Pierre Macret
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Pierre Macret
Pierre Macret (1727–1806) was a well-known Parisian cabinetmaker ('' ébéniste''). At the death of the widow of Jean-Pierre Latz in December 1756, he received Latz' court warrant as ''marchand-ébéniste privilégié du Roi suivant la Cour'', ("royally privileged merchant-cabinetmaker following the court"), a brevet that exempted him from the stringent regulations of the Paris guild. In 1758 he was belatedly admitted ''maître-ébéniste'' by the guild, which henceforth required him to stamp his production. Numerous pieces bearing Macret's ''poinçon'' survive. He retained premises in the fashionable rue Saint-Honoré near the church of Saint-Roch, across from the passage of the Académie de Musique. From 1765 to 1771 he provided furniture ordered by the Menus-Plaisirs: a commode of ca 1770 branded for the Garde-Meuble de la dauphine Marie-Antoinette, is now at Versailles. Macret also worked on occasion for the fashionable '' marchand-mercier'' Lazare Duvaux, for in the inve ...
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Château De Versailles, Petit Appartement De La Reine (2e étage), Table à écrire Ovale, Pierre Macret & Charles Topino, 1773-1774
A château (; plural: châteaux) is a manor house or residence of the lord of the manor, or a fine country house of nobility or gentry, with or without fortifications, originally, and still most frequently, in French-speaking regions. Nowadays a ''château'' may be any stately residence built in a French style; the term is additionally often used for a winegrower's estate, especially in the Bordeaux region of France. Definition The word château is a French word that has entered the English language, where its meaning is more specific than it is in French. The French word ''château'' denotes buildings as diverse as a medieval fortress, a Renaissance palace and a fine 19th-century country house. Care should therefore be taken when translating the French word ''château'' into English, noting the nature of the building in question. Most French châteaux are "palaces" or fine " country houses" rather than "castles", and for these, the word "château" is appropriate in E ...
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ébéniste
''Ébéniste'' () is a loanword (from French) for a cabinet-maker, particularly one who works in ebony. Etymology and ambiguities As opposed to ''ébéniste'', the term ''menuisier'' denotes a woodcarver or chairmaker in French. The English equivalent for ''ébéniste'', "ebonist", is not commonly used. Originally, an ''ébéniste'' was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp. The word is 17th-century in origin. Early Parisian ''ébénistes'' often came from the Low Countries themselves; an outstanding example is Pierre Golle, who worked at the '' Gobelins manufactory'' making cabinets and table tops veneered with marquetry, the traditional enrichment of ''ébénisterie'', or "cabinet-work". History ''Ébénistes'' make case furniture, either veneered or painted. Under Parisian guild regulations the application of painted varnishes, generically called '' vernis Mar ...
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Jean-Pierre Latz
Jean-Pierre Latz (Paris, 4 August 1754 ) was one of the handful of truly outstanding cabinetmakers ('' ébénistes'') working in Paris in the mid-18th century. Like several of his peers in the French capital, he was of German origin. His furniture is in a fully developed rococo style, employing boldly sculptural gilt-bronze mounts complementing marquetry motifs of flowers and leafy sprays, in figured tropical veneers like tulipwood, '' amarante'', purpleheart and rosewood, often featuring the distinctive end-grain cuts. He also produced lacquered pieces, most famously the slant-front desk in the collection of Stavros Niarchos, Paris. The son of a certain Walter Latz, Jean-Pierre was born near Cologne, where he must have received his training, for when he settled in Paris in 1719, where he was received into the cabinetmakers' guild, he was aged twenty-six. He always retained a certain German weightiness to his designs. When the practice of stamping the carcasses of furnitur ...
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Menus-Plaisirs
The Menus-Plaisirs du Roi () was, in the organisation of the French royal household under the Ancien Régime, the department of the Maison du Roi responsible for the "lesser pleasures of the King", which meant in practice that it was in charge of all the preparations for ceremonies, events and festivities, down to the last detail of design and order. The controller of the Menus-Plaisirs At the king's ''lever'', the ''premier gentilhomme de la chambre'' (First Gentleman of the Bedchamber), controller of the Menus-Plaisirs, was invariably in attendance, to hear directly from the king what plans were to be set in motion; by long-standing convention, he was a duke; though he was not a professional, it was up to him to determine the appropriate designs. The duke in charge of the Menus et Plaisirs du Roy was an important court official, quite separate from the Surintendant des Bâtiments du Roi, who was an architect or aristocrat in charge of all building operations undertaken by the Crown ...
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Adrien Delorme
Adrien Faizelot-Delorme (master in 1748 – after 1783) was a well-known cabinetmaker (''ébéniste'') working in Paris, the most prominent in a family of ''ébénistes'' Becoming master 22 June 1748, he set up in the rue du Temple, a centrally-located site where fashionable clients could find him, for he worked as a dealer Dealer may refer to: Film and TV * ''Dealers'' (film), a 1989 British film * ''Dealers'' (TV series), a reality television series where five art and antique dealers bid on items * ''The Dealer'' (film), filmed in 2008 and released in 2010 * ... in furniture as well as running his own workshop; as dealer, his stamp is often found on pieces made by other ''ébénistes''. His own furniture featured fine marquetry and lacquered furniture. In 1783 Delorme sold his remaining stock at public auction and retired from business.Watson 1966. Notes {{DEFAULTSORT:Delorme, Adrien Faizelot French furniture makers Furniture designers from Paris Year of dea ...
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Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This ...
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Marchand-mercier
A ''marchand-mercier'' is a French term for a type of entrepreneur working outside the guild system of craftsmen but carefully constrained by the regulations of a ''corporation'' under rules codified in 1613. The reduplicative term literally means a merchant of merchandise, but in the 18th century took the connotation of a merchant of ''objets d'art''. Earliest references to this ''Corps de la Ville de Paris'' can be found at the close of the 16th century, but in the 18th century marchands-merciers were shopkeepers but they also played an important role in the decoration of Paris homes. In fact, they served as general contractors, designing and commissioning pieces of the most fashionable furniture, and often, in addition, worked outside of their shops as interior decorators, responsible for many aspects of a room's decor. In Paris, the guild system, in place since the late Middle Ages, prohibited craftsmen from working with any material with which they had not undergone a formal ...
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Lazare Duvaux
Lazare Duvaux (''c''.1703 – 24 November 1758) was a Parisian '' marchand-mercier'', among the most prominent designers and purveyors of furnishings, gilt-bronze-mounted European and Chinese porcelains, Vincennes porcelain and later Sèvres porcelain and all the small, refined luxuries that appealed to Mme de Pompadour Jeanne Antoinette Poisson, Marquise de Pompadour (, ; 29 December 1721 – 15 April 1764), commonly known as Madame de Pompadour, was a member of the French court. She was the official chief mistress of King Louis XV from 1745 to 1751, and re ..., one of his most prominent clients, who entrusted the furnishing of her many châteaux to Duvaux. Lazare Duvaux was retrieved from posthumous obscurity when his daybook covering the decade 1748-1758 was published in 1873; it remains a central document of the decorative arts of the mid-18th century. Established in trade by 1740, he was already a ''marchand suivant le Cour'' by 1747, when he figured, as "sieur Devos, ...
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Joseph Baumhauer
Joseph Baumhauer (died 22 March 1772) was a prominent Parisian '' ébéniste'', one of several of German extraction. Having worked for some years as a journeyman for the German-born ''ébéniste'' François Reizell, he was appointed ''ébéniste privilegié du Roi'' in 1767, enabling him to skirt certain requirements of the Paris guild under royal privilege as well as a stiff entrance fee. He used the stamp ♣JOSEPH♣, the name by which he was commonly known to his contemporaries, between fleurs-de-lis emblematic of his royal appointment. Such stamps, like the long-mysterious B.V.R.B., served to mask the identity of cabinetmakers to the clientele of '' marchands-merciers'', such as Lazare Duvaux, who owed the "ébéniste Joseph" 1726 ''livres'' at the time of his death. Furniture stamped by Baumhauer that is mounted with Sèvres porcelain plaques must have been commissioned and sold by Simon-Philippe Poirier, who maintained a monopoly of the production, having originally devise ...
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Chinoiserie
(, ; loanword from French ''wikt:chinoiserie#French, chinoiserie'', from ''wikt:chinois#French, chinois'', "Chinese"; ) is the European interpretation and imitation of China, Chinese and other East Asia, East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of Chinoiserie has been expressed in different ways depending on the region. Its acknowledgement derives from the current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia. As a style, chinoiserie is related to the Rococo style. Both styles are characterized by exuberant decoration, asymmetry, a focus on materials, and stylized nature and subject matter that focuses on leisure and pleasure. Chinoiserie focu ...
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Boston Museum Of Fine Arts
The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 52nd–most visited art museum in the world . Founded in 1870 in Copley Square, the museum moved to its current Fenway location in 1909. It is affiliated with the School of the Museum of Fine Arts at Tufts. History 1870–1907 The Museum of Fine Arts was founded in 1870 and was initially located on the top floor of the Boston Athenaeum. Most of its initial collection came from the Athenæum's Art Gallery. Francis Davis Millet, a local artist, was instrumental in starting the art school affiliated with the museum, and in appointing Emil Otto Grundmann as its first director. In 1876, the museum moved to a h ...
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Commode
A commode is any of many pieces of furniture. The ''Oxford English Dictionary'' has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest of drawers (so in French); in the drawing room, a large (and generally old-fashioned) kind of chiffonier." The drawing room is itself a term for a formal reception room, and a chiffonier is, in this sense, a small sideboard dating from the early 19th century. Another meaning attested is a washstand, a piece of furniture equipped with basin, jug, and towel rail, and often with space to store the chamber pot behind closed doors. A washstand in the bedroom pre-dates indoor bathrooms and running water. In British English, "commode" is the standard term for a commode chair, often on wheels, enclosing a chamber pot—as used in hospitals and assisted living homes. In the United States, a "commode" is now a colloquial synonym for a flush toile ...
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