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Jean-Pierre Latz (Paris, 4 August 1754 ) was one of the handful of truly outstanding cabinetmakers (''
ébéniste ''Ébéniste'' () is a loanword (from French) for a cabinet-maker, particularly one who works in ebony. Etymology and ambiguities As opposed to ''ébéniste'', the term ''menuisier'' denotes a woodcarver or chairmaker in French. The English equiva ...
s'') working in
Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma ...
in the mid-18th century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed
rococo Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, ...
style, employing boldly sculptural
gilt-bronze Ormolu (; from French ''or moulu'', "ground/pounded gold") is the gilding technique of applying finely ground, high-carat gold– mercury amalgam to an object of bronze, and for objects finished in this way. The mercury is driven off in a kiln le ...
mounts complementing
marquetry Marquetry (also spelled as marqueterie; from the French ''marqueter'', to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns, designs or pictures. The technique may be applied to case fur ...
motifs of flowers and leafy sprays, in figured tropical veneers like
tulipwood Most commonly, tulipwood is the greenish yellowish wood yielded from the tulip tree, found on the Eastern side of North America and a similar species in some parts of China. In the United States, it is commonly known as tulip poplar or yellow po ...
, '' amarante'', purpleheart and
rosewood Rosewood refers to any of a number of richly hued timbers, often brownish with darker veining, but found in many different hues. True rosewoods All genuine rosewoods belong to the genus ''Dalbergia''. The pre-eminent rosewood appreciated ...
, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of
Stavros Niarchos Stavros Spyrou Niarchos ( el, Σταύρος Σπύρου Νιάρχος, ; 3 July 1909 – 15 April 1996) was a Greek billionaire shipping tycoon. Starting in 1952, he had the world's biggest supertankers built for his fleet. Propelled by both ...
, Paris. The son of a certain Walter Latz, Jean-Pierre was born near
Cologne Cologne ( ; german: Köln ; ksh, Kölle ) is the largest city of the German western state of North Rhine-Westphalia (NRW) and the fourth-most populous city of Germany with 1.1 million inhabitants in the city proper and 3.6 millio ...
, where he must have received his training, for when he settled in Paris in 1719, where he was received into the cabinetmakers'
guild A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes ...
, he was aged twenty-six. He always retained a certain German weightiness to his designs. When the practice of stamping the carcasses of furniture was introduced in Paris, Latz was already in full career. Nevertheless, his style is individual enough that a range of unstamped case furniture, writing tables and especially clock cases, his specialty, with close stylistic connections to stamped pieces, can be attributed to his workshop. In some cases, carcases by Latz were veneered with marquetry in the shop of
Jean-François Oeben Jean-François Oeben, or Johann Franz Oeben (9 October 1721 Heinsberg near Aachen – Paris 21 January 1763) was a German ébéniste (cabinetmaker) whose career was spent in Paris. He was the maternal grandfather of the painter Eugène Delacroix. ...
, or, possibly, by
Roger Vandercruse Lacroix Roger Vandercruse Lacroix (1728–1799), often known as Roger Vandercruse, was a Parisian ''ébéniste'' whose highly refined furniture spans the rococo and the early neoclassical styles. According to Salverte, he "is counted among the great ebe ...
. In May 1736 Latz was naturalized as a French citizen. In 1741 he was appointed ''ébéniste privilegié du Roi'', a court appointment under royal warrant that should have freed him from certain Parisian guild restrictions. Robust and sculptural gilt-bronze mounts that show technical virtuosity in casting and the chasing of their surfaces are a consistent feature of Latz' identified work, and in this vein Henry Hawley has noted that he was investigated in December 1749 by the Paris guild of workers in metal (''Communauté des fondeurs''), for casting and chasing mounts in his own workshop, a privilege that was normally reserved to the metalworkers' guild. In spite of his warrant as ''ébéniste privilegié'', all his bronze-chasing tools were confiscated and, what must have been an overwhelming loss, a thousand models for bronze mounts. Some of his furniture mounts can be dated 1745-49 by the tiny "crowned c" tax stamp they bear, that was in effect only during those years; an example is Latz'
commode A commode is any of many pieces of furniture. The ''Oxford English Dictionary'' has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest ...
in the
Cincinnati Art Museum The Cincinnati Art Museum is an art museum in the Eden Park neighborhood of Cincinnati, Ohio. Founded in 1881, it was the first purpose-built art museum west of the Alleghenies, and is one of the oldest in the United States. Its collection of ov ...
. Latz specialised in clock cases. In the documentation of the 1736 raid, 236 clock cases or parts of clock cases, including sculpted models for complete clocks, mounts and dial elements, and sculptural figures in bronze were impounded. He counted numerous foreign clients, among them Frederick II of Prussia, for whom was conceived Latz's grandest piece, a richly mounted clock, Augustus III, Elector of Saxony and King of Poland, Count Heinrich von Brühl and Madame Elisabeth, Louis XV's favourite daughter, married to the Duke of Parma. At the time of his marriage in 1739, most unusually, the marriage contract was witnessed by two grand personages, Sister Marie-Gabrielle-Eléanor de Bourbon-Condé, abbess of the Abbaye Royale de Saint-Antoine, a ''princesse du Sang'', and another abbess of a distinguished family, Jeanne de Rohan. Henry Hawley has suggested that such contacts would have provided a useful entrée at court. After his death in 1754, his widow Marie-Madeleine continued the extensive workshops, holding his desirable brevet of ''marchand-ébéniste privilegié du roi suivant la cour''; at her death two years later (7 December 1756), their only son having died as an infant, the shop was dispersed and the warrant passed to Pierre Macret.Bellaigue 1974:876; Anne Odom, Liana Paredes Arend, ''A Taste for Splendor: Russian imperial and European treasures from the Hillwood Museum'', (exhibition catalogue) 1998:190 (cat. no. 92). Latz' name, never mentioned in 18th-century Parisian sale catalogues, fell into complete obscurity after his death; his career was reconstructed in the 20th century, beginning with the comte de Salverte.


Notes

{{DEFAULTSORT:Latz, Jean Pierre Year of birth missing 1754 deaths French furniture designers French cabinetmakers