Ébéniste
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Ébéniste
''Ébéniste'' () is a loanword (from French) for a cabinet-maker, particularly one who works in ebony. Etymology and ambiguities As opposed to ''ébéniste'', the term ''menuisier'' denotes a woodcarver or chairmaker in French. The English equivalent for ''ébéniste'', "ebonist", is not commonly used. Originally, an ''ébéniste'' was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp. The word is 17th-century in origin. Early Parisian ''ébénistes'' often came from the Low Countries themselves; an outstanding example is Pierre Gole, who worked at the '' Gobelins manufactory'' making cabinets and table tops veneered with marquetry, the traditional enrichment of ''ébénisterie'', or "cabinet-work". History ''Ébénistes'' make case furniture, either veneered or painted. Under Parisian guild regulations the application of painted varnishes, generically called '' vernis M ...
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Antoine Gaudreau
Antoine-Robert Gaudreau (c. 1680 – 6 May 1746) was a Parisian ''ébéniste'' who was appointed ''Ébéniste du Roi'' and was the principal supplier of furniture for the royal châteaux during the early years of Louis XV's reign. He is largely known through the copious documentation of the Garde-Meuble de la Couronne; he entered the service of the Garde-Meuble in 1726. However, since his career was spent before the practice of stamping Paris-made furniture began (1751), no stamped piece by Gaudreau exists and few identifications have been made, with the exception of royal pieces that were so ambitious and distinctive that they can be recognized from their meticulous inventory descriptions. In one case, the identification of a royal commode permits the attribution to Gaudreau of several similar ones. The commode in question, formerly in the collection of Alphonse de Rothschild, was delivered by Gaudreau on 4 August 1738 intended for the King's bedroom at Château La Muette. The ...
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Cabinetry
A cabinet is a case or cupboard with shelves and/or drawers for storing or displaying items. Some cabinets are stand alone while others are built in to a wall or are attached to it like a medicine cabinet. Cabinets are typically made of wood (solid or with veneers or artificial surfaces), coated steel (common for medicine cabinets), or synthetic materials. Commercial grade cabinets usually have a melamine-particleboard substrate and are covered in a high pressure decorative laminate, commonly referred to as Wilsonart or Formica. Cabinets sometimes have one or more doors on the front, which are mounted with door hardware, and occasionally a lock. Cabinets may have one or more doors, drawers, and/or shelves. Short cabinets often have a finished surface on top that can be used for display, or as a working surface, such as the countertops found in kitchens. A cabinet intended to be used in a bedroom and with several drawers typically placed one above another in one or more colum ...
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Mathieu Criaerd
Mathieu Criaerd (1689–1776) was the most prominent of a large family of Cabinetry, cabinetmakers (''ébénistes''), apparently of Flemish ancestry, who were working in Paris during the 18th century. He became a master in the Corporation des Menuisiers-Ébénistes 29 July 1738 and set up his workshop in the rue Traversière-Saint-Antoine, in the heart of the furniture-making district of Paris, using the stamp M CRIAERD. Through the ''marchand-mercier'' Thomas-Joachim Hébert, Criaerd scored an early triumph for them both in 1743, with a commode and corner cabinets (''encoignures'') en suite, that were delivered on 20 January by Hébert for the use of Louis XV's mistress Louise Julie de Mailly, Mme de Mailly in her Blue Room at the Château de Choisy; it was decorated in ''vernis Martin'' in blue and white, with ''chinoiserie'' motifs, as if it were entirely made of Chinese porcelain, and its mounts, rather than being gilded, were ''silvered''. Though in fact it was the painted dec ...
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Martin Carlin
Martin Carlin (c. 1730–1785) was a Parisian ''ébéniste'' ( cabinet-maker), born at Freiburg, who was received as Master ''Ébéniste'' at Paris on 30 July 1766. Renowned for his "graceful furniture mounted with Sèvres porcelain", Carlin fed into the luxury market of eighteenth-century decorative arts, where porcelain-fitted furniture was considered among "the most exquisite furnishings" within the transitional and neoclassical styles. Carlin's furniture was popular amongst the main great dealers, including Poirier, Daguerre, and Darnault, who sold his furniture to Marie Antoinette and many amongst the social elite class. He died on 6 March 1785. Work life Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. The marriage contract reveals that "Carlin was still a day-worker living on the quai des Célestins". Yet soon after Oeben's death, Carlin started to sell furniture to the marchands-merciers when setting up independently in the Faubourg Sai ...
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Case Furniture
A cabinet is a case or cupboard with shelves and/or drawers for storing or displaying items. Some cabinets are stand alone while others are built in to a wall or are attached to it like a medicine cabinet. Cabinets are typically made of wood (solid or with veneers or artificial surfaces), coated steel (common for medicine cabinets), or synthetic materials. Commercial grade cabinets usually have a melamine-particleboard substrate and are covered in a high pressure decorative laminate, commonly referred to as Wilsonart or Formica. Cabinets sometimes have one or more doors on the front, which are mounted with door hardware, and occasionally a lock. Cabinets may have one or more doors, drawers, and/or shelves. Short cabinets often have a finished surface on top that can be used for display, or as a working surface, such as the countertops found in kitchens. A cabinet intended to be used in a bedroom and with several drawers typically placed one above another in one or more columns ...
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Joseph Baumhauer
Joseph Baumhauer (died 22 March 1772) was a prominent Parisian ''ébéniste'', one of several of German extraction. Having worked for some years as a journeyman for the German-born ''ébéniste'' François Reizell, he was appointed ''ébéniste privilegié du Roi'' in 1767, enabling him to skirt certain requirements of the Paris guild under royal privilege as well as a stiff entrance fee. He used the stamp ♣JOSEPH♣, the name by which he was commonly known to his contemporaries, between fleurs-de-lis emblematic of his royal appointment. Such stamps, like the long-mysterious B.V.R.B., served to mask the identity of cabinetmakers to the clientele of '' marchands-merciers'', such as Lazare Duvaux, who owed the "ébéniste Joseph" 1726 ''livres'' at the time of his death. Furniture stamped by Baumhauer that is mounted with Sèvres porcelain plaques must have been commissioned and sold by Simon-Philippe Poirier, who maintained a monopoly of the production, having originally devised ...
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Loanword
A loanword (also loan word or loan-word) is a word at least partly assimilated from one language (the donor language) into another language. This is in contrast to cognates, which are words in two or more languages that are similar because they share an etymological origin, and calques, which involve translation. Loanwords from languages with different scripts are usually transliterated (between scripts), but they are not translated. Additionally, loanwords may be adapted to phonology, phonotactics, orthography, and morphology of the target language. When a loanword is fully adapted to the rules of the target language, it is distinguished from native words of the target language only by its origin. However, often the adaptation is incomplete, so loanwords may conserve specific features distinguishing them from native words of the target language: loaned phonemes and sound combinations, partial or total conserving of the original spelling, foreign plural or case forms or indecli ...
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Jean-Pierre Latz
Jean-Pierre Latz (Paris, 4 August 1754 ) was one of the handful of truly outstanding cabinetmakers (''ébénistes'') working in Paris in the mid-18th century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, '' amarante'', purpleheart and rosewood, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of Stavros Niarchos, Paris. The son of a certain Walter Latz, Jean-Pierre was born near Cologne, where he must have received his training, for when he settled in Paris in 1719, where he was received into the cabinetmakers' guild, he was aged twenty-six. He always retained a certain German weightiness to his designs. When the practice of stamping the carcasses of furniture was in ...
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Pierre Garnier
Pierre is a masculine given name. It is a French form of the name Peter. Pierre originally meant "rock" or "stone" in French (derived from the Greek word πέτρος (''petros'') meaning "stone, rock", via Latin "petra"). It is a translation of Aramaic כיפא (''Kefa),'' the nickname Jesus gave to apostle Simon Bar-Jona, referred in English as Saint Peter. Pierre is also found as a surname. People with the given name * Abbé Pierre, Henri Marie Joseph Grouès (1912–2007), French Catholic priest who founded the Emmaus Movement * Monsieur Pierre, Pierre Jean Philippe Zurcher-Margolle (c. 1890–1963), French ballroom dancer and dance teacher * Pierre (footballer), Lucas Pierre Santos Oliveira (born 1982), Brazilian footballer * Pierre, Baron of Beauvau (c. 1380–1453) * Pierre, Duke of Penthièvre (1845–1919) * Pierre, marquis de Fayet (died 1737), French naval commander and Governor General of Saint-Domingue * Prince Pierre, Duke of Valentinois (1895–1964), father ...
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François-Honoré-Georges Jacob-Desmalter
François-Honoré-Georges Jacob-Desmalter (1770–1841) oversaw one of the most successful and influential furniture workshops in Paris, from 1796 to 1825. The son of Georges Jacob, an outstanding chairmaker who worked in the Louis XVI style and Directoire styles of the earlier phase of Neoclassicism and executed many royal commissions, Jacob-Desmalter, in partnership with his older brother, assumed the family workshop in 1796. Freed from the Parisian guild restrictions of the Ancien Régime, the workshop was now able to produce veneered case-pieces (''ébénisterie'') in addition to turned and carved seat furniture ('' menuiserie''). When his brother died, Jacob-Desmalter drew his father from retirement and began to develop one of the largest furniture workshops in Napoleonic Paris. Furniture in the Empire style produced by the firm of Jacob-Desmalter et Cie ("and Company") in rue Meslée, Paris, mainly employed mahogany veneers with gilt-bronze mounts. Seat furniture forms, ...
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Adrien Delorme
Adrien Faizelot-Delorme (master in 1748 – after 1783) was a well-known cabinetmaker (''ébéniste'') working in Paris, the most prominent in a family of ''ébénistes'' Becoming master 22 June 1748, he set up in the rue du Temple, a centrally-located site where fashionable clients could find him, for he worked as a dealer Dealer may refer to: Film and TV * ''Dealers'' (film), a 1989 British film * ''Dealers'' (TV series), a reality television series where five art and antique dealers bid on items * ''The Dealer'' (film), filmed in 2008 and released in 2010 * ... in furniture as well as running his own workshop; as dealer, his stamp is often found on pieces made by other ''ébénistes''. His own furniture featured fine marquetry and lacquered furniture. In 1783 Delorme sold his remaining stock at public auction and retired from business.Watson 1966. Notes {{DEFAULTSORT:Delorme, Adrien Faizelot French furniture makers Furniture designers from Paris Year of dea ...
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Jacques-Philippe Carel
Jacques-Philippe Carel () was a Parisian cabinet-maker (''ébéniste''), who was admitted to the cabinetmakers' guild in 1723 and specialized in rococo case pieces of high quality veneered in end-grain (''bois de bout'') floral marquetry. Two almost identical commodes made at the Frick Collection, New York, are part of an unusually large group of commodes of almost identical shape, variously veneered but bearing the same mounts, apparently commissioned from numerous cabinetmakers by a single ''marchand-mercier A ''marchand-mercier'' is a French term for a type of entrepreneur working outside the guild system of craftsmen but carefully constrained by the regulations of a ''corporation'' under rules codified in 1613. The reduplicative term literally mean ...'', who originated the design and retained a monopoly of the mounts.The group was identified by Theodore Dell, ''The Frick Collection. V. Furniture'' 1992:270-281. Notes {{DEFAULTSORT:Carel, Jacques Philippe French furnitur ...
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