julius Caesar's ''Commentarii de Bello Gallico'', also known as ''Commentaries on the Gallic Wars''. In the work, Caesar describes the battles that took place during the nine years that he spent fighting local armies in the Gallic Wars. His second memoir, ''Commentarii de Bello Civili'' (or ''Com ...
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Palais Royal
The Palais-Royal () is a former royal palace located in the 1st arrondissement of Paris, France. The screened entrance court faces the Place du Palais-Royal, opposite the Louvre. Originally called the Palais-Cardinal, it was built for Cardinal Richelieu from about 1633 to 1639 by the architect Jacques Lemercier. Richelieu bequeathed it to Louis XIII, and Louis XIV gave it to his younger brother, the Duke of Orléans. As the succeeding dukes of Orléans made such extensive alterations over the years, almost nothing remains of Lemercier's original design. The Palais-Royal now serves as the seat of the Ministry of Culture, the Conseil d'État and the Constitutional Council. The central Palais-Royal Garden (Jardin du Palais-Royal) serves as a public park, and the arcade houses shops. History Palais-Cardinal Originally called the Palais-Cardinal, the palace was the personal residence of Cardinal Richelieu. The architect Jacques Lemercier began his design in 1629; construction comm ...
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