Édouard Lafargue
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Édouard Lafargue
Édouard Edmond Lafargue (1803 in Langon – 1 February 1884 in Paris) was a French playwright. His plays have been performed on the most important Parisian stages of the 19th century: Théâtre du Palais-Royal, Théâtre du Gymnase dramatique, Théâtre du Vaudeville, Théâtre des Variétés etc. Quelques-unes de ses pièces ont été signées under the pen name ''Camille''Joseph Marie Quérard, ''Les supercheries littéraires dévoilées'', 1869, (p. 634) Plays *1825 : ''Le mauvais sujet'', drama, with Eugène Scribe *1842 : ''Le Château de la Roche-noire, ou Un amour posthume'', comedy in 1 act, mixed with vaudevilles, with Paul Siraudin *1845 : ''L'almanach des adresses'', comédie en vaudevilles in three acts, with Ferdinand de Villeneuve *1845 : ''L'Escadron volant de la Reine'', comédie en vaudevilles in 1 act, with Dumanoir *1847 : ''La Cour de Biberach'', comédie en vaudevilles in 1 act, with Eugène Guinot *1850 : ''Un fantôme'', comédie en vaudevilles ...
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Langon (Gironde)
Langon (; oc, Lengon) is a commune in the Gironde department in Nouvelle-Aquitaine in southwestern France. Langon serves as the seat of its district, canton and subprefecture. Its inhabitants are called ''Langonnais''. Geography Langon is in the northern part of the department southeast of Bordeaux on the left bank of the Garonne river. It lies near the border between a wine-growing region (Premières côtes de Bordeaux) and the forest of Landes. Population Notable people born in Langon * Louis Beaulieu (1840–1866), catholic priest, martyr in Korea * Thomas Boudat * Caroline Delas * Louis Ducos du Hauron * Benjamin Fall * Martine Faure * Édouard Lafargue * Pierre de La Montagne * Pierre Lees-Melou * Raymond Oliver * Jean Sentuary * Patrick Zygmanowski (born in 1970), classical pianist Transport Traditionally it was a stop on the Bordeaux-Toulouse route; the city is now served by the Entre-Deux-Mers autoroute. ( A62 Bordeaux-Toulouse). Itinéraire à Grand Gabari ...
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Comédie En Vaudevilles
The ''comédie en vaudevilles'' () was a theatrical entertainment which began in Paris towards the end of the 17th century, in which comedy was enlivened through lyrics using the melody of popular vaudeville (song), vaudeville songs.Barnes 2001. Evolution The annual fairs of Paris at St. Germain and St. Laurent had developed theatrical variety entertainments, with mixed plays, acrobatics, acrobatic displays, and pantomimes, typically featuring vaudevilles (see Théâtre de la foire). Gradually these features began to invade established theatres. The ''Querelle des Bouffons'' (War of the Clowns), a dispute amongst theatrical factions in Paris in the 1750s, in part reflects the rivalry of this form, as it evolved into ''opéra comique'', with the Italian ''opera buffa''. ''Comédie en vaudevilles'' also seems to have influenced the English ballad opera and the German Singspiel. Vaudeville final One feature of the ''comédie en vaudevilles'' which later found its way into opera w ...
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People From Gironde
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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19th-century French Dramatists And Playwrights
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the la ...
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Ernest-Georges Petitjean
Antonin Ernest d'Avrecourt, also known under the pseudonym Ernest-Georges Petitjean, was a French playwright of the 19th century, mostly known for his comedies and vaudevilles. His plays, signed under several pseudonyms, were performed on the most important Parisian stages of his time: Théâtre des Variétés, Théâtre du Vaudeville, Théâtre de la Renaissance etc. Works *1831: ''Fifi Lecoq, ou Une visite domiciliaire'', anecdote contemporaine, mêlée de couplets, with Philippe-Amédée Roustan *1831: ''La Future de province, ou les Informations'', comédie en vaudevilles in 1 act, with Dumanoir *1833: ''Poète et maçon'', comédie en vaudevilles in 1 act, with Adolphe de Leuven and Eugène Roche *1833 : ''Le Cadet de famille'', vaudeville in 1 act, with Léon Lévy Brunswick and Louis-Émile Vanderburch *1836: ''Madame Peterhoff'', vaudeville anecdote in 1 act, with Charles de Livry *1836: ''Une spéculation'', vaudeville in 1 act, with Dumanoir and E. Roche *1837: ''A ...
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Antonin D'Avrecourt
Antonin Ernest d'Avrecourt, also known under the pseudonym Ernest-Georges Petitjean, was a French playwright of the 19th century, mostly known for his comedies and vaudevilles. His plays, signed under several pseudonyms, were performed on the most important Parisian stages of his time: Théâtre des Variétés, Théâtre du Vaudeville, Théâtre de la Renaissance etc. Works *1831: ''Fifi Lecoq, ou Une visite domiciliaire'', anecdote contemporaine, mêlée de couplets, with Philippe-Amédée Roustan *1831: ''La Future de province, ou les Informations'', comédie en vaudevilles in 1 act, with Dumanoir *1833: ''Poète et maçon'', comédie en vaudevilles in 1 act, with Adolphe de Leuven and Eugène Roche *1833 : ''Le Cadet de famille'', vaudeville in 1 act, with Léon Lévy Brunswick and Louis-Émile Vanderburch *1836: ''Madame Peterhoff'', vaudeville anecdote in 1 act, with Charles de Livry *1836: ''Une spéculation'', vaudeville in 1 act, with Dumanoir and E. Roche *1837: '' ...
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Dumanoir
Philippe François Pinel, known as Dumanoir (31 July 1806 – 16 November 1865), was a French playwright and librettist. Biography Dumanoir was born in Capesterre-Belle-Eau, Guadeloupe. He was the son of Mrs. Pinel-Dumanoir, whose family planted the palm trees lining the ''Allée Dumanoir'' in Guadeloupe. He left Guadeloupe in 1816. Dumanoir wrote in the theatrical genre of Comédie en vaudevilles. He was director of the Théâtre des Variétés from 1837 to 1839. In 1844, he wrote in collaboration with Adolphe d'Ennery, an eponymous drama about Don César de Bazan, one of the characters in ''Ruy Blas'' by Victor Hugo. He died in Pau. List of major works Plays * 1842: ''Le Chevalier d'Éon'', comedy in 3 acts, (with Jean-François Bayard), Théâtre des Variétés * 1839: ''Les Premières Armes de Richelieu'' (with Jean-François Bayard), Théâtre du Palais Royal * 1840: ''Indiana et Charlemagne'' (with Jean-François Bayard), Théâtre du Palais Royal * 1842: ''Ma maà ...
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Eugène Guinot
Eugène Guinot (8 April 1805 – 9 February 1861) was a French journalist, writer and playwright, creator of the Parisian chronique Biography He collaborated among others with the ''Revue de Paris'' and ''Le Siècle'', signing sometimes his texts under the pen names Paul Vermond or Pierre Durand. A trendy writer in his time, he authored many serial published by great publishing houses such as Hetzel, Hachette or Michel Lévy Frères among others. His plays were presented in the most important Parisian stages of the 19th century: Théâtre des Variétés, Théâtre du Vaudeville, Théâtre du Gymnase-Dramatique etc. Works *1837: ''Suzanne'', comédie en vaudevilles in 2 acts, with Mélesville *1839: ''Lekain à Draguignan'', comedy in 2 acts, with Philippe-Auguste-Alfred Pittaud de Forges *1841: ''Une Nuit au sérail'', comedy en 3 acts, mingled with song, with de Forges *1841: ''Listrac'', serial *1841: ''Physiologie du provincial à Paris'', with Carolus-Duran, illust ...
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Ferdinand De Villeneuve
Ferdinand de Villeneuve (5 June 1801 – 27 September 1858) was a 19th-century French playwright. Short biography He made his debut in the theatre at the age of 21 by partnering with Charles Dupeuty, and began to be successful from 1823 onwards. In 1825, he founded the newspaper ''La Nouveauté'' with Dupeuty, Amable de Saint-Hilaire and Musnier Desclozeaux, a publication which became a daily. Co-director of the Théâtre de la Porte-Saint-Martin with Anténor Joly from December 1835, he then directed, still with Joly, the Théâtre de la Renaissance in 1838 with its own funds. His plays were presented on several 19th-century Parisian stages, including the Théâtre des Folies-Dramatiques, the Théâtre du Palais-Royal, the Théâtre du Vaudeville, and the Théâtre des Variétés. The painter and photographer Julien Vallou de Villeneuve was his brother. Works *1822: ''L'Arracheur de dents'', one-act folie-parade, mingled with couplets, with Charles Dupeuty *1822: ''Fi ...
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Paul Siraudin
Pierre-Paul-Désiré Siraudin (18 December 1812 – 8 September 1883) was a French playwright and librettist. He also used the pen names Paul de Siraudin de Sancy, Paul Siraudin de Sancy and M. Malperché. Biography He wrote many plays, mainly comedies and vaudevilles written in collaboration, notably with Alfred Delacour and Lambert-Thiboust. He also authored librettos for successful operettas and opéras-comiques, including ''La fille de Madame Angot'' (1872) in collaboration with Clairville and Victor Koning with music by Charles Lecocq. In 1860, Siraudin opened a confectionery shop — the Maison Siraudin — at the corner of the Rue de la Paix and the Place Vendôme. Siraudin's sweets were "renowned all the world over"; for example, Siraudin's ''Perles des Pyrénées'' ("Pearls of the Pyrenees"), consisting of perfumed sugar, are mentioned in Joris-Karl Huysmans' novel ''À rebours'' (1884). Works * 1842: ''La Vendetta'' with Dumanoir, Théâtre des Variétés ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the ÃŽle-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Vaudeville
Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to music hall from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats, clowns, illustrated songs, jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels, and movies. A ...
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