Roger Vandercruse Lacroix
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Roger Vandercruse Lacroix
Roger Vandercruse Lacroix (1728–1799), often known as Roger Vandercruse, was a Parisian ''ébéniste'' whose highly refined furniture spans the rococo and the early neoclassical styles. According to Salverte, he "is counted among the great ebenistes of his generation (compta parmi les grands ebenistes de sa generation)."  Roger Vandercruse Lacroix, like many outstanding Parisian cabinetmakers since the mid-seventeenth century, was of Low Countries stock, fully acclimatized in Paris, where he was part of a network of outstanding craftsmen: he was the son of a cabinet-maker in the Faubourg Saint-Antoine, and the brother of a clock-maker; in 1749 his sister married Jean-François Oeben, the great ''ébéniste'' and ''mechanicien'', whose workshop stock R.V.L.C.— as he stamped his pieces— finished after Oeben's death in 1763, including pieces designed for Oeben's patron, the marquise de Pompadour. His sister, Oeben's widow, then married the foreman Jean-Henri Riesener, royal ...
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Roger Vandercruse - Table
Roger is a given name, usually masculine, and a surname. The given name is derived from the Old French personal names ' and '. These names are of Germanic languages, Germanic origin, derived from the elements ', ''χrōþi'' ("fame", "renown", "honour") and ', ' ("spear", "lance") (Hrōþigēraz). The name was introduced into England by the Normans. In Normandy, the Franks, Frankish name had been reinforced by the Old Norse cognate '. The name introduced into England replaced the Old English cognate '. ''Roger'' became a very common given name during the Middle Ages. A variant form of the given name ''Roger'' that is closer to the name's origin is ''Rodger''. Slang and other uses Roger is also a short version of the term "Jolly Roger", which refers to a black flag with a white skull and crossbones, formerly used by piracy, sea pirates since as early as 1723. From up to , Roger was slang for the word "penis". In ''Under Milk Wood'', Dylan Thomas writes "jolly, rodgered" sugges ...
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Marquetry
Marquetry (also spelled as marqueterie; from the French ''marqueter'', to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns, designs or pictures. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right. Marquetry differs from the more ancient craft of inlay, or intarsia, in which a solid body of one material is cut out to receive sections of another to form the surface pattern. The word derives from a Middle French word meaning "inlaid work". Materials The veneers used are primarily woods, but may include bone, ivory, turtle-shell (conventionally called "tortoiseshell"), mother-of-pearl, pewter, brass or fine metals. Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century. Many exotic woods as well as common European varieties ...
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Musée Nissim De Camondo
The Musée Nissim de Camondo is a historic house museum of French decorative arts located in the Hôtel Camondo at 63, rue de Monceau, on the edge of Parc Monceau, in the 8th arrondissement of Paris, France. The nearest Paris Métro stops are Villiers and Monceau on Line 2. The Paris Convention and Visitors Bureau describes the museum as housing "a spectacular collection of French decorative art from the second half of the 18th century. Admire Aubusson tapestries, canvases by Élisabeth Vigée-Lebrun or items that once belonged to Marie-Antoinette. Also on display, a collection of Sèvres porcelain and furniture by cabinetmakers Riesener and Oeben". History The mansion was built in 1911 by Count Moïse de Camondo, a banker, with architect René Sergent, to set off his collection of eighteenth-century French furniture and art objects. Its design was patterned on the Petit Trianon at Versailles, though with modern conveniences. On his death in 1935, it was announced that both th ...
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Waddesdon Manor
Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. Owned by National Trust and managed by the Rothschild Foundation, it is one of the National Trust's most visited properties, with over 463,000 visitors in 2019. The Grade I listed house was built in a mostly Neo-Renaissance style, copying individual features of several French châteaux, between 1874 and 1889 for Baron Ferdinand de Rothschild (1839–1898) as a weekend residence for entertaining and to house his collection of arts and antiquities. As the manor and estate have passed through three generations of the Rothschild family, the contents of the house have expanded to become one of the most rare and valuable collections in the world. In 1957, James de Rothschild bequeathed the house and its contents to the National Trust, opening the house and gardens for the benefit of the general public. Unusually for a National Trust property, the family of James Rothschild, the donor, manage the ...
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French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ...
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Madame Du Barry
Jeanne Bécu, Comtesse du Barry (19 August 1743 – 8 December 1793) was the last ''maîtresse-en-titre'' of King Louis XV of France. She was executed, by guillotine, during the French Revolution due to accounts of treason—particularly being suspected of assisting ''émigrés'' flee from the Revolution. In order for the king to take Jeanne as a ''maîtresse-en-titre'', she had to be married to someone of high rank so she could be allowed at court; she was hastily married on 1 September 1768, to Comte Guillaume du Barry. The marriage ceremony was accompanied by a false birth certificate, created by Jean du Barry. The certificate made Jeanne younger by three years and dissimulated her “poor” background. Henceforth, she was deemed as an official ''maîtresse-en-titre'' to the king. Her arrival at the French royal court was considered scandalous by some, as she had been a prostitute and a commoner. For these reasons, she was disliked by many, including Marie Antoinette. Mari ...
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Château De Fontainebleau
Palace of Fontainebleau (; ) or Château de Fontainebleau, located southeast of the center of Paris, in the commune of Fontainebleau, is one of the largest French royal châteaux. The medieval castle and subsequent palace served as a residence for the French monarchs from Louis VII to Napoleon III. Francis I and Napoleon were the monarchs who had the most influence on the palace as it stands today. It became a national museum in 1927 and was designated a UNESCO World Heritage Site in 1981 for its unique architecture and historical importance. History Medieval palace (12th century) The earliest record of a fortified castle at Fontainebleau dates to 1137. It became a favorite residence and hunting lodge of the Kings of France because of the abundant game and many springs in the surrounding forest. It took its name from one of the springs, the fountain de Bliaud, located now in the English garden, next to the wing of Louis XV. It was used by King Louis VII, for whom Thomas Be ...
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Louis XVIII Of France
Louis XVIII (Louis Stanislas Xavier; 17 November 1755 – 16 September 1824), known as the Desired (), was King of France from 1814 to 1824, except for a brief interruption during the Hundred Days in 1815. He spent twenty-three years in exile: during the French Revolution and the First French Empire (1804–1814), and during the Hundred Days. Until his accession to the throne of France, he held the title of Count of Provence as brother of King Louis XVI. On 21 September 1792, the National Convention abolished the monarchy and deposed Louis XVI, who was later executed by guillotine. When his young nephew Louis XVII died in prison in June 1795, the Count of Provence proclaimed himself (titular) king under the name Louis XVIII. Following the French Revolution and during the Napoleonic era, Louis XVIII lived in exile in Prussia, England, and Russia. When the Sixth Coalition finally defeated Napoleon in 1814, Louis XVIII was placed in what he, and the French royalists, con ...
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Frick Collection
The Frick Collection is an art museum in New York City. Its permanent collection (normally at the Henry Clay Frick House, currently at the 945 Madison Avenue#2021–present: Frick Madison, Frick Madison) features Old Master paintings and European fine and decorative arts, including works by Giovanni Bellini, Bellini, Jean-Honoré Fragonard, Fragonard, Goya, Hans Holbein the Younger, Holbein, Rembrandt, Titian, J. M. W. Turner, Turner, Velázquez, Vermeer, Thomas Gainsborough, and many others. The museum was founded by the industrialist Henry Clay Frick (1849–1919), and its collection has more than doubled in size since opening to the public in 1935. The Frick also houses the Frick Art Reference Library, a premier art history research center established in 1920 by Helen Clay Frick (1888–1984). History The Frick Collection became a public institution when Henry Clay Frick bequeathed his art collection, as well as his Upper East Side residence at 1 East 70th Street, to the p ...
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Château De Compiègne
The Château de Compiègne is a French château, a royal residence built for Louis XV and restored by Napoleon. Compiègne was one of three seats of royal government, the others being Versailles and Fontainebleau. It is located in Compiègne in the Oise department and is open to the public. History Even before the château was constructed, Compiègne was the preferred summer residence for French monarchs, primarily for hunting given its proximity to Compiègne Forest. The first royal residence was built in 1374 for Charles V, and a long procession of successors both visited it and modified it. Louis XIV resided in Compiègne some 75 times. Louis XV was perhaps even more favorably impressed; the Comte de Chevergny described his infatuation: :"Hunting was his main passion... and Compiègne, with its immense forest, with its endless avenues amongst the trees, with its stretches down which you could ride all day and never come to the end, was the ideal place to indulge that pa ...
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Princess Victoire Of France
Princess is a regal rank and the feminine equivalent of prince (from Latin ''princeps'', meaning principal citizen). Most often, the term has been used for the consort of a prince, or for the daughter of a king or prince. Princess as a substantive title Some princesses are reigning monarchs of principalities. There have been fewer instances of reigning princesses than reigning princes, as most principalities excluded women from inheriting the throne. Examples of princesses regnant have included Constance of Antioch, princess regnant of Antioch in the 12th century. Since the President of France, an office for which women are eligible, is ''ex-officio'' a Co-Prince of Andorra, then Andorra could theoretically be jointly ruled by a princess. Princess as a courtesy title Descendants of monarchs For many centuries, the title "princess" was not regularly used for a monarch's daughter, who, in English, might simply be called "Lady". Old English had no female equivalent of "prince ...
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Gilles Joubert
Gilles Joubert (1689–1775) was a Parisian ''ébéniste'' who worked for the ''Garde-Meuble'' of Louis XV for two and a half decades, beginning in 1748, earning the title ''ébéniste ordinaire du Garde-Meuble'' in 1758, and finally that of ''ébéniste du roi'' ("royal cabinet-maker") on the death of Jean-François Oeben in 1763. He produced case furniture in a robust Rococo style, ranging from simple veneered ''bidets'' to grand commodes that integrated gilt-bronze mounts into the forms of furniture with subtle three-dimensional curves (''bombé''). From the later 1760s his furniture increasingly shows a conservative compromise with the nascent neoclassical style. The date of Joubert's admission to the ''corporation des maiîtres ébénistes'' is missing, along with the early guild archives, but he was already syndic in 1749-50. Much of his furniture was produced before Parisian guild regulations required ''ébénistes'' to stamp their production, and pieces intended for the ...
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