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Menus-Plaisirs
The Menus-Plaisirs du Roi () was, in the organisation of the French royal household under the Ancien Régime, the department of the Maison du Roi responsible for the "lesser pleasures of the King", which meant in practice that it was in charge of all the preparations for ceremonies, events and festivities, down to the last detail of design and order. The controller of the Menus-Plaisirs At the king's ''lever'', the ''premier gentilhomme de la chambre'' (First Gentleman of the Bedchamber), controller of the Menus-Plaisirs, was invariably in attendance, to hear directly from the king what plans were to be set in motion; by long-standing convention, he was a duke; though he was not a professional, it was up to him to determine the appropriate designs. The duke in charge of the Menus et Plaisirs du Roy was an important court official, quite separate from the Surintendant des Bâtiments du Roi, who was an architect or aristocrat in charge of all building operations undertaken by the Crown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis-Pierre-Jean Papillon De La Ferté
Denis-Pierre-Jean Papillon de la Ferté (Châlons-en-Champagne 17 February 1727 — Paris 7 July 1794) was a connoisseur of art and an administrator (an ''Intendant'' and from 1763 the sole ''Intendant'') of the Menus-Plaisirs du Roi, the organization in the royal household (the ''Maison du Roi'') that was responsible for the design and presentation of fêtes and ceremonies, weddings and funerals, at the court of France, beginning with his appointment in 1756. Even after the coming of the Revolution, he was retained until 1792, to oversee the more overtly Republican events of what had always been political as well as cultural statements ; in producing them, the conflicts among the dukes who were ''Gentilhommes de la Chambre'', to whom Papillon de la Ferté reported and among whom he served as diplomat and peacemaker, also played a role. He was a victim of the Reign of Terror in 1794. He was the son of Pierre Papillon de la Ferté (ca. 1682–1753), seigneur de la Ferté, ''prési ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maison Du Roi
The Maison du Roi (, "King's Household") was the royal household of the King of France. It comprised the military, domestic, and religious entourage of the French royal family during the Ancien Régime and Bourbon Restoration. Organisation The exact composition and duties of its various divisions changed constantly over the Early Modern period. Officers of the Maison du Roi were directly responsible to the ''Grand maître de France'' (Chief Steward). Starting in the 16th century and then from the 17th century on, the Maison du Roi was overseen by a ministry, the ''Département de la Maison du Roi'', directed by a secretary of state, the '' Secrétaire d'État à la Maison du Roi''. The structure of the Maison du Roi was officially reorganized under Henry III in 1578 and 1585, and in the 17th century by Jean-Baptiste Colbert. The Military Maison du Roi The military branch of the Maison du Roi was the French Army Lifeguard brigade, made up of cavalry and infantry units. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Bérain The Elder
Jean Berain the Elder (1640 – 24 January 1711) was a draughtsman and designer, painter and engraver of ornament, the artistic force in the Royal office of the Menus-Plaisirs du Roi where all the designs originated for court spectacle, from fêtes to funerals, and many designs for furnishings not covered by the Bâtiments du Roi. The "Berainesque" style of light arabesques and playful grotesques was an essential element in the ''style Régence'' that led to the French Rocaille and European Rococo. Born in Saint-Mihiel, Meuse, in the Austrian Netherlands, he was the son of a master gunsmith, in whose line of work engraving was a prominent technique. He spent his career in Paris. Long after his death the connoisseur Pierre-Jean Mariette wrote of him, "Nothing was done, in whatever genre that it might have been, unless it were in his manner, or where he had given designs for it." Through his engravings and those of his son, his style was highly influential beyond the court and Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel-Ange Challe
Charles-Michel-Ange Challe (born in Paris on 13 February 1718; died 8 January 1778) was a painter, draftsman and French architect. Having studied with François Boucher, Boucher and François Lemoyne, Le Moyne, he was one of the most appreciated painters of his time and enjoyed a huge success across Europe. His architectural drawings in the style of Giovanni Battista Piranesi, Piranesi contributed to his appointment in 1764 as Draftsman of the Chamber and the Cabinet of the King, charge for which he would produce many ephemeral architectures for parties and great royal funerals. He played a pivotal role in the transition between rococo and classical styles and was one of the essential contributors to the creation of aesthetics known as the Louis XVI style . The first years (1718 - 1742) Charles-Michel-Ange Challe was born in Paris to a modest family from 18 March 1718. He first studied architecture with the Dominican friar Brother André before joining the workshop of Françoi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Nicolas Cochin
Charles-Nicolas Cochin (22 February 1715 – 29 April 1790) was a French engraver, designer, writer, and art critic. To distinguish him from his father of the same name, he is variously called Charles-Nicolas Cochin le Jeune (the Younger), Charles-Nicolas Cochin le fils (the son), or Charles-Nicolas Cochin II. Early life Cochin was born in Paris, the son of Charles-Nicolas Cochin the Elder (1688–1754), under whom he studied engraving.Charles-Nicolas Cochin the Younger at britannica.com (accessed 11 February 2008) His mother was Louise-Magdeleine Horthemels (1686–1767), who herself was an important engraver in Paris for some fifty years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inigo Jones
Inigo Jones (; 15 July 1573 – 21 June 1652) was the first significant architect in England and Wales in the early modern period, and the first to employ Vitruvian rules of proportion and symmetry in his buildings. As the most notable architect in England and Wales, Jones was the first person to introduce the classical architecture of Rome and the Italian Renaissance to Britain. He left his mark on London by his design of single buildings, such as the Queen's House which is the first building in England designed in a pure classical style, and the Banqueting House, Whitehall, as well as the layout for Covent Garden square which became a model for future developments in the West End. He made major contributions to stage design by his work as theatrical designer for several dozen masques, most by royal command and many in collaboration with Ben Jonson. Early life and career Beyond the fact that he was born in Smithfield, London, as the son of clothworker Inigo Jones Snr., and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence the other arts, particularly sculpture, furniture, silverware, glassware, painting, music, and theatre. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to its widespread use in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juste-Aurèle Meissonnier
Juste-Aurèle Meissonier (1695 – 31 July 1750) was a French goldsmith, sculptor, painter, architect, and furniture designer. He was born in Turin, but became known as a worker in Paris, where he died. His Italian origin and training were probably responsible for the extravagance of his decorative style. He shared, and perhaps distanced, the meretricious triumphs of Oppenord and Germain, since he dealt with the Rococo in its most daring and flamboyant developments. Rarely does he leave a foot or two of undecorated space; Meissonier carried the style of his day to its extreme and thus achieved great popularity. Like the Scottish brothers Adam at a later day he not only as architect built houses, but as painter and decorator covered their internal walls; he designed the furniture and the candlesticks, the silver and the decanters for the table; he was as ready to produce a snuff-box as a watch case or a sword hilt. Not only in France, but for the nobility of Poland, Portu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Bérain The Younger
Jean Bérain the Younger (1678 in Paris–1726 in Paris) was a French designer, and son of Jean Bérain the Elder. He was his father's pupil, and exercised the same official functions after his father's death. Thus he planned the funeral ceremonies at Saint Denis Basilica on the death of the Dauphin, and afterwards made the designs for the obsequies of Louis XIV. He is perhaps best known as an engraver. He engraved eleven plates of the collection ''Ornements de peinture et de sculpture qui sont dans la galerie d'Apollon The Galerie d'Apollon is a large and iconic room of the Louvre Palace, on the first (upper) floor of a wing known as the Petite Galerie. Its current setup was first designed in the 1660s. It has been part of the Louvre Museum since the 1790s, was ... au chasteau du Louvre, et dans le grand appartement du roy au palais des Tuileries'' (Paris, 1710), which have been wrongly attributed to his father, the '' Mausolée du duc de Bourgogne'', and that of '' Marie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Colbert
Jean-Baptiste Colbert (; 29 August 1619 – 6 September 1683) was a French statesman who served as First Minister of State from 1661 until his death in 1683 under the rule of King Louis XIV. His lasting impact on the organization of the country's politics and markets, known as Colbertism, a doctrine often characterized as a variant of mercantilism, earned him the nickname ''le Grand Colbert'' (; "the Great Colbert"). A native of Reims, he was appointed Intendant of Finances on 4 May 1661. Colbert took over as Controller-General of Finances, a newly elevated position, in the aftermath of the arrest of Nicolas Fouquet for embezzlement, an event that led to the abolishment of the office of Superintendent of Finances. He worked to develop the domestic economy by raising tariffs and encouraging major public works projects, as well as to ensure that the French East India Company had access to foreign markets, so that they could always obtain coffee, cotton, dyewoods, fur, pepper, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carousel
A carousel or carrousel (mainly North American English), merry-go-round (List of sovereign states, international), roundabout (British English), or hurdy-gurdy (an old term in Australian English, in South Australia, SA) is a type of amusement ride consisting of a rotation, rotating circular platform with seats for riders. The "seats" are traditionally in the form of rows of wooden horses or other animals mounted on posts, many of which are moved up and down by gears to simulate Horse gallop, galloping, to the accompaniment of Music loop, looped circus music. Carousels are commonly populated with horses, each horse weighing roughly 100 lbs (45 kg), but may include a variety of mounts, for example pigs, zebras, tigers, or mythological creatures such as dragons or unicorns. Sometimes, chair-like or bench-like seats are used, and occasionally mounts can be shaped like aeroplanes or cars. The names ''carousel'' and ''merry-go-round'' are also used, in varying dialects, to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
